Black lake, black boat, two black, cut-paper people. Where do the black trees go that drink here? Their shadows must cover Canada. A little light is filtering from the water flowers. Their leaves do not wish us to hurry: They are round and flat and full of dark advice. Cold worlds shake from the oar. The spirit of blackness is in us, it is in the fishes. A snag is lifting a valedictory, pale hand; Stars open among the lilies. Are you not blinded by such expressionless sirens? This is the silence of astounded souls.
Three Songs
Song Cycle by Maarten Altena (b. 1943)
1. Crossing the water  [sung text not yet checked]
Text Authorship:
- by Sylvia Plath (1932 - 1963), "Crossing the water", first published 1962
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Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this text: Emily Ezust [Administrator]2. The Night Dances  [sung text not yet checked]
A smile fell in the grass. Irretrievable! And how will your night dances Lose themselves. In mathematics? Such pure leaps and spirals ---- Surely they travel The world forever, I shall not entirely Sit emptied of beauties, the gift Of your small breath, the drenched grass Smell of your sleeps, lilies, lilies. Their flesh bears no relation. Cold folds of ego, the calla, And the tiger, embellishing itself ---- Spots, and a spread of hot petals. The comets Have such a space to cross, Such coldness, forgetfulness. So your gestures flake off ---- Warm and human, then their pink light Bleeding and peeling Through the black amnesias of heaven. Why am I given These lamps, these planets Falling like blessings, like flakes Six sided, white On my eyes, my lips, my hair Touching and melting. Nowhere.
Text Authorship:
- by Sylvia Plath (1932 - 1963), "The Night Dances", appears in Ariel, first published 1965
See other settings of this text.
Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this text: Emily Ezust [Administrator]3. Sheep in fog  [sung text not yet checked]
The hills step off into whiteness. People or stars Regard me sadly, I disappoint them. The train leaves a line of breath. O slow Horse the colour of rust, Hooves, dolorous bells ---- All morning the Morning has been blackening, A flower left out. My bones hold a stillness, the far Fields melt my heart. They threaten To let me through to a heaven Starless and fatherless, a dark water.
Text Authorship:
- by Sylvia Plath (1932 - 1963), "Sheep in Fog", appears in Ariel, first published 1965
See other settings of this text.
Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this page: Victoria Brago