All'acquisto di gloria e di fama tra belliche schiere di trombe guerriere mi chiama il fragor. Ma portando del caro mio bene fisse all'alma le gravi sventure avrò sempre dure le pene nel cor.
Tigrane
Opera by Alessandro Scarlatti (1659 - 1725)
o vero L'egual impegno d'amore e di fede
All'acquisto di gloria Matches base text
Text Authorship:
- by Sebastiano Biancardi (1679 - 1741), as Domenico Lalli, appears in Tigrane [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Alessandro Scarlatti (1659 - 1725), first performed 1715 [ 2 oboes, bassoon, 2 horns, strings, soprano voice, continuo ], from the opera Tigane.Research team for this page: Emily Ezust [Administrator] , Andrew Schneider [Guest Editor]
Sì, sì, l'indegno cada Matches base text
Sì, sì, l'indegno cada, pera, mora l'empio traditor. Ma pietosa e non severa pur mi vuole il dio d'amor.
Text Authorship:
- by Sebastiano Biancardi (1679 - 1741), as Domenico Lalli [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Alessandro Scarlatti (1659 - 1725) [ violins, soprano voice, continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Esser deggio come un scoglio Matches base text
Esser deggio come un scoglio che all'orgoglio di due venti senza moversi sen sta. Hanno in petto egual valore fede e amore, ma costante forte il cor li sosterrà.
Text Authorship:
- by Sebastiano Biancardi (1679 - 1741), as Domenico Lalli [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Alessandro Scarlatti (1659 - 1725)Researcher for this page: Andrew Schneider [Guest Editor]
Care pupille belle Matches base text
Care pupille belle, stelle del idol mio, da voi desio quest'alma il suo ristoro. Spera da voi la calma l'ardente mio desio, occhi del caro ben che tanto adoro.
Text Authorship:
- by Sebastiano Biancardi (1679 - 1741), as Domenico Lalli [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Alessandro Scarlatti (1659 - 1725)Researcher for this page: Andrew Schneider [Guest Editor]
Lieto, costante e forte Matches base text
Lieto, costante e forte incontro quella morte che è vanto di mia fè. E spero che dirà mia bella fedeltà quel che non sai da me.
Text Authorship:
- by Sebastiano Biancardi (1679 - 1741), as Domenico Lalli [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Alessandro Scarlatti (1659 - 1725) [ strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Un solo sospiro Matches base text
Un solo sospiro, ch'esalo dal core, acceso d'amore, lo può fulminar. E 'l brando, se giro, vedrà quell'altero, ch'amante, e guerriero saprò trionfar.
Text Authorship:
- by Sebastiano Biancardi (1679 - 1741), as Domenico Lalli [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Alessandro Scarlatti (1659 - 1725), 1715, first performed 1715Researcher for this page: Andrew Schneider [Guest Editor]
Al valor di questa spada Matches base text
Al valor di questa spada fia, che cada il superbo al regio piè. E vedrà, nel dì fatale, quanto vale cor d'amante, e cor di re.
Text Authorship:
- by Sebastiano Biancardi (1679 - 1741), as Domenico Lalli [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Alessandro Scarlatti (1659 - 1725), 1715, first performed 1715Researcher for this page: Andrew Schneider [Guest Editor]
Se mi manca la gloria d'amante Matches base text
Se mi manca la gloria d'amante, in me resti d'amico l'onor; e se perdo quel caro sembiante, sia mio vanto l'istesso dolor.
Text Authorship:
- by Sebastiano Biancardi (1679 - 1741), as Domenico Lalli [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Alessandro Scarlatti (1659 - 1725), 1715, first performed 1715Researcher for this page: Andrew Schneider [Guest Editor]
Prova eccelsa è di grandezza Matches base text
Prova eccelsa è di grandezza, non sprezzar l'umil bassezza di mendica povertà. A un tal don, ch'ogn'altro eccede, io darò sol, per mercede, servitù con fedeltà.
Text Authorship:
- by Sebastiano Biancardi (1679 - 1741), as Domenico Lalli [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Alessandro Scarlatti (1659 - 1725), 1715, first performed 1715Researcher for this page: Andrew Schneider [Guest Editor]