In gold and grey, with fleering looks of sin, I watch them come; by two, by three, by four, Advancing slow, with loutings they begin Their woven measure, widening from the door; While music-men behind are straddling in With flutes to brisk their feet across the floor, -- And jangled dulcimers, and fiddles thin That taunt the twirling antic through once more. They pause, and hushed to whispers, steal away. With cunning glances; silent go their shoon On creakless stairs; but far away the dogs Bark at some lonely farm: and haply they Have clambered back into the dusky moon That sinks beyond the marshes loud with frogs.
Five Songs for Tenor and Orchestra
Song Cycle by Dennis Wickens (b. 1926)
?. Goblin revel  [sung text not yet checked]
Text Authorship:
- by Siegfried Lorraine Sassoon (1886 - 1967), "Goblin revel"
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First published in Academy, April 1910Researcher for this text: Emily Ezust [Administrator]
?. Ye hooded witches, baleful shapes that moan  [sung text not yet checked]
Ye hooded witches, baleful shapes that moan, Quench your fantastic lanterns and be still; For now the moon through heaven sails alone, Shedding her peaceful rays from hill to hill. The faun from out his dim and secret place Draws nigh the darkling pool and from his dream Half-wakens, seeing there his sylvan face Reflected, and the wistful eyes that gleam. To his cold lips he sets the pipe to blow Some drowsy note that charms the listening air: The dryads from their trees come down and creep Near to his side; monotonous and low, He plays and plays till at the woodside there Stirs to the voice of everlasting sleep.
Text Authorship:
- by Siegfried Lorraine Sassoon (1886 - 1967), "Night-Piece", appears in Melodies, 1912 (untitled), revised 1917
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Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this text: Emily Ezust [Administrator]