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I hear America singing

Song Cycle by Normand Lockwood (b. 1906)

?.   [sung text not yet checked]

Language: English 
Lo! the unbounded sea!	 
On its breast a Ship starting, spreading all her sails --
   an ample Ship, carrying even her moonsails;	 
The pennant is flying aloft, as she speeds, she speeds so stately -- 
   below, emulous waves press forward,	 
They surround the Ship, with shining curving motions, and foam.

Text Authorship:

  • by Walt Whitman (1819 - 1892), "The ship starting"

See other settings of this text.

Researcher for this text: Emily Ezust [Administrator]

?. A child said, What is the grass?  [sung text not yet checked]

Language: English 
A child said, What is the grass? fetching it to me with full hands;
How could I answer the child? .... I do not know 
what it is any more than he.

I guess it must be the flag of my disposition, out of hopeful
green stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly [dropped]1,
Bearing the owner's name someway in the corners, that we
may see and remark, and say Whose?

Or I guess the grass is itself a child. . . .the produced 
babe of the vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the
same, I receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the breasts of young men,
It may be if I had known them I would have loved them;
It may be you are from old people and from women, and
from offspring taken soon out of their mother's laps,
And here you are the mother's laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues!
And I perceive they do not come from the roofs of mouths for nothing.

I wish I could translate the hints about the dead young men and women,
And the hints about old men and mothers, and the offspring
taken soon out of their laps.

What do you think has become of the young and old men?
What do you think has become of the women and children?

They are alive and well somewhere;
The smallest sprouts show there is really no death,
And if ever there was it led forward life, and does not wait
at the end to arrest it,
And ceased the moment life appeared.

All goes onward and outward. . . .and nothing collapses,
And to die is different from what any one supposed, and luckier.

Text Authorship:

  • by Walt Whitman (1819 - 1892), no title, appears in Song of Myself, no. 6

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • GER German (Deutsch) [singable] (Walter A. Aue) , copyright © 2010, (re)printed on this website with kind permission

View original text (without footnotes)
1 Fine: "dropt"

Researcher for this text: Emily Ezust [Administrator]

?. The little one sleeps in its cradle  [sung text not yet checked]

Language: English 
The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the bloody floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of the promenaders,
The heavy omnibus, the driver with his interrogating thumb, 
    the clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-balls,
The hurrahs for popular favorites, the fury of rous'd mobs,
The flap of the curtain'd litter, a sick man inside borne to the hospital,
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv'd who fall sunstruck or in fits,
What exclamations of women taken suddenly who hurry home and give birth to babes,
What living and buried speech is always vibrating here, what howls restrain'd by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances, rejections with convex lips,
I mind them or the show or resonance of them--I come and I depart.

Text Authorship:

  • by Walt Whitman (1819 - 1892), no title, appears in Song of Myself, no. 8

Go to the general single-text view

Researcher for this text: Emily Ezust [Administrator]

?. The big doors of the country barn stand open  [sung text not yet checked]

Language: English 
The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack'd to the sagging mow.

I am there, I help, I came stretch'd atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps. 

Text Authorship:

  • by Walt Whitman (1819 - 1892), no title, appears in Song of Myself, no. 9

Go to the general single-text view

Researcher for this text: Emily Ezust [Administrator]
Total word count: 757
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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