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by Rebecca Hurst

Walking Dwelling Thinking
Language: English 
This wood has a thousand exits and entrances:
stiles, gates and tripets, gaps and breaches.

This wood is hammer-pond, clay and chalybeate,
charcoal and slag heaps, leats and races.

This wood hides the boar in a thickety hemmel;
is home to the scutty, the flindermouse, the kine.

This wood is cut and coppiced and burned,
chestnut and hazel turned to broom handles.

This wood is two green flanks of sandstone
pinched by the link of iron bridge over water.

This wood keeps its secrets: the peat-black
knuckerhole where the dragon lies sleeping.

This wood scolds with a tawny owl’s brogue,
shrucking and shraping, kewick hoohoo.

This wood is ashen, eldern, and oaken –
a mile from the village, ring-fenced, well-trodden.

Daybreak. This wood calls you out of your house
to walk through leaf-fall and bluebells and moss.

Text Authorship:

  • by Rebecca Hurst  [author's text not yet checked against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

  • by Amy Crankshaw (b. 1991), "Walking Dwelling Thinking", first performed 2022 [ soprano, violoncello, piano ] [sung text not yet checked]

Researcher for this page: Joost van der Linden [Guest Editor]

This text was added to the website: 2026-01-22
Line count: 18
Word count: 137

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