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Wilde Thoughts. A Song-Cycle to Poems of Oscar Wilde

Song Cycle by Michael Easton (1954 - 2004)

Impression du Matin

Language: English 
The Thames nocturne of blue and gold
Changed to a Harmony in grey:
A barge with ochre-coloured hay
Dropt from the wharf: and chill and cold

The yellow fog came creeping down
The bridges, till the houses' walls
Seemed changed to shadows, and S. Paul's
Loomed like a bubble o'er the town.

Then suddenly arose the clang
Of waking life; the streets were stirred
With country waggons: and a bird
Flew to the glistening roofs and sang.

But one pale woman all alone,
The daylight kissing her wan hair,
Loitered beneath the gas lamps' flare,
With lips of flame and heart of stone.

Text Authorship:

  • by Oscar Wilde (1854 - 1900), "Impression de Matin", from World (March 1881), revised same year and also in 1895 [author's text not yet checked against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

Set by Michael Easton (1954 - 2004), 1987 [ voice and piano ]
Note: sometimes titled "Impression du Matin"; also the 'e' at the end of "nocturne" in line one is sometimes omitted.

Researcher for this text: Emily Ezust [Administrator]

In the Forest

Language: English 
Out of the mid-wood's twilight
Into the meadow's dawn,
Ivory limbed and brown-eyed,
Flashes my Faun!

He skips through the copses singing,
And his shadow dances along,
And I know not which I should follow,
Shadow or song!

O Hunter, snare me his shadow!
O Nightingale, catch me his strain!
Else moonstruck with music and madness
I track him in vain!

Text Authorship:

  • by Oscar Wilde (1854 - 1900), "In the forest" [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

Set by Michael Easton (1954 - 2004), 1987 [ voice and piano ]
First published in Lady's Pictorial, Christmas Number 1889

Researcher for this text: Emily Ezust [Administrator]

Magdalen Walks

Language: English 
The little white clouds are racing over the sky,
   And the fields are strewn with the gold of the flower of March,
   The daffodil breaks under foot, and the tasselled larch
Sways and swings as the thrush goes hurrying by.

A delicate odour is borne on the wings of the morning breeze,
   The odour of leaves, and of grass, and of newly upturned earth,
   The birds are singing for joy of the Spring's glad birth,
Hopping from branch to branch on the rocking trees.

And all the woods are alive with the murmur and sound of Spring,
   And the rose-bud breaks into pink on the climbing briar,
   And the crocus-bed is a quivering moon of fire
Girdled round with the belt of an amethyst ring.

And the plane to the pine-tree is whispering some tale of love
   Till it rustles with laughter and tosses its mantle of green,
   And the gloom of the wych-elm's hollow is lit with the iris sheen
Of the burnished rainbow throat and the silver breast of a dove.

See! the lark starts up from his bed in the meadow there,
   Breaking the gossamer threads and the nets of dew,
   And flashing adown the river, a flame of blue!
The kingfisher flies like an arrow, and wounds the air.

Text Authorship:

  • by Oscar Wilde (1854 - 1900), "Magdalen Walks" [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

Set by Michael Easton (1954 - 2004), 1987 [ voice and piano ]
Researcher for this text: Emily Ezust [Administrator]

My Voice

Language: English 
Within the restless, hurried, modern world
    We took our hearts’ full pleasure—You and I,
And now the white sails of our ships are furled,
    And spent the lading of our argosy.

Wherefore my cheeks before their time are wan,
    For very weeping is my gladness fled,
Sorrow hath paled my lip’s vermilion
    And Ruin draws the curtains of my bed.

But all this crowded life has been to thee
    No more than lyre, or lute, or subtle spell
Of viols, or the music of the sea
    That sleeps, a mimic echo, in the shell.

Text Authorship:

  • by Oscar Wilde (1854 - 1900), "My Voice" [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

Set by Michael Easton (1954 - 2004), 1987 [ voice and piano ]
Researcher for this text: Emily Ezust [Administrator]

The True Knowledge

Language: English 
Thou knowest all; I seek in vain
What lands to till or sow with seed -
The land is black with briar and weed,
Nor cares for falling tears or rain.

Thou knowest all; I sit and wait
With blinded eyes and hands that fail,
Till the last lifting of the veil
And the first opening of the gate.

Thou knowest all; I cannot see.
I trust I shall not live in vain,
I know that we shall meet again
In some divine eternity.

Text Authorship:

  • by Oscar Wilde (1854 - 1900), "The True Knowledge" [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

Set by Michael Easton (1954 - 2004), 1987 [ voice and piano ]
Researcher for this text: Emily Ezust [Administrator]
Total word count: 554
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This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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