Grands bois, vous m'effrayez comme des cathédrales ; Vous hurlez comme l'orgue ; et dans nos cœurs maudits, Chambres d'éternel deuil où vibrent de vieux râles, Répondent les échos de vos De profundis. Je te hais, Océan ! tes bonds et tes tumultes, Mon esprit les retrouve en lui ; ce rire amer De l'homme vaincu, plein de sanglots et d'insultes, Je l'entends dans le rire énorme de la mer. Comme tu me plairais, ô nuit ! sans ces étoiles Dont la lumière parle un langage connu ! Car je cherche le vide, et le noir, et le nu ! Mais les ténèbres sont elles-mêmes des toiles Où vivent, jaillissant de mon œil par milliers, Des êtres disparus aux regards familiers.
Confirmed with Charles Baudelaire, Les Fleurs du mal, Paris: Poulet-Malassis et de Broise, 1861, in Spleen et Idéal, pages 178-179. Note: this was number 79 in the 1861 edition of Les Fleurs du mal but number 81 in subsequent editions.
Authorship:
- by Charles Baudelaire (1821 - 1867), "Obsession", appears in Les Fleurs du mal, in 1. Spleen et Idéal, no. 79, Paris, Poulet-Malassis et de Broise, first published 1861 [author's text checked 2 times against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- by Gérard Bertouille (1898 - 1981), "Obsession", 1940 [ soprano or tenor and piano ], from Trois poèmes de Baudelaire, no. 3 [sung text not yet checked]
- by Robert Francès (1919 - 2012), "Obsession", published 2002 [ medium voice and piano ], from Paysages musicaux, no. 5, Paris, Éditions Alphonse Leduc [sung text not yet checked]
- by Gordon Kerry (b. 1961), "Obsession", 1985 [ voice and piano ], from Obsessions, no. 3 [sung text not yet checked]
- by Hyppolyte Mirande (b. 1862), "Obsession", published [1884] [ high voice and piano ], from Mélopées, no. 14, Paris, Éd. J. Naus [sung text not yet checked]
- by Robert Montfort (d. 1941), "Obsession", published [1911] [ high voice and piano ], from Trois poèmes de Baudelaire, no. 1 [sung text not yet checked]
- by Eugène Saeys , "Obsession" [ medium voice and piano ] [sung text not yet checked]
- by Gaston Selz (1869 - 1953), "Obsession", copyright © 1910 [ medium voice and piano ], Éditions Voissière [sung text not yet checked]
Settings in other languages, adaptations, or excerpts:
- Also set in Russian (Русский), a translation by Lev L'vovich Kobylinsky (1889 - 1947) ; composed by Sergei Ivanovich Taneyev.
Other available translations, adaptations or excerpts, and transliterations (if applicable):
- CZE Czech (Čeština) (Jaroslav Haasz) , "Trýzeň"
- ENG English (Emily Wyatt) , "Obsession", copyright © 2012, (re)printed on this website with kind permission
- ENG English (Cyril Meir Scott) , "Obsession", appears in The Flowers of Evil, London, Elkin Mathews, first published 1909
- GER German (Deutsch) (Stefan George) , "Besessenheit", appears in Die Blumen des Bösen, in Trübsinn und Vergeisterung, first published 1901
- POR Portuguese (Português) (Delfim Guimarães) , "Obsessão ", appears in As Flores do Mal
Research team for this page: Emily Ezust [Administrator] , Poom Andrew Pipatjarasgit [Guest Editor]
This text was added to the website: 2009-08-23
Line count: 14
Word count: 121
Os bosques para mim são como catedraes, Com organs a ulular, incutindo pavor... E os nossos corações, - jazidas sepulcraes, De profundis também soluçam, n'um clamor. Odeio do oceano as iras e os tumultos, Que retratam minh'alma! O riso singular E o amargo do infeliz, misto de pranto e insultos, É um riso semelhante ao do soturno mar. Ai! como eu te amaria, ó Noite, caso tu Pudesses alijar a luz que te constéia, Porque eu procuro o Nada , o Tenebroso, o Nu! Que a própria escuridão é tambem uma téia, Onde vejo fulgir, na luz dos meus olhares. Os entes que perdi, - espectros familiares!
Authorship:
- by Delfim Guimarães (1872 - 1933), "Obsessão ", appears in As Flores do Mal [author's text checked 1 time against a primary source]
Based on:
- a text in French (Français) by Charles Baudelaire (1821 - 1867), "Obsession", appears in Les Fleurs du mal, in 1. Spleen et Idéal, no. 79, Paris, Poulet-Malassis et de Broise, first published 1861
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- [ None yet in the database ]
Researcher for this page: Andrew Schneider [Guest Editor]
This text was added to the website: 2019-08-11
Line count: 14
Word count: 107