by Carl Sandburg (1878 - 1967)
The woman named To‑morrow
Language: English
"The past is a bucket of ashes." 1 The woman named To-morrow sits with a hairpin in her teeth and takes her time and does her hair the way she wants it and fastens at last the last braid and coil and puts the hairpin where it belongs and turns and drawls: Well, what of it? My grandmother, Yesterday, is gone. What of it? Let the dead be dead. 2 The doors were cedar and the panels strips of gold and the girls were golden girls and the panels read and the girls chanted: We are the greatest city, the greatest nation: nothing like us ever was. The doors are twisted on broken hinges. Sheets of rain swish through on the wind where the golden girls ran and the panels read: We are the greatest city, 20 the greatest nation, nothing like us ever was. 3 It has happened before. Strong men put up a city and got a nation together, And paid singers to sing and women to warble: We are the greatest city, the greatest nation, nothing like us ever was. And while the singers sang and the strong men listened and paid the singers well and felt good about it all, there were rats and lizards who listened ... and the only listeners left now ... are ... the rats ... and the lizards. And there are black crows crying, "Caw, caw," bringing mud and sticks building a nest over the words carved on the doors where the panels were cedar and the strips on the panels were gold and the golden girls came singing: We are the greatest city, the greatest nation: nothing like us ever was. The only singers now are crows crying, "Caw, caw," And the sheets of rain whine in the wind and doorways. And the only listeners now are ... the rats ... and the lizards. 4 The feet of the rats scribble on the door sills; the hieroglyphs of the rat footprints chatter the pedigrees of the rats and babble of the blood and gabble of the breed of the grandfathers and the great-grandfathers of the rats. And the wind shifts and the dust on a door sill shifts and even the writing of the rat footprints tells us nothing, nothing at all about the greatest city, the greatest nation where the strong men listened and the women warbled: Nothing like us ever was.
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Text Authorship:
- by Carl Sandburg (1878 - 1967), "Four Preludes on Playthings of the Wind", appears in Smoke and Steel, first published 1920 [author's text checked 1 time against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- by Elaine M. Erickson (b. 1941), "Lamentations" [ SATB chorus, narrator, flute, oboe, clarinet, bass clarinet, percussion ] [sung text not yet checked]
- by Joseph Kantor (b. 1930), "Playthings of the wind", recorded 1976 [sung text not yet checked]
- by Stephen Paulus (b. 1949), "Four Preludes on Playthings of the Wind", first performed 1990 [ SSAATTBB chorus a cappella ] [sung text not yet checked]
- by Michael Tilson Thomas (b. 1944), "Four Preludes on Playthings of the Wind", 2016, first performed 2018 [ soprano and orchestra ], Kongcha [sung text not yet checked]
Researcher for this text: Emily Ezust [Administrator]
This text was added to the website: 2008-06-18
Line count: 70
Word count: 386