The silver swan who, living, had no note, when death approached, unlocked her silent throat. Leaning her breast against the reedy shore, thus sung her first and last, and sung no more: "Farewell all joys, O death come close mine eyes. More geese than swans now live, more fools than wise."
1. THe silver Swan, who living had no note
Text Authorship:
- by Anonymous / Unidentified Author, "The silver swan", first published 1612
- possibly by Orlando Gibbons (1583 - 1625), "The silver swan", first published 1612
- sometimes misattributed to Thomas Morley (1557 - 1602)
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- FRE French (Français) (Dwain Richardson) , "Le cygne argenté", copyright © 2003, (re)printed on this website with kind permission
- GER German (Deutsch) (Martin Stock) , "Der Silberschwan", copyright © 2001, (re)printed on this website with kind permission
2. O that the learned Poets of our time
O that the learned Poets of this time, Who in a Love-sick line so well can speak, Would not consume good Wit, But with deep care some better subject find. For if their Music please in earthly things, How would it sound if strung with heavenly strings?
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619), first published 1612
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Researcher for this page: Iain Sneddon [Guest Editor]3. I weigh not Fortune's frown nor smile
I weigh not Fortune's frown nor smile,
I joy not much in earthly joys,
I seek not state, I reak sic not style,
I am not fond of Fancy’s toys.
I rest so pleased with what I have
I wish no more, no more I crave.
...
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619), no title
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Research team for this page: Emily Ezust [Administrator] , Iain Sneddon [Guest Editor]4. I tremble not at noise of war
...
I tremble not at noise of war,
I quake not at the thunder’s crack,
I shrink not at a blazing star,
I sound not at the news of wreck,
I fear no loss, I hope no gain,
I envy none, I none disdain.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619), no title
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Research team for this page: Emily Ezust [Administrator] , Iain Sneddon [Guest Editor]5. I see Ambition never pleased
...
I see Ambition never pleased,
I see some Tantals starve in store,
I see gold’s dropsy seldom eased,
I see each Midas gape for more:
I neither want nor yet abound,
Enough’s a feast, content is crowned.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619), no title
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Research team for this page: Emily Ezust [Administrator] , Iain Sneddon [Guest Editor]6. I feign not friendship where I hate
...
I feign not friendship where I hate,
I fawn not on the great for grace,
I prize, I praise a mean estate
Ne yet too lofty, nor too base,
This is all my choice, my cheer —
A mind content and conscience clear.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619), no title
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Research team for this page: Emily Ezust [Administrator] , Iain Sneddon [Guest Editor]7. How art thou thrall’d, O poor despised creature?
How art thou thrall’d, O poor despised creature?
Sith by creation, Nature made thee free,
O traitorous eyes, to gaze so on her feature,
That quits with scorn thy dear lost liberty.
...
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Gibbons: Text in brackets does not appear in all five voices.
Researcher for this page: Iain Sneddon [Guest Editor]8. Farewell all joys, O Hell, now restless care’s my pillow
...
Farewell all joys, O Hell, now restless care’s my pillow,
(Sweet Myrtle shades, farewell)
Now come sad Cypress and forlorn Love’s willow.
She smiles, she laughs, she joys at my tormenting,
(Break then poor heart)
Tossed on Despairs’ black billow, O let me die lamenting.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Gibbons: Text in brackets does not appear in all five voices.
Researcher for this page: Iain Sneddon [Guest Editor]9. Dainty fine Bird, that art incaged there
Dainty fine Bird, that art incaged there, Alas, how like thine and my fortunes are? Both prisoners be, and both singing thus, Strive to please her that hath imprisoned us. Only thus we differ thou and I, Thou liv'st singing, but I sing and die.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Researcher for this page: Iain Sneddon [Guest Editor]10. Fair Ladies that to Love captived are
Fair Ladies that to Love captived are,
And chaste desires do nourish in your mind,
Let not her fault your sweet affections mar,
Ne blot the bounty of all Woman-kind.
...
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Researcher for this page: Iain Sneddon [Guest Editor]11. ‘Mongst thousands good, one wanton Dame to find
...
‘Mongst thousands good, one wanton Dame to find,
Amongst the Roses grow some wicked weeds,
For this was not to love but lust inclined,
For love doth always bring forth, bounteous deeds.
