Lusinghe più care d'Amor veri dardi Vezzose volate sul labbro, nei guardi, e tutta involate l'altrui libertà. Gelosi sospetti, diletti con pene; fra gioie e tormenti momenti di spene, voi l'armi farete di vaga beltà.
Alessandro
Opera by Georg Friedrich Händel (1685 - 1759)
Lusinghe più care Matches base text
Language: Italian (Italiano)
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ strings and soprano voice ]Researcher for this page: Andrew Schneider [Guest Editor]
Quanto dolce Amor sarìa Matches base text
Language: Italian (Italiano)
Quanto dolce Amor sarìa se non fosse gelosia col gelato suo velen. Quel che spera la Costanza, e promette la Speranza, Rende amaro al mesto sen.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 [ strings and soprano voice ]Researcher for this page: Andrew Schneider [Guest Editor]
Vibra cortese amor Matches base text
Language: Italian (Italiano)
Vibra cortese amor un altro strale del mio rivale al cor, e sol l'accendi allor d'altra Bellezza. Bramata sol da me, per Alma tutta fe l'ingrata non avrà tanta fierezza.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759) [ strings and alto voice ]Researcher for this page: Andrew Schneider [Guest Editor]
Da un breve riposo Matches base text
Language: Italian (Italiano)
Da un breve riposo Di Stato amoroso, Più Fiero, più forte Di Gloria al sentiero Amante e Guerriero Il Cor tornerà. Se gia tutta in guerra Mi cede la Terra; Il vanto d’Onore S’io cedo all’Amore, Minor non sarà.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21Researcher for this page: Andrew Schneider [Guest Editor]
Pregi son d'un alma grande Matches base text
Language: Italian (Italiano)
Pregi son d'un alma grande L'amicizia e il Valor: Senza questi, in van si spande ogni titolo d'Onor.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759)Researcher for this page: Andrew Schneider [Guest Editor]
Fra le stragi e fra le morti Matches base text
Language: Italian (Italiano)
Fra le stragi e fra le morti s'immortalano gli eroi. La Fortuna aiuta i forti Giove assiste i figli suoi.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ violins, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
A sprone, a fren leggiero Matches base text
Language: Italian (Italiano)
A sprone, a fren leggiero Un nobil destriero contento ubbidirà. Se pungi troppo il lato fiero, superbo, irato, il peso squoterà.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 [ strings, bass voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Che tirannia d’Amor! Matches base text
Language: Italian (Italiano)
Che tirannia d’Amor! Fuggir chi siegue et ama! Amar chi non mi brama! Misera Fedeltà! Vana speranza! Estinguasi l’ardor. Risolvi non amar. Ahi! Che no’l posso far E forza del Destin la mia Costanza.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 [ strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Alla sua gabbia d’oro Matches base text
Language: Italian (Italiano)
Alla sua gabbia d’Oro Suol ritornar talor Quell’augellin canoro Che rapido fuggì: Sai perché torna ancor donde partì? La sua prigion gli è Cara Più della libertà. Ma la prigion d’oro Sai perché piace allor All’Augellin Canoro? Più caro al suo Signor Sa ben che tornerà.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 [ strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Risolvo abbandonar See base text
Language: Italian (Italiano)
Nò, risolvo abbandonar La Bella che mi sprezza Son pene d’Amor, Bellezza: La Gioia è una Catena. No, più non voglio amar. Amare è strano affetto: E’ poco il tuo Diletto E’ Troppa la sua Pena.
Composition:
- Set to music by Georg Friedrich Händel (1685 - 1759), "Risolvo abbandonar", HWV 21 [ violins, soprano voice, and continuo ], from opera Alessandro
Text Authorship:
- by Paolo Antonio Rolli (1687 - 1765)
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Researcher for this page: Andrew Schneider [Guest Editor]La cervetta nei lacci avvolta Matches base text
Language: Italian (Italiano)
La Cervetta nei lacci avvolta Se per sorte scamperà, No non torna un’altra volta A quel bosco ingannator. Dolci Brame abbandonate A quest’alma ritornate: La speranza lusinghiera Più che mai v’alletta ancor.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 [ violins, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Il cor mio ch’è già per te Matches base text
Language: Italian (Italiano)
Il Cor mio ch’è già per te Tutto Amore e tutto Fe, Con più Gloria tornerà, Ma non già Più Amoroso e più fedel. Per mercede e per onor Dell’Affetto e del Valor Spera sol che tua Beltà Gli farà Men ritorsa e men crudel.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 [ 2 oboes, strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Dica il Falso, dica il Vero Matches base text
Language: Italian (Italiano)
Dica il Falso, dica il Vero Quel bel labbro lusinghiero Più m’alletta, il voglio amar: Sì ben finge, tanto piace: Che sentirlo un dì verace Fa quest’alma sperar.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ 2 oboes, strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Sfortunato è il mio valore Matches base text
Language: Italian (Italiano)
Sfortunato è il mio valore, E per chè? Per troppo Onore E per troppa Fedeltà.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ bassoon, strings, bass voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Sarò qual vento Matches base text
Language: Italian (Italiano)
Sarò qual vento Che nell’incendio spira E l’Ira infiammerò; E così spento Ogni nemico orgoglio Tutto il favor del Soglio Io sol Godrò.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ strings, alto voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Sì m’è caro imitar quel bel fiore Matches base text
Language: Italian (Italiano)
Sì m’è caro imitar quel bel fiore Che del sol si rivolge al fulgore, E s’appaga in mirar la sua Beltà. Pur diversa da fiore sì bello, Vuò seguir chi mi strugge; ma quello Siegue solo chi vita gli dà.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ violins, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Brilla nell'alma Matches base text
Language: Italian (Italiano)
Brilla nell’Alma Un non inteso ancor dolce contento E d’alta gioia il Cor, soave inonda. Sì nella Calma Azzurro brilla il Mar se splende il Sole, E i Rai fan tremolar tranquilla l’Onda.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
L’Amor, che per te sento Matches base text
Language: Italian (Italiano)
L’Amor, che per te sento, Brama te sol contento: A costo di mia pena, Godi, e m’appagherò. Sarà più fortunata L’Amante riamata, Ma più fedele, no.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ 2 oboes, strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Pupille amate Matches base text
Language: Italian (Italiano)
Pupille amate Voi m’insegnate A Trionfar Pupille belle Se voi mi siete Due fide stelle In Van procelle Minaccia il Mar.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ strings, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Tempesta e calma Matches base text
Language: Italian (Italiano)
Tempesta e Calma Sento nell’Alma: Impazienti Tutt’i momenti Le danno timore, La fanno sperar. Qual sia l’Evento Del Caro Oggetto, Ogni momento Dubbiosa aspetto. Che fiero Dolore E’ mai l’aspettar.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ violins, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
D'un fiero nel soglio Matches base text
Language: Italian (Italiano)
D’un fiero nel soglio Si domi l’Orgoglio S’abbatta il furor.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ 2 oboes, strings, chorus, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Prove sono di grandezza Matches base text
Language: Italian (Italiano)
Prove sono di Grandezza Perdonar l’Alme soggette, Le superbe debellar. Fa del trono fu’ l’Altrezza Scintillar l’Alme perfette La Clemenza nel Regnar.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Georg Friedrich Händel (1685 - 1759), HWV 21 (1726), first performed 1726 [ violins, soprano voice, and continuo ]Researcher for this page: Andrew Schneider [Guest Editor]
Total word count: 629