LiederNet logo
Reprint Basket
×
  • Home | Introduction
  • Search the Site
  • Composers (21,210)
  • Text Authors (21,375)
  • Go to a Random Text
  • What’s New
  • A Small Tour
  • FAQ & Links
  • Donors
  • DONATE

CREDITS

  • Emily Ezust
  • Contributors (1,137)
  • Contact Information
  • Bibliography

  • Copyright Statement
  • Privacy Policy

Follow us on Facebook

To One Beyond Seas

Song Cycle by Ingrid Stölzel (b. 1971)

Publisher: Composers Edition (external link)

1. Know by the Thread of Music  [sung text not yet checked]

Language: English 
Know by the thread of music woven through    
This fragile web of cadences I spin,    
That I have only caught these songs since you    
Voiced them upon your haunting violin.

Text Authorship:

  • by Emily Pauline Johnson (1861 - 1913), subtitle: "(Inscribed to One Beyond Seas)", appears in Flint and Feather, in Autumn's Orchestra, first published 1912

Go to the general single-text view

Researcher for this page: Joost van der Linden [Guest Editor]

2. The Overture
 (Sung text)

Language: English 
 October’s orchestra plays softly on    
The northern forest with its thousand strings,    
And Autumn, the conductor wields anon    
The Golden-rod — The baton that he swings.

Text Authorship:

  • by Emily Pauline Johnson (1861 - 1913)

Go to the general single-text view

Researcher for this page: Joost van der Linden [Guest Editor]

3. The Firs
 (Sung text)

Language: English 
There is a lonely minor chord that sings    
Faintly and far along the forest ways,    
When the firs finger faintly on the strings    
Of that rare violin the night wind plays,    
Just as it whispered once to you and me    
Beneath the English pines beyond the sea

Text Authorship:

  • by Emily Pauline Johnson (1861 - 1913), "The Firs", appears in Flint and Feather, in Autumn's Orchestra, no. 3

Go to the general single-text view

Researcher for this page: Joost van der Linden [Guest Editor]

4. Mosses
 (Sung text)

Language: English 
The lost wind wandering, forever grieves            
Low overhead,    
Above grey mosses whispering of leaves            
Fallen and dead.    
And through the lonely night sweeps their refrain    
Like Chopin’s prelude, sobbing ‘neath the rain.

Text Authorship:

  • by Emily Pauline Johnson (1861 - 1913), "Mosses", appears in Flint and Feather, in Autumn's Orchestra, no. 4

Go to the general single-text view

Researcher for this page: Joost van der Linden [Guest Editor]

5. The Vine
 (Sung text)

Language: English 
The wild grape mantling the trail and tree,    
Festoons in graceful veils its drapery,    
Its tendrils cling, as clings the memory stirred    
By some evasive haunting tune, twice heard.

Text Authorship:

  • by Emily Pauline Johnson (1861 - 1913), as Pauline Johnson, "The Vine", appears in Flint and Feather, in Autumn's Orchestra, no. 5

Go to the general single-text view

Researcher for this page: Joost van der Linden [Guest Editor]

6. The Maple
 (Sung text)

Language: English 
I.   
It is the blood-hued maple straight and strong,    
Voicing abroad its patriotic song.    

II.    
Its daring colours bravely flinging forth    
The ensign of the Nation of the North.

Text Authorship:

  • by Emily Pauline Johnson (1861 - 1913), "The Maple", appears in Flint and Feather, in Autumn's Orchestra, no. 6

Go to the general single-text view

Researcher for this page: Joost van der Linden [Guest Editor]

7. Hare‑Bell
 (Sung text)

Language: English 
Elfin bell in azure dress,    
Chiming all day long,    
Ringing through the wilderness    
Dulcet notes of song.    
Daintiest of forest flowers 
Weaving like a spell —
Music through the Autumn hours,    
Little Elfin bell.

Text Authorship:

  • by Emily Pauline Johnson (1861 - 1913), "Hare-Bell", appears in Flint and Feather, in Autumn's Orchestra, no. 7

Go to the general single-text view

Researcher for this page: Joost van der Linden [Guest Editor]

8. The Giant Oak  [sung text not yet checked]

Language: English 
And then the sound of marching armies ‘woke
Amid the branches of the soldier oak,
And tempests ceased their warring cry, and dumb
The lashing storms that muttered, overcome,
Choked by the heralding of battle smoke,
When these gnarled branches beat their martial drum.
1

Text Authorship:

  • by Emily Pauline Johnson (1861 - 1913), "The Giant Oak", appears in Flint and Feather, in Autumn's Orchestra, no. 8, first published 1912

See other settings of this text.

View text without footnotes
1 Gimon adds "Still stands the oak."

Researcher for this page: Joost van der Linden [Guest Editor]

9. Aspens
 (Sung text)

Language: German (Deutsch) 
 A sweet high treble threads its silvery song,    
Voice of the restless aspen, fine and thin 
It trills its pure soprano, light and long —     
Like the vibretto of a mandolin.

Text Authorship:

  • by Emily Pauline Johnson (1861 - 1913), appears in Flint and Feather, in Autumn's Orchestra, no. 9

Go to the general single-text view

Researcher for this page: Joost van der Linden [Guest Editor]

10. Finale
 (Sung text)

Language: English 
The cedar trees have sung their vesper hymn, 
And now the music sleeps -     
Its benediction falling where the dim    
Dusk of the forest creeps.    
Mute grows the great concerto - and the light    
Of day is darkening, Good-night, Good-night.    
But through the night time I shall hear within    
The murmur of these trees,    
The calling of your distant violin    
Sobbing across the seas,    
And waking wind, and star-reflected light    
Shall voice my answering. Good-night, Good-night.

Text Authorship:

  • by Emily Pauline Johnson (1861 - 1913), appears in Flint and Feather, in Autumn's Orchestra, no. 10

Go to the general single-text view

Researcher for this page: Joost van der Linden [Guest Editor]
Total word count: 379
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

Donate

We use cookies for internal analytics and to earn much-needed advertising revenue. (Did you know you can help support us by turning off ad-blockers?) To learn more, see our Privacy Policy. To learn how to opt out of cookies, please visit this site.

I acknowledge the use of cookies

Contact
Copyright
Privacy

Copyright © 2026 The LiederNet Archive

Site redesign by Shawn Thuris