Det første Mødes Sødme, det er som Sang i Skoven, det er som Sang paa Voven i Solens sidste Rødme, -- det er som Horn i Uren de tonende Sekunder, hvori vi med Naturen forenes i et Under.
About the headline (FAQ)
Confirmed with Bjørnson, Bjørnstjerne. Fortællinger, Jubilæumsudgave, Fortællingerne og Digteren af Moltke Moe, Gyldendalske Boghandel, Nordisk Forlag, Kristiania, København : 1907 p. 329.Alternate version (note the spelling), from Bjørnson, Bjørnstjerne. Samlede Værker, Mindeutgave, Første bind, Kristiania og Kjøbenhavn, Gyldendalske Boghandel Nordisk Forlag, 1910, p. 80:
Det første møtes sødme, det er som sang i skogen, det er som sang på vågen i solens siste rødme, -- det er som horn i uren, de tonende sekunder, hvori vi med naturen forenes i et under.Note: The scores consulted for Grieg and White employ spellings from both versions (in White's, the nouns are capitalized as above). White additionally uses "forenes Inett under" as the last line (possibly a typo). Here is the text:
Det første mødes sødme, det er som sang i skogen, det er som sang på vågen i solens sidste rødme, -- det er som horn i uren de tonende sekunder, hvori vi med naturen forenes i et under.
Authorship:
- by Bjørnstjerne Bjørnson (1832 - 1910), no title, appears in Fiskerjenten [author's text checked 1 time against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- by Edvard Grieg (1843 - 1907), "Det første Møde", op. 21 (Fire Dikt fra Fiskerjenten) no. 1 (1870), published 1873 [ voice and piano ], see the footnotes section above [sung text checked 1 time]
- by Helena Munktell (1852 - 1919), "Det förste möde", published 1883? [ voice and piano ], from Fyra sånger, no. 1, Stockholm, Huss & Beer [sung text not yet checked]
- by (Johan Gustaf) Emil Sjögren (1853 - 1918), "Det förste Möde Södme", op. 1 (Fyra dikter af Ibsen och Björnson) no. 3 (1873?6) [ voice and piano ] [sung text not yet checked]
- by Maude Valérie White (1855 - 1937), "Det første mødes sødme", published 1888? [ voice and piano ], from New Albums of Songs with German and English Words, Volume 1, no. 4, London: Pitt & Hatzfeld ; see the footnotes section above, also set in English [sung text checked 1 time]
Settings in other languages, adaptations, or excerpts:
- Also set in English, a translation by Maude Valérie White (1855 - 1937) , "Love's first awak'ning sweetness" ; composed by Maude Valérie White.
Other available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Nigel Parker) , "The sweetness of a first meeting", copyright © 2013, (re)printed on this website with kind permission
- FRE French (Français) (Pierre Mathé) , "La première rencontre", copyright © 2012, (re)printed on this website with kind permission
- GER German (Deutsch) [singable] (Franz (Friedrich) von Holstein) , "Erstes Begegnen"
Researcher for this text: Emily Ezust [Administrator]
This text was added to the website between May 1995 and September 2003.
Line count: 8
Word count: 37
Love's first awak'ning sweetness Is like the song that floateth Upon the waves at ev'ning And through the woods at sunset. And like the horn's soft music Are those harmonious moments Wherein our souls with Nature Unite in the same wonder.
Authorship:
- Singable translation by Maude Valérie White (1855 - 1937), "Love's first awak'ning sweetness" [author's text checked 1 time against a primary source]
Based on:
- a text in Norwegian (Bokmål) by Bjørnstjerne Bjørnson (1832 - 1910), no title, appears in Fiskerjenten
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- by Maude Valérie White (1855 - 1937), "Love's first awak'ning sweetness", published 1888? [ voice and piano ], from New Albums of Songs with German and English Words, Volume 1, no. 4, London: Pitt & Hatzfeld, also set in Norwegian (Bokmål) [sung text checked 1 time]
Researcher for this page: Sharon Krebs [Guest Editor]
This text was added to the website: 2013-09-24
Line count: 8
Word count: 41