Love set you going like a fat gold watch. The midwife slapped your footsoles, and your bald cry Took its place among the elements. Our voices echo, magnifying your arrival. New statue. In a drafty museum, your nakedness Shadows our safety. We stand round blankly as walls. I'm no more your mother Than the cloud that distills a mirror to reflect its own slow Effacement at the wind's hand. All night your moth-breath Flickers among the flat pink roses. I wake to listen: A far sea moves in my ear. One cry, and I stumble from bed, cow-heavy and floral In my Victorian nightgown. Your mouth opens clean as a cat's. The window square Whitens and swallows its dull stars. And now you try Your handful of notes; The clear vowels rise like balloons.
Four Poems by Sylvia Plath
Song Cycle by John Mitchell (b. 1941)
1. Morning Song  [sung text checked 1 time]
Authorship:
- by Sylvia Plath (1932 - 1963)
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Researcher for this page: Victoria Brago2. The Couriers  [sung text checked 1 time]
The word of a snail on the plate of a leaf? It is not mine. Do not accept it. Acetic acid in a sealed tin? Do not accept it. It is not genuine. A ring of gold with the sun in it? Lies. Lies and a grief. Frost on a leaf, the immaculate Cauldron, talking and crackling All to itself on the top of each Of nine black Alps. A disturbance in mirrors, The sea shattering its grey one ---- Love, love, my season.
Authorship:
- by Sylvia Plath (1932 - 1963)
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Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this page: Victoria Brago3. Sheep in Fog  [sung text checked 1 time]
The hills step off into whiteness. People or stars Regard me sadly, I disappoint them. The train leaves a line of breath. O slow Horse the colour of rust, Hooves, dolorous bells ---- All morning the Morning has been blackening, A flower left out. My bones hold a stillness, the far Fields melt my heart. They threaten To let me through to a heaven Starless and fatherless, a dark water.
Authorship:
- by Sylvia Plath (1932 - 1963), "Sheep in Fog", appears in Ariel, first published 1965
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Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this page: Victoria Brago4. The Applicant  [sung text checked 1 time]
First, are you our sort of a person? Do you wear A glass eye, false teeth or a crutch, A brace or a hook, Rubber breasts or a rubber crotch, Stitches to show something's missing? No, no? Then How can we give you a thing? Stop crying. Open your hand. Empty? Empty. Here is a hand To fill it and willing To bring teacups and roll away headaches And do whatever you tell it. Will you marry it? It is guaranteed To thumb shut your eyes at the end And dissolve of sorrow. We make new stock from the salt. I notice you are stark naked. How about this suit---- Black and stiff, but not a bad fit. Will you marry it? It is waterproof, shatterproof, proof Against fire and bombs through the roof. Believe me, they'll bury you in it. Now your head, excuse me, is empty. I have the ticket for that. Come here, sweetie, out of the closet. Well, what do you think of that ? Naked as paper to start But in twenty-five years she'll be silver, In fifty, gold. A living doll, everywhere you look. It can sew, it can cook, It can talk, talk , talk. It works, there is nothing wrong with it. You have a hole, it's a poultice. You have an eye, it's an image. My boy, it's your last resort. Will you marry it, marry it, marry it.
Authorship:
- by Sylvia Plath (1932 - 1963)
See other settings of this text.
Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this page: Victoria Brago