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Translation © by Dr. Anthony Krupp, Clo Blanco

It seems that out of battle I escaped
Language: English  after the English 
Our translations:  CAT FRE SPA
It seems that out of battle I escaped
Down some profound dull tunnel, long since scooped
Through granites which titanic wars had groined.
Yet also there encumbered sleepers groaned,
Too fast in thought or death to be bestirred.
Then, as I probed them, one sprang up, and stared
With piteous recognition in fixed eyes,
Lifting distressful hands as if to bless.
And no guns thumped, or down the flues made moan.
"Strange friend," I said, "here is no cause to mourn."
"None", said the other, "save the undone years,
The hopelessness. Whatever hope is yours,
Was my life also; I went hunting wild
After the wildest beauty in the world,
For by my glee might many men have laughed,
And of my weeping something had been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.
Now men will go content with what we spoiled.
Or, discontent, boil boldly, and be spilled.
They will be swift with swiftness of the tigress,
None will break ranks, though nations trek from progress.
Miss we the march of this retreating world
Into vain citadels that are not walled.
Then, when much blood had clogged their chariot-wheels
I would go up and wash them from sweet wells,
Even from wells we sunk too deep for war,
Even from the sweetest wells that ever were.
I am the enemy you killed, my friend.
I knew you in this dark; for so you frowned
Yesterday through me as you jabbed and killed.
I parried; but my hands were loath and cold.
Let us sleep now..."

Available sung texts: (what is this?)

•   B. Britten 

About the headline (FAQ)

The text shown is a variant of another text. [ View differences ]
It is based on

  • a text in English by Wilfred Owen (1893 - 1918), "Strange meeting", appears in Wheels, 1919: Fourth Cycle, first published 1919
    • Go to the text page.

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

    [ None yet in the database ]


The text above (or a part of it) is used in the following settings:
  • by (Edward) Benjamin Britten (1913 - 1976), "Libera me", op. 66 no. 6, published 1961 [ soprano, tenor, baritone, satb chorus, boys' chorus, orchestra, chamber orchestra, organ ], from War Requiem, no. 6
    • View the full text. [sung text checked 1 time]

Other available translations, adaptations or excerpts, and transliterations (if applicable):

  • CAT Catalan (Català) (Salvador Pila) , copyright © 2016, (re)printed on this website with kind permission
  • FRE French (Français) (Pierre Mathé) , "Libera me", copyright © 2015, (re)printed on this website with kind permission
  • SPA Spanish (Español) (Dr. Anthony Krupp) (Clo Blanco) , copyright © 2025, (re)printed on this website with kind permission


Researcher for this text: Emily Ezust [Administrator]

This text was added to the website: 2008-01-08
Line count: 33
Word count: 267

Parece que escapé de la batalla
Language: Spanish (Español)  after the English 
Parece que escapé de la batalla
por un túnel profundo y apagado, ya hace tiempo excavado
entre granitos que las guerras titánicas habían labrado.
Aun allí, los durmientes, sobrecargados, quejicos,
demasiado absortos en pensamiento o en la muerte para moverse.
Entonces, mientras los observaba, uno se levantó súbitamente
y con sus ojos fijos, me reconoció piadosamente,
levantando sus manos afligidas, como si bendijera.
Ya no retumbaban los cañones, y ni por las chimeneas se escuchaba un gemido.
"Amigo extraño", dije, "aquí no hay nada que lamentar."
"Nada", dijo el otro, "salvo los años truncados,
la desesperanza. Cualquier esperanza que sea tuya
fue también mi vida; fui cazando salvajemente
tras la belleza más salvaje del mundo.
Pues muchos habrían reído de mi júbilo,
y de mi llanto algo habría quedado,
que ahora debe morir. Me refiero a la verdad no contada,
la lástima de la guerra, la lástima que la guerra destiló.
Ahora los hombres se conformarán con lo que arruinamos.
O, descontentos, hervirán de ira y se derramará su sangre.
Serán veloces como la veloz tigresa,
y nadie romperá las filas, aunque las naciones se aparten del progreso.
Evadiremos la marcha de este mundo en retirada
que va hacia unas vanidosas fortalezas sin murallas.
Entonces, cuando toda esa sangre haya ahogado las ruedas de sus carrozas,
yo subiría y con el agua dulce de los pozos a lavar las,
incluso de pozos hundidos en lo más profundos para la guerra,
incluso de los pozos más dulces que jamás existieron.
Yo soy el enemigo que tú mataste, amigo mío.
Te reconocí en esta oscuridad;
ayer, a través de mí, frunciste el ceño mientras me apuñalabas y matabas.
Te bloqueé, pero mis manos, reacias y heladas, no."
"Durmamos ya."

About the headline (FAQ)

Text Authorship:

  • Translation from English to Spanish (Español) copyright © 2025 by Dr. Anthony Krupp and Clo Blanco, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in English by Not Applicable [an adaptation]
    • Go to the text page.

Based on:

  • a text in English by Wilfred Owen (1893 - 1918), "Strange meeting", appears in Wheels, 1919: Fourth Cycle, first published 1919
    • Go to the text page.

 

This text was added to the website: 2025-03-31
Line count: 33
Word count: 287

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This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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