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by Alfred Tennyson, Lord (1809 - 1892)

Cold and clear‑cut face, why come you so...
Language: English 
Cold and clear-cut face, why come you so cruelly meek,
Breaking a slumber in which all spleenful folly was drown'd,
Pale with the golden beam of an eyelash dead on the cheek,
Passionless, pale, cold face, star-sweet on a gloom profound;
Womanlike, taking revenge too deep for a transient wrong
Done but in thought to your beauty, and ever as pale as before
Growing and fading and growing upon me without a sound.
Luminous, gemlike, ghostlike, deathlike, half the night long
Growing and fading and growing, till I could bear it no more.
But arose, and all by myself in my own dark garden ground,
Listening now to the tide in its broad-flung shipwrecking roar,
Now to the scream of a madden'd beach dragg'd down by the wave,
Walk'd in a wintry wind by a ghastly glimmer, and found
The shining daffodil dead, and Orion low in his grave.

About the headline (FAQ)

Confirmed with Maud, and Other Poems. By Alfred Tennyson, D.C.L., Poet Laureate. A New Edition, London: Edward Moxon & Co., Dover Street, 1859.


Text Authorship:

  • by Alfred Tennyson, Lord (1809 - 1892), no title, appears in Maud, Part 1, no. 3 [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

    [ None yet in the database ]


Researcher for this text: Emily Ezust [Administrator]

This text was added to the website: 2023-06-29
Line count: 14
Word count: 149

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