Four Songs of Gerard Manley Hopkins

Glory be to God for dappled things --
  For skies of couple-colour as a brinded cow;
    For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches' wings;
  Landscape plotted and pieced -- fold, fallow, and plough. 
    And áll trádes, their gear and tackle and trim.

All things counter, original, spare, strange;
  Whatever is fickle, freckled (who knows how?)
    With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
        Praise him.

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil 
Crushed. Why do men then now not reck his rod? 
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil; 
And wears man's smudge and shares man's smell: the soil 
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went 
Oh, morning, at the brown brink eastward, springs -- 
Because the Holy Ghost over the bent   
World broods with warm breast and with ah! bright wings.

Nothing is so beautiful as Spring
When weeds, in wheels, shoot long and lovely and lush;
Thrush's eggs look little low heavens, and thrush
Through the echoing timber does so rinse and wring
The ear, it strikes like lightnings to hear him sing;
The glassy peartree leaves and blooms, they brush
The descending blue; that blue is all in a rush
With richness; the racing lambs too have their fling.

What is all this juice and all this joy?
A strain of the earth's sweet being in the beginning
In Eden garden. - Have, get, before it cloy,
Before it cloud, Christ, lord, and sour with sinning,
Innocent mind and Mayday in girl and boy,
Most, O maid's child, thy choice and worthy the winning.

Let me be to Thee as the circling bird,
Or bat with tender and air-crisping wings
That shapes in half-light his departing rings,
From both of whom a changeless note is heard.

I have found my music in a common word,
Trying each pleasurable throat that sings
And every praisèd sequence of sweet strings,
And know infallibly which I preferred.

The authentic cadence was discovered late
Which ends those only strains that I approve,
And other science all gone out of date
And minor sweetness scarce made mention of:
I have found the dominant of my range and state -
Love, O my God, to call Thee Love and Love.