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Texts by R. Bulwer-Lytton set in Art Songs and Choral Works

 § Author § 

(Edward) Robert Bulwer-Lytton (1831 - 1891)

Owen Meredith [pseudonym]

Text Collections:

  • Marah
  • The Poems of Owen Meredith, Volume I

Texts set in art song or choral works (not necessarily comprehensive):

Legend:
The symbol [x] indicates a placeholder for a text that is not yet in the database.
The symbol ⊗ indicates a translation that is missing an original text.

A * indicates that a text cannot (yet?) be displayed on this site because of its copyright status.
Special notes: All titles and first lines are included in this index, including those used by composers.
Titles used by the text author appear in boldface. First lines appear in italics.
A language code in a blue rectangle like ENG indicates that a translation to that language is available.
A grey rectangle like FRE indicates a particular translation (usually one set to music) exists but isn't yet available.

  • Absence (Not in my life but yours I live) - F. Allitsen
  • All the phantoms of the future, all the spectres of the past (from Marah) - F. Allitsen (Omens and oracles)
  • A Remembrance ('Twas eve and May when last, through tears)
  • At Paris it was, at the opera there; - E. Dickson (Aux Italiens)
  • Aux Italiens (At Paris it was, at the opera there;)
  • Because she hath the sweetest eyes (from The Poems of Owen Meredith, Volume I - 2. Book II. Absence) (Lines) - H. Willan
  • Because she hath the sweetest eyes (from The Poems of Owen Meredith, Volume I - 2. Book II. Absence) (The Message) - H. Willan
  • Ceres hath her harvest sweet GER (Les espices sont a Ceres) -
  • Dedication (Then, if she smile on you, my Songs) (from The Poems of Owen Meredith, Volume I - 2. Book II. Absence) - H. Willan
  • Doubts (All the phantoms of the future, all the spectres of the past) (from Marah) - F. Allitsen
  • I may not kiss away the tears that still - B. Thomson (The first farewell)
  • Les espices sont a Ceres (Ceres hath her harvest sweet) GER
  • Lines (Because she hath the sweetest eyes) (from The Poems of Owen Meredith, Volume I - 2. Book II. Absence)
  • Love's quarrel (Standing by the river, gazing on the river) - C. Scott
  • Not in my life but yours I live - F. Allitsen (Absence)
  • Oh! I thought of her grave below the hill (Aux Italiens) - E. Dickson, as Dolores
  • Omens and oracles (All the phantoms of the future, all the spectres of the past) (from Marah)
  • Omens and Oracles (Phantoms of the future, spectres of the past) - C. Ives
  • Phantoms of the future, spectres of the past - C. Ives
  • She comes, she comes — the burden of the deeps! - R. Boughton (The Invincible Armada)
  • Since we parted yester eve - F. Allitsen (Since we parted)
  • Since we parted (Since we parted yester eve) - F. Allitsen
  • Standing by the river, gazing on the river - C. Scott (Love's quarrel)
  • Summer night (The summer night fills heaven's remotest spheres) (from Marah) - H. Willan
  • The first farewell (I may not kiss away the tears that still) - B. Thomson
  • The Invincible Armada (She comes, she comes — the burden of the deeps!) - R. Boughton
  • The Living Dead (At Paris it was, at the opera there;) - E. Dickson
  • The Message (Because she hath the sweetest eyes) (from The Poems of Owen Meredith, Volume I - 2. Book II. Absence)
  • Then, if she smile on you, my Songs (from The Poems of Owen Meredith, Volume I - 2. Book II. Absence) - H. Willan (Lines)
  • The summer night fills heaven's remotest spheres (from Marah) - H. Willan (Summer night)
  • 'Twas eve and May when last, thro' tears (A Remembrance) - L. Godowsky
  • 'Twas eve and May when last, through tears - L. Godowsky (A Remembrance)
  • 'Twas eve and May ('Twas eve and May when last, through tears) - L. Godowsky

Last update: 2024-07-10 16:30:18

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