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Hörst du nicht die Quellen gehen

Language: German (Deutsch)

Hörst du nicht die Quellen gehen
zwischen Stein und Blumen weit
nach den stillen Waldesseen,
wo die Marmorbilder stehen
in der schönen Einsamkeit?
Von den Bergen sacht hernieder,
weckend die uralten Lieder,
steigt die wunderbare Nacht,
und die Gründe glänzen wieder,
wie du's oft im Traum gedacht.

Kennst die Blume du, entsprossen
in dem mondbeglänzten Grund
Aus der Knospe, halb erschlossen,
junge Glieder blühendsprossen,
weiße Arme, roter Mund,
und die Nachtigallen schlagen
und rings hebt es an zu klagen,
ach, vor Liebe todeswund,
von versunk'nen schönen Tagen -
komm, o komm zum stillen Grund!
Komm! Komm!

Translation(s): CAT ENG FRE FRE IRI ITA

List of language codes

About the headline (FAQ)

Submitted by Emily Ezust [Administrator]


Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive)

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • CAT Catalan (Català) (Salvador Pila) , "Màgia de la nit", copyright © 2014, (re)printed on this website with kind permission
  • ENG English (Emily Ezust) , "Night magic", copyright ©
  • FRE French (Français) (Guy Laffaille) , "Magie de la nuit", copyright © 2010, (re)printed on this website with kind permission
  • FRE French (Français) (Stéphane Goldet) (Pierre de Rosamel) , copyright © 2015, (re)printed on this website with kind permission
  • IRI Irish (Gaelic) [singable] (Gabriel Rosenstock) , copyright © 2014, (re)printed on this website with kind permission
  • ITA Italian (Italiano) (Ferdinando Albeggiani) , "Incanto notturno", copyright © 2009, (re)printed on this website with kind permission

Text added to the website between May 1995 and September 2003.

Last modified: 2014-10-28 21:27:54

Line count: 21
Word count: 96

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     - Emily Ezust

Night magic

Language: English after the German (Deutsch)

Do you not hear the spring running
between the stones and flowers far
toward the quiet wood lakes,
where the marble statues stand
in fine solitude?
From the mountains, gently
awakening ancient songs,
the wondrous night descends
and the earth gleams again
as you often see in a dream.

Do you know the flower that blooms
in the moonlit land,
from whose buds, half-open,
young limbs bloom with
white arms and red mouth?
And the nightingale sings,
and all around, a lament is raised;
alas, wounded fatally by love,
by lovely days now gone forever -
come, o come to the silent land!
Come! come!

IMPORTANT NOTE: The material directly above is protected by copyright and appears here by special permission. If you wish to copy it and distribute it, you must obtain permission or you will be breaking the law. Once you have permission, you must give credit to the author and display the copyright symbol ©. Copyright infringement is a criminal offense under international law.


  • Translation from German (Deutsch) to English copyright © by Emily Ezust

    Emily Ezust permits her translations to be reproduced without prior permission for printed (not online) programs to free-admission concerts only, provided the following credit is given:

    Translation copyright © by Emily Ezust,
    from the LiederNet Archive --

    For any other purpose, please write to the e-mail address below to request permission and discuss possible fees.

    licenses (AT) lieder (DOT) net
    (licenses at lieder dot net)

Based on
  • a text in German (Deutsch) by Josef Karl Benedikt von Eichendorff (1788 - 1857), "Nachtzauber" CAT FRE FRE IRI ITA
      • This text was set to music by the following composer(s): E. Annin, Rafael Behn, Albin Fries, Ernst Heuser, Eduard Kreuzhage, Julius Neugebauer, August Friedrich Wilhelm Reissmann, Peter Martin Cornelius Rübner, Hans August Friedrich Zincke genannt Sommer, Max Spicker, Richard Trunk, Willy Viol, O. Winkelmann, Hugo Wolf, Leopold Carl Wolf. Go to the text.


Text added to the website between May 1995 and September 2003.

Last modified: 2014-06-16 10:01:27

Line count: 21
Word count: 105