In this lone, open glade I lie, Screen'd by deep boughs on either hand; And at its end, to stay the eye, Those black-crown'd, red-boled pine-trees stand! Birds here make song, each bird has his, Across the girdling city's hum. How green under the boughs it is! How thick the tremulous sheep-cries come! Sometimes a child will cross the glade To take his nurse his broken toy; Sometimes a thrush flit overhead Deep in her unknown day's employ. Here at my feet what wonders pass, What endless, active life is here! What blowing daisies, fragrant grass! An air-stirr'd forest, fresh and clear. Scarce fresher is the mountain-sod Where the tired angler lies, stretch'd out, And, eased of basket and of rod, Counts his day's spoil, the spotted trout. In the huge world, which roars hard by, Be others happy if they can! But in my helpless cradle I Was breathed on by the rural Pan. I, on men's impious uproar hurl'd, Think often, as I hear them rave, That peace has left the upper world And now keeps only in the grave. Yet here is peace for ever new! When I who watch them am away, Still all things in this glade go through The changes of their quiet day. Then to their happy rest they pass! The flowers upclose, the birds are fed, The night comes down upon the grass, The child sleeps warmly in his bed. Calm soul of all things! make it mine To feel, amid the city's jar, That there abides a peace of thine, Man did not make, and cannot mar. The will to neither strive nor cry, The power to feel with others give! Calm, calm me more! nor let me die Before I have begun to live.
A Victorian Garland
Song Cycle by Phyllis Margaret Duncan Tate (1911 - 1987)
?. Lines written in Kensington Gardens  [sung text not yet checked]
Language: English
Text Authorship:
- by Matthew Arnold (1822 - 1888), "Lines written in Kensington Gardens", appears in Empedocles on Etna, and Other Poems, first published 1852
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Researcher for this text: Emily Ezust [Administrator]?. A memory‑picture  [sung text not yet checked]
Language: English
Laugh, my Friends, and without blame Lightly quit what lightly came: Rich to-morrow as to-day Spend as madly as you may. I, with little land to stir, Am the exacter labourer. Ere the parting hour go by, Quick, thy tablets, Memory! But my Youth reminds me 'Thou Hast liv'd light as these live now: As these are, thou too wert such: Much hast had, hast squander'd much.' Fortune's now less frequent heir, Ah! I husband what's grown rare. Ere the parting hour go by, Quick, thy tablets, Memory! Young, I said: 'A face is gone If too hotly mus'd upon: And our best impressions are Those that do themselves repair.' Many a face I then let by, Ah! is faded utterly. Ere the parting hour go by, Quick, thy tablets, Memory! Marguerite says: 'As last year went, So the coming year'll be spent: Some day next year, I shall be, Entering heedless, kiss'd by thee.' Ah! I hope, yet, once away, What may chain us, who can say? Ere the parting hour go by, Quick, thy tablets, Memory! Paint that lilac kerchief, bound Her soft face, her hair around: Tied under the archest chin Mockery ever ambush'd in. Let the fluttering fringes streak All her pale, sweet-rounded cheek. Ere the parting hour go by, Quick, thy tablets, Memory! Paint that figure's pliant grace As she towards me lean'd her face, Half refus'd and half resign'd, Murmuring, 'Art thou still unkind?' Many a broken promise then Was new made, to break again. Ere the parting hour go by, Quick, thy tablets, Memory! Paint those eyes, so blue, so kind, Eager tell-tales of her mind Paint, with their impetuous stress Of inquiring tenderness, Those frank eyes, where deep doth lie An angelic gravity. Ere the parting hour go by, Quick, thy tablets, Memory! What, my Friends, these feeble lines Show, you say, my love declines? To paint ill as I have done, Proves forgetfulness begun? Time's gay minions, pleas'd you see, Time, your master, governs me. Pleas'd, you mock the fruitless cry 'Quick, thy tablets, Memory! ' Ah! too true. Time's current strong Leaves us true to nothing long. Yet, if little stays with man, Ah! retain we all we can If the clear impression dies, Ah! the dim remembrance prize Ere the parting hour go by, Quick, thy tablets, Memory!
Text Authorship:
- by Matthew Arnold (1822 - 1888), "To my friends", appears in The Strayed Reveller, and Other Poems, first published 1849
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Included as part of "Switzerland" in Poems, 1853, revised 1869Researcher for this text: Emily Ezust [Administrator]
?. Morality  [sung text not yet checked]
Language: English
We cannot kindle when we will The fire which in the heart resides; The spirit bloweth and is still, In mystery our soul abides. But tasks in hours of insight will'd Can be through hours of gloom fulfill'd. With aching hands and bleeding feet We dig and heap, lay stone on stone; We bear the burden and the heat Of the long day, and wish 'twere done. Not till the hours of light return, All we have built do we discern. Then, when the clouds are off the soul, When thou dost bask in Nature's eye, Ask, how she view'd thy self-control, Thy struggling, task'd morality-- Nature, whose free, light, cheerful air, Oft made thee, in thy gloom, despair. And she, whose censure thou dost dread, Whose eye thou wast afraid to seek, See, on her face a glow is spread, A strong emotion on her cheek! "Ah, child!" she cries, "that strife divine, Whence was it, for it is not mine? "There is no effort on my brow-- I do not strive, I do not weep; I rush with the swift spheres and glow In joy, and when I will, I sleep. Yet that severe, that earnest air, I saw, I felt it once--but where? "I knew not yet the gauge of time, Nor wore the manacles of space; I felt it in some other clime, I saw it in some other place. 'Twas when the heavenly house I trod, And lay upon the breast of God."
Text Authorship:
- by Matthew Arnold (1822 - 1888), "Morality", appears in Empedocles on Etna, and Other Poems, first published 1852
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Researcher for this text: Emily Ezust [Administrator]Total word count: 932