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Texts to Art Songs and Choral Works by E. Howard

 𝄞 Composer 𝄞 

Emily Howard (b. 1979)

Website: http://www.emilyhoward.com

Legend:
The symbol [x] indicates a placeholder for a text that is not yet in the database.
The symbol ⊗ indicates a translation that is missing an original text.

A * indicates that a text cannot (yet?) be displayed on this site because of its copyright status.
Note: A language code in a blue rectangle like ENG indicates that a translation to that language is available.
A grey rectangle like FRE indicates a particular translation (usually one set to music) exists but isn't yet available.

Song Cycles, Collections, Symphonies, etc.:

  • Songs from Dickens
    • no. 1. Great Expectations (Text: Ian Pople) [x]*
    • no. 2. Bleak House (Text: Ian Pople) [x]*
    • no. 3. David Copperfield (Text: Ian Pople) [x]*
    • no. 4. A Tale of Two Cities (Text: Ian Pople) [x]*
    • no. 5. Nicholas Nickleby (Text: Ian Pople) [x]*
  • The Wernicke’s Area
    • Ombra [x]
  • Two Songs after Friday Afternoons
    • no. 2. Pi (A Pie?) (Text: Selma Dimitrijevic) [x]

All titles of vocal settings in Alphabetic order

  • Ada sketches (Text: Laura Tunbridge) *
  • A Tale of Two Cities (in Songs from Dickens) (Text: Ian Pople) [x]*
  • Big Bums (Text: Selma Dimitrijevic) [x]
  • Bleak House (in Songs from Dickens) (Text: Ian Pople) [x]*
  • But then, what are these numbers? (2019) (Text: Ada Lovelace)
  • David Copperfield (in Songs from Dickens) (Text: Ian Pople) [x]*
  • Elliptics (Text: Michael Symmons Roberts) [x]
  • Great Expectations (in Songs from Dickens) (Text: Ian Pople) [x]*
  • Nicholas Nickleby (in Songs from Dickens) (Text: Ian Pople) [x]*
  • Ombra (in The Wernicke’s Area) [x]
  • Pi (A Pie?) (in Two Songs after Friday Afternoons) (Text: Selma Dimitrijevic) [x]
  • Wild Clematis in Winter (Text: Geoffrey Hill) [x]

Last update: 2026-05-23 19:36:57

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This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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