Texts by T. Flatman set in Art Songs and Choral Works
Texts set in art song or choral works (not necessarily comprehensive):
Legend:
The symbol [x] indicates a placeholder for a text that is not yet in the database.
The symbol ⊗ indicates a translation that is missing an original text.
A * indicates that a text cannot (yet?) be displayed on this site because of its copyright status.
Special notes: All titles and first lines are included in this index, including those used by composers.
Titles used by the text author appear in boldface. First lines appear in italics.
A language code in a blue rectangle like ENG indicates that a translation to that language is available.
A grey rectangle like FRE indicates a particular translation (usually one set to music) exists but isn't yet available.
- A pastoral elegy (As on his death-bed gasping Strephon lay) - J. Blow
- As on his death-bed gasping Strephon lay - J. Blow
- Behold th' indulgent Prince is come - H. Purcell
- From those serene and rapturous joys (Welcome, more welcome does he come) - H. Purcell
- From those serene and rapturous joys - H. Purcell
- How happy a thing were a wedding - C. Barratt
- 'I saw you take his kiss!' ''Tis true.” - E. Vercoe
- Nor does the Sun more comfort bring - H. Purcell
- Not with an Helmet or a glitt'ring Spear - H. Purcell
- The Bachelor's Song (How happy a thing were a wedding) - C. Barratt
- The kiss ('I saw you take his kiss!' ''Tis true.”) - E. Vercoe
- The Whim (Why so serious, why so grave?) - K. Rankl
- Welcome as soft refreshing show'rs - H. Purcell
- Welcome, more welcome does he come - H. Purcell
- Why so serious, why so grave? - K. Rankl
- With trumpets and shouts we receive the World's Wonder - H. Purcell
Last update: 2023-05-10 20:45:13