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Four Songs From Musical Play "Midsummer Madness" , opus 51

by Cecil Armstrong Gibbs (1889 - 1960)

1. Neglected Moon!
 (Sung text)

Language: English 
Neglected Moon! Romance and you
Are not in fashion now.
These moderns have no time to woo
And dare not risk a vow.

In good Victoria's ampler day,
By parks or village greens,
What fervent whiskers caught your ray,
What bashful crinolines!

In vain do you, with all your stars,
Make wood or river bright;
For lovers now rush by in cars,
And use electric light.

Yet now for once I'll dare to say
That, though we scorn the Past,
Perhaps the world was quite as gay
Before it went so fast.

Text Authorship:

  • by Clifford Bax (1886 - 1962), appears in Midsummer Madness, Mrs Pascal's song, first published 1924

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Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.

2. Arrogant Poppies
 (Sung text)

Language: English 
 Though people more wise
 May laugh me to scorn,
 At least I was gay
 From the hour I was born.
 Just like the wind
 On a midsummer morn
	Teasing the poppies,
	The arrogant poppies,
	Teasing the poppies
	That peer from the corn.

 What lovers I've seen, 
 What vows they have sworn,
 I listened, I laughed
 And I left them forlorn;
 Just like the wind 
 On a midsummer morn
	Teasing the poppies,
	The arrogant poppies,
	Teasing the poppies
	That peer from the corn.

Text Authorship:

  • by Clifford Bax (1886 - 1962), no title, appears in Midsummer Madness, Columbine's Song, first published 1924

Go to the general single-text view

Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.

3. The chains of love

Language: English 
O woman, fair shape!
 . . . . . . . . . .

— The rest of this text is not
currently in the database but will be
added as soon as we obtain it. —

Text Authorship:

  • by Clifford Bax (1886 - 1962), from the play for music, Midsummer Madness, first published 1924

Go to the general single-text view

4. The rejected lover
 (Sung text)

Language: English 
Hear me, you hollyhocks;
You dark delphiniums, hear!
From now, from now, henceforth,
I vow I'll hold no woman dear.

What do we find in love?
At best a pleasing pain.
O, 'tis a snare and I do swear
Never to love again.

Others may play the fool
And learn what passion brings,
But I, set free, shall laugh to see
Their honey-captured wings.

Text Authorship:

  • by Clifford Bax (1886 - 1962), appears in Midsummer Madness, first published 1924

Go to the general single-text view

Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.

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