And in each gentle heart desire of Honour breeds.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Researcher for this page: Iain Sneddon [Guest Editor]12. Now each flowery bank of May
Now each flowery bank of May, Woos the streams that glides away, Mountains fann'd by a sweet gale, Loves the humble looking Dale. Windes the loved leaves do kiss, Each thing tasteth of loves bliss. Only I thought blest I be, by destiny. Love confessed by her sweet breath, Whose love is life, whose hate is death.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Researcher for this page: Iain Sneddon [Guest Editor]13. Lais now old, that erst attempting Lass
Lais now old, that erst attempting Lass, To Goddess Venus consecrates her Glass. For she herself hath now no use of one No dimpled cheeks hath she to gaze upon. She cannot see, her spring-time damask grace Nor dare she look upon her Winter face.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Researcher for this page: Iain Sneddon [Guest Editor]14. What is our life?
What is our life? a play of passion: Our mirth? the music of division. Our mothers’ wombs the tyring-houses be Where we are drest for this short comedy: Heaven the judicious sharp spectator is That sits and marks whoe’er doth act amiss: Our graves, that hide us from the searching sun, Are like drawn curtains when the play is done: Thus march we playing to our latest rest, Only we die in earnest, — that’s no jest.
Text Authorship:
- possibly by Walter Raleigh, Sir (1552? - 1618)
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Lyrics from the Song-Books of the Elizabethan Age, ed. by A. H. Bullen, London, John C. Nimmo, 1887, pages 152-153.Researcher for this text: Emily Ezust [Administrator]
15. Ah, dear heart, why do you rise?
Ah, dear heart, why do you rise? The light that shines comes from your eyes, The day breaks not, it is my heart, To think that you and I must part. O stay, or else my joys will die, And perish in their infancy. Thus march we playing to our latest rest, Only we die in earnest, that's no jest.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Researcher for this page: Iain Sneddon [Guest Editor]16. Fair is the Rose, yet fades with heat or cold
Fair is the Rose, yet fades with heat or cold, Sweet are the Violets, yet soon grow old, The Lilly’s white, yet in one day ‘tis done, White is the Snow yet melts against the Sun. So white, so sweet was my fair Mistress’ face, Yet altered quite in one short hour’s space. So short lived beauty a vain gloss doth borrow, Breathing delight today, but none tomorrow.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Researcher for this page: Iain Sneddon [Guest Editor]17. Nay let me weep, though others’ tears be spent
Nay let me weep, though others’ tears be spent,
Though all eyes dried be, let mine be wet,
Unto thy grave I’ll pay this yearly rent,
Thy liveless Coarse demands of me this debt.
I owe more tears then ever Coarse did crave,
I’ll pay more tears than e’re was paid to grave.
...
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Liveless Coarse = lifeless corpse
Researcher for this page: Iain Sneddon [Guest Editor]18. Ne’re let the Sun with his deceiving light
...
Ne’re let the Sun with his deceiving light,
Seek to make glad these wat’ry eyes of mine,
My sorrow suits with melancholy night,
I joy in dole, in languishment I pine,
My dearest friend is set, he was my Sun,
With whom my mirth, my joy, and all is done.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Liveless Coarse = lifeless corpse
Researcher for this page: Iain Sneddon [Guest Editor]19. Yet if that age had frosted o’er his head
...
Yet if that age had frosted o’er his head,
Or if his face had furrow'd been with years,
I would not thus bemoan that he is dead.
I might have been more niggard of my tears;
But O the Sun new rose is gone to bed,
And Lillies in their spring-time hang their head.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Liveless Coarse = lifeless corpse
Researcher for this page: Iain Sneddon [Guest Editor]20. Trust not too much, fair youth, unto thy feature
Trust not too much, fair youth, unto thy feature, Be not enamoured of thy blushing hew, Be gamesome whilst thou art a goodly creature, The flowers will fade that in thy garden grew. Sweet Violets are gathered in their spring, White Primit falls withouten pitying.
Text Authorship:
- possibly by Christopher Hatton, Sir (1581 - 1619)
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Researcher for this page: Iain Sneddon [Guest Editor]