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Attention! Some of this material is not in the public domain.

It is illegal to copy and distribute copyright-protected material without permission. It is also illegal to reprint copyright texts or translations without the name of the author or translator.

Note: You must use the copyright symbol © when you reprint copyright-protected material.

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© by Mark Abel (b. 1948)

The World Clock
Language: English 
My iPhone’s World Clock is set to “Los Angeles” now,
though I don’t live there.
It will never read “San Francisco” again. 

“The City” -- some still like to call it --
is no longer the same place. Must I explain?

Lost in time, the ghosts of North Beach,
the Haight, Chinatown, the Western Addition.
Their stories, the park, the fog’s spell 
as it toys with the Richmond, the Sunset, Fort Point
-- where Jimmy Stewart pulled Kim Novak
from the water. All love is a mystery.

You know exactly what I’m talking about.
The timeline ruptured. The fog lost its drama.
A world has vanished. 

Black people -- remember them?
-- priced out decades ago;
artists, writers and musicians too.
Now kids tweak corporate websites
and portals promise utopias
to shame any flower child’s pipe dream.
Don’t hold your breath.

Technology changes. But people? Never.
A simple principle, ages old.
Questioned only here, over tapas and craft beer.

My iPhone’s World Clock is set to “Los Angeles” now.

Text Authorship:

  • by Mark Abel (b. 1948), "The World Clock", copyright ©, (re)printed on this website with kind permission

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

  • by Mark Abel (b. 1948), "The World Clock", first performed 2018 [ soprano and piano ], from In the Rear View Mirror, Now, no. 2 [sung text checked 1 time]

Research team for this page: Malcolm Wren [Guest Editor] , Mark Abel

This text was added to the website: 2018-05-16
Line count: 25
Word count: 164

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–Emily Ezust, Founder

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