Care selve, ombre beate, vengo in traccia del mio cor!
Atalanta
Opera by Georg Friedrich Händel (1685 - 1759)
Care selve
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Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35, published 1736Researcher for this text: Emily Ezust [Administrator]
Lascia ch'io parta solo
Lascia ch'io parta solo, e tu rimanti, oh bella, leggiadra pastorella, con sì gentil pastor. Né haver piacer cotanto di rimirare in pianto quel fido e nobil cor.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ oboe, violins, viola, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
S'è tuo piacer, ch'io mora
S'è tuo piacer, ch'io mora, vado a morir Irene, vado a piacerti, sì. Ricordati però, che morto ancor sarò fedel al tuo rigor, che il cor m'incenerì.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ violins, tenor voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Impara, ingrata
Impara, ingrata, ad esser meno crudele a chi ti chiede amor. Ei si mostrò sincero, se protestò fedele, e tu l'affliggi ancor!
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ violins, bass voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Come alla tortorella langue
Come alla tortorella langue il caro suo appresso, fia il tuo languir l'istesso, mio bene intorno a me. "Pianti, sospiri, addio", lieto dirai cor mio, ma ancor soffrir conviene, che tempo di gioire non è.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ violins, alto voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Al varco, oh pastori!
Al varco, oh pastori! Vicina è la fera.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ 2 oboes, strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Riportai gloriosa palma
Riportai gloriosa palma, e pur l'arma lieta in seno ancor non ho. Già mi sfida un altra fera più severa, né so ancor se vincerò.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ violins, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Non sarà poco
Non sarà poco, se il mio gran foco potessi rallentar con la speranza. A far più cara almen, agli occhi del mio ben la mia costanza.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Oggi rimbombano di feste
Oggi rimbombano di feste e giubilo i Fauni e Driadi, le selve e i rivoli nostro è l'onor.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ 2 horns, 2 oboes, strings, satb chorus, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Lassa! ch'io t'ho perduta
Lassa! ch'io t'ho perduta, oh bella, dolce prima, mia cara libertà! E son quell'augelletto ch'ognor fra lacci stretto, in van piangendo va!
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Sì, sì, mel raccorderò
Sì, sì, mel raccorderò, ma se per te sarò sugli occhi del mio ben più fortunato. Io ti dirò, mio cor, se non vedrò il mio amor più disprezzato.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ violins, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Soffri in pace il tuo dolore
Soffri in pace il tuo dolore, se il mio amor tu disprezzasti. Cor di Ninfa mai non ama, se l'oggetto ch'ella brama... tu m'intendi, e tanto basti.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ violins, alto voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Dì ad Irene, tiranna
Dì ad Irene, tiranna, infedele ria, crudele d'un mostro peggiore... Ah, no... Dille, dille piuttosto, dille ch'un core qual è il mio, più trovar non potrà. Dille, barbara, dille... Ma ché? No, che basta alla pura mia fè, di veder quei begli occhi sereni con la prima amorosa pietà.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ strings, tenor voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
M'allontano, sdegnose pupille
M'allontano, sdegnose pupille, per vedervi più liete, e serene. E per ch'abbian le vostre faville nutrimento minore di pene.
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Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Se nasce un rivoletto
Se nasce un rivoletto fra duri alpestri sassi tosto incamina i passi ove l'invita amore, e torna al mar. Io sola al mio diletto starmi godrei d'appresso, e pur non m'è concesso che raggirarmi altrove, e sospirar.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ 2 oboes, strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Bench'io non sappia ancor
Bench'io non sappia ancor intender il mio fato, sento però il mio cor che si consola. E una gradita speme gran parte di mie pene all'alma invola.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ 2 oboes, strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Diedi il core ad altra Ninfa
Diedi il core ad altra Ninfa più gentile ancor di te, più amorosa ancor di te, più vezzosa ancor di te. Né trovò quest'alma mia tirannia quando chiese amor e fè.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ violins, tenor voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Ben'io sento l'ingrata
Ben'io sento l'ingrata, spietata furia atroce, crudel gelosia raggirarsi d'intorno al mio cor. Io la sento rapirmi la calma, e nell'alma lasciarmi il dolor.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ violins, alto voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Custodite, o dolci sogni
Custodite, o dolci sogni, dei mio ben l'anima in pace!
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1726), first performed 1726 [ violoncello, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Sol prova contenti
Sol prova contenti di gloria l'amante all'alma costante, al core fedel. La bella virtute è in pregio alle sfere, e trova il sentiere, per giungere al Ciel.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ strings, bass voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Tu solcasti il mare infido
Tu solcasti il mare infido, agitata navicella, or ribaci il caro lido col favor d'amica stella. È più grande il mio contento va da me lunge il martire, e tal gioja al cor mi sento, che nol posso, oh Dei! ridir.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ 2 oboes, strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Del supremo Tonante
Del supremo Tonante messaggero fedel qui corro a volo, d'un bel fato costante per pubblicar la gloria in questo suolo. E s'audì, 'l sommo Giove i voti ardenti delle Britanne genti, che per l'alto Imeneo l'una a gara dell'altra al Ciel porgeo. E decretò quel fulgido motore che de' sposi graziosi, augusti, generosi formerebbe un sol cor, celeste amore: che darian di virtù glorioso esempio: che saria di lor fama il mondo d'un tempio: che goderian d'una felice calma: che dal livor sempre otterian la palma: e che a pro di ciascun, il Ciel fecondo daria lor prole ad illustrar il mondo.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ strings, bass voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Dalla stirpe degli Eroi
Dalla stirpe degli Eroi alma vil nascer non può. Dei più illustri genitori di quei sposi gloriosi l'alma grande si formò.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ 2 oboes, strings, satb chorus, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Viva la face, viva l'amor!
Viva la face, viva l'amor! Viva, su, festeggiate! Rendete a' sposi un alto onor! Viva la face ne' due cor!
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ 2 oboes, strings, satb chorus, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Con voce giuliva
Con voce giuliva gridiam tutti! e viva!
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736 [ 3 trumpets, timpani, 2 oboes, strings, satb chorus, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Or trionfar ti fanno
Or trionfar ti fanno la nascita e l'amor, fugga da voi l'affanno, sia lieto il vostro cor.
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- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by by Georg Friedrich Händel (1685 - 1759), HWV 35 (1736), first performed 1736Researcher for this page: Andrew Schneider [Guest Editor]