They are our past and our future; the poles between which our desire unceasingly is discharged. A desire in which love and hatred so perfectly oppose themselves, that we cannot voluntarily move, but await the extraordinary compulsion of the deluge and the earthquake. Their finish has inspired the limits of all arts and ascetic movements. Their affections and indifferences have been a guide to all reformers and tyrants. Their appearances in our dreams of machinery have brought a vision of nude and fabulous epochs. O pride so hostile to our charity. But what their pride has retained, we may by charity more generously recover.
Our Hunting Fathers
Song Cycle by (Edward) Benjamin Britten (1913 - 1976)
1. Prologue
Text Authorship:
- by W. H. (Wystan Hugh) Auden (1907 - 1973)
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Researcher for this page: John Versmoren2. Rats away
I command that all the rats that are hereabout That none dwell in this place, within or without; Through the virtue of Jesus that Mary bore, Whom all creatures must ever adore; And through the virtue of Mark, Matthew, Luke and John, All four Archangels, that are as one; Through the virtue of Saint Gertrude, that maid clean, God grant in grace That no rats dwell in the place That these names were uttered in; And through the virtue of Saint Kasi, That holy man who prayed to God Almighty Of the scathes they did His meadows amid By day and night. God bid them flee and go out of every man's sight. Dominus, Deus, Sabbaoth, Emmanuel, great name of God, Deliver this place from rats and from all other shame. God save this place from all other wicked wights, Both by days and by nights, Et in nomini Patris et Filii et Sancti Spiriti, Amen.
Text Authorship:
- by Anonymous / Unidentified Author
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Note: modernized by AudenResearcher for this page: John Versmoren
3. Messalina
Ay me, alas, heigh ho, heigh ho! Thus doth Messalina go Up and down the house a-crying, For her monkey lies a-dying. Death, thou art too cruel To bereave her of her jewel; Or to make a seizure Of her only treasure. If her monkey die She will sit and cry: Fie, fie, fie, fie, fie!
Text Authorship:
- by Anonymous / Unidentified Author
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Researcher for this page: John Versmoren4. Dance of Death (Hawking for the Partridge)
Whurret! Duty Beauty Quando Timble Travel Trover Jew Damsel Hey dogs hey! Ware haunt hay! Sith sickles and the shearing scythe Hath shorn the fields of late, Now shall our hawks and we be blithe, Dame Partridge ware your pate! Our murdering kites In all their flights Will seld or never miss To truss you ever and make your bale our bliss. Whurret! Wanton Sugar Mistress Semster Faver Minx Callis Dover Sant Dancer Jerker Quoy Whurret! Tricker Crafty Minion Dido Civil Lemmon Cherry Carver Courtier Stately Ruler German let fly! O well flown, eager kite, mark! We falconers thus make sullen kites Yield pleasure fit for kings, And sport with them in those delights, And oft in other things.
Text Authorship:
- by Thomas Ravenscroft (c1582 - c1635)
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Researcher for this page: John Versmoren5. Epilogue and Funeral March
Our hunting fathers told the story Of the sadness of the creatures, Pitied the limits and the lack Set in their finished features; Saw in the lion's intolerant look, Behind the quarry's dying glare, Love raging for the personal glory That reason's gift would add The liberal appetite and power, The rightness of a god. Who nurtured in that fine tradition Predicted the result, Guessed love by nature suited to The intricate ways of guilt; That human company could so His southern gestures modify And make it his mature ambition To think no thought but ours, To hunger, work illegally, And be anonymous?
Text Authorship:
- by W. H. (Wystan Hugh) Auden (1907 - 1973), "Poem"
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Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
First published in Listener, May 1934Researcher for this page: John Versmoren