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by Thomas Hardy (1840 - 1928)

In a solitude of the sea
Language: English 
I
     In a solitude of the sea
     Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.

II
     Steel chambers, late the pyres
     Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.

III
     Over the mirrors meant
     To glass the opulent
The sea-worm crawls -- grotesque, slimed, dumb, indifferent.

IV
     Jewels in joy designed
     To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.

V
     Dim moon-eyed fishes near
     Gaze at the gilded gear
And query: "What does this vaingloriousness down here?". . .

VI
     Well: while was fashioning
     This creature of cleaving wing,
The Immanent Will that stirs and urges everything

VII
     Prepared a sinister mate
     For her -- so gaily great -- 
A Shape of Ice, for the time [far]1 and dissociate.

VIII
     And as the smart ship grew
     In stature, grace, and hue
In shadowy silent distance grew the Iceberg too.

IX
     Alien they seemed to be:
     No mortal eye could see
The intimate welding of their later history.

X
     Or sign that they were bent
     By paths coincident
On being anon twin halves of one august event,

XI
     Till the Spinner of the Years
     Said "Now!" And each one hears,
And consummation comes, and jars two hemispheres.

About the headline (FAQ)

View original text (without footnotes)
First published in Fortnightly Review, June, 1912
1 sometimes misprinted as "fat".


Text Authorship:

  • by Thomas Hardy (1840 - 1928), "The Convergence of the Twain", subtitle: "Lines on the loss of the Titanic" [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

  • by Roger S. Keele (b. 1954), "Titanic!", 1999 [ baritone and piano ], from Three British Poems for Baritone and Piano, no. 3, Dowling Music [sung text not yet checked]
  • by Seymour J. Shifrin (b. 1926), "The Convergence of the Twain", published 1974 [ mezzo-soprano, flute, piccolo, clarinet, violin, violoncello, contrabass, and piano ], from Satires of Circumstance [sung text not yet checked]

Researcher for this text: Emily Ezust [Administrator]

This text was added to the website: 2008-01-14
Line count: 44
Word count: 213

Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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