Across the land a faint blue veil of mist Seems hung; the woods wear yet arrayment sober Till frost shall make them flame; silent and whist The drooping cherry orchards of October Like mournful pennons hang their shrivelling leaves Russet and orange: all things now decay; Long since ye garnered in your autumn sheaves, And sad the robins pipe at set of day. Now do ye dream of Spring when greening shaws Confer with the shrewd breezes, and of slopes Flower-kirtled, and of April, virgin guest; Days that ye love, despite their windy flaws, Since they are woven with all joys and hopes Whereof ye nevermore shall be possessed.
Five Lyric Poems
Song Cycle by Howard Morgan (b. 1945)
?. October  [sung text not yet checked]
Text Authorship:
- by Siegfried Lorraine Sassoon (1886 - 1967), "October", appears in The Old Huntsman and Other Poems, first published 1918
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Please note: this text, provided here for educational and research use, is in the public domain in Canada and the U.S., but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Note: first published in Sonnets and Verses, 1909; revised same year and also in 1911.Researcher for this text: Emily Ezust [Administrator]
?. A poplar and the moon  [sung text not yet checked]
There stood a Poplar, tall and straight; The fair, round Moon, uprisen late, Made the long shadow on the grass A ghostly bridge 'twixt heaven and me. But May, with slumbrous nights, must pass; And blustering winds will strip the tree. And I've no magic to express The moment of that loveliness; So from these words you'll never guess The stars and lilies I could see.
Text Authorship:
- by Siegfried Lorraine Sassoon (1886 - 1967), "A poplar and the moon", appears in Morning-Glory, first published 1916
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Please note: this text, provided here for educational and research use, is in the public domain in Canada and the U.S., but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this text: Emily Ezust [Administrator]?. Noah  [sung text not yet checked]
When old Noah stared across the floods, Sky and water melted into one Looking-glass of shifting tides and sun. Mountain-tops were few: the ship was foul: All the morn old Noah marvelled greatly At this weltering world that shone so stately, Drowning deep the rivers and the plains. Through the stillness came a rippling breeze; Noah sighed, remembering the green trees. Clear along the morning stooped a bird, -- Lit beside him with a blossomed sprig. Earth was saved; and Noah danced a jig.
Text Authorship:
- by Siegfried Lorraine Sassoon (1886 - 1967), "Noah", appears in Discoveries, first published 1915
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Please note: this text, provided here for educational and research use, is in the public domain in Canada and the U.S., but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this text: Emily Ezust [Administrator]?. Goblin revel  [sung text not yet checked]
In gold and grey, with fleering looks of sin, I watch them come; by two, by three, by four, Advancing slow, with loutings they begin Their woven measure, widening from the door; While music-men behind are straddling in With flutes to brisk their feet across the floor, -- And jangled dulcimers, and fiddles thin That taunt the twirling antic through once more. They pause, and hushed to whispers, steal away. With cunning glances; silent go their shoon On creakless stairs; but far away the dogs Bark at some lonely farm: and haply they Have clambered back into the dusky moon That sinks beyond the marshes loud with frogs.
Text Authorship:
- by Siegfried Lorraine Sassoon (1886 - 1967), "Goblin revel"
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Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
First published in Academy, April 1910Researcher for this text: Emily Ezust [Administrator]
?. An old french poet  [sung text not yet checked]
When in your sober mood my body have ye laid In sight and sound of things beloved, woodland and stream, And the green turf has hidden the poor bones ye deem No more a close companion with those rhymes we made; Then, if some bird should pipe, or breezes stir the glade, Thinking them for the while my voice, so let them seem A fading message from the misty shores of dream, Or wheresoever, following Death, my feet have strayed.
Text Authorship:
- by Siegfried Lorraine Sassoon (1886 - 1967), "An old french poet"
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Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
First published in Academy, June 1910Researcher for this text: Emily Ezust [Administrator]