LiederNet logo

CONTENTS

×
  • Home | Introduction
  • Composers (21,190)
  • Text Authors (21,328)
  • Go to a Random Text
  • What’s New
  • A Small Tour
  • FAQ & Links
  • Donors
  • DONATE

UTILITIES

  • Search Everything
  • Search by Surname
  • Search by Title or First Line
  • Search by Year
  • Search by Collection

CREDITS

  • Emily Ezust
  • Contributors (1,136)
  • Contact Information
  • Bibliography

  • Copyright Statement
  • Privacy Policy

Follow us on Facebook

Tre aspetti d'amore

Song Cycle by Hans Henkemans (1913 - 1995)

1. Alba  [sung text not yet checked]

Language: Multiple Languages 
Phoebi claro nondum orto iubare, 
Fert Aurora lumen terris tenue:
Spiculator pigris clamat 'surgite'.
    L'alba part umet mar atra sol
    Poy pasa bigil mira clar tenebras. 

En incautos hostium insidie 
torpentesque gliscunt intercipere
quos suadet preco clamans surgere. 
    L'alba part umet mar atra sol
    Poy pasa bigil mira clar tenebras. 

Ab Arcturo disgregatur aquilo 
poli suos condunt astra radios.
orienti tenditur septentrio. 
    L'alba part umet mar atra sol
    Poy pasa bigil mira clar tenebras.

Text Authorship:

  • by Anonymous / Unidentified Author, no title

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission

Confirmed with Arthur T. Hatto, ed., Eos: An Enquiry Into the Theme of Lovers' Meetings and Partings at Dawn in Poetry, The Hague: Mouton & Co., 1965, page 280.

Note: the majority of this poem is in medieval Latin, but the refrain (last two lines of each stanza) is in the vernacular. Which vernacular is problematic; according to Arthur T. Hallo in Eos: An Enquiry Into the Theme of Lovers' Meetings and Partings at Dawn in Poetry, "This refrain, confidently claimed as Provençal by some and as confidently translated, remains enigmatic, both in dialect and in meaning."

Research team for this page: Grant Hicks [Guest Editor] , Joost van der Linden [Guest Editor]

2. Planctus  [sung text not yet checked]

Language: Latin 
Dolorum solatium,
Laborum remedium,
Mihi mea cithara,
Nunc quo major dolor est,
Justiorque moeror est
Plus est necessaria.

Strages magna populi,
Regis mors et filii,
Hostium victoria,
Ducum desolatio,
Vulgi desperatio,
Luctu replent omnia.

Amalech invaluit
Israel dum corruit,
Infidelis jubilat
Philistaea
Dum lamentis macerat
Se Judaea.

Insultat fidelibus Infidelis populus;
In honorem maximum
Plebs adversa,
In derisum omnium
Fit divina.

Insultantes inquiunt:
"Ecce de quo garriunt,
Qualiter hos perdidit
Deus summus,
Dum a multis occidit
Dominus prostratus."

Quem primum his praebuit,
Victus rex occubuit;
Talis est electio
Derisui,
Talis consecratio
Vatis magni.

Saul regum fortissime,
Virtus invicta Jonathae,
Qui vos nequit vincere,
Permissus est occidere.

Quasi non esset oleo
Consecratus dominico,
Scelestae manus gladio
Jugulatur in praelio.

Plus fratre mihi Jonatha,
In una mecum anima,
Quae peccata, quae scelera,
Nostra sciderunt viscera!

Expertes montes Gelboe,
Roris sitis et pluviae,
Nec agrorum primitiae
Vestrae succurrunt incolae.

Vae, vae tibi, madida
Tellus caede regia!
Quare te, mi Jonatha,
Manus stravit impia?

Ubi Christus Domini,
Israelque inclyti,
Morte miserabili
Sunt cum suis perditi?

Tu mihi nunc, Jonatha,
Flendus super omnia,
Inter cuncta gaudia
Perpes erit lacryma.

Planctus, Sion filiae,
Super Saul sumite,
Largo cujus munere
Vos ornabant purpurae.

Heu! cur consilio
Acquievi pessimo,
Ut tibi praesidio
Non essem in praelio?

Vel confossus pariter
Morirer feliciter,
Quum, quod amor faciat,
Majus hoc non habeat.

Et me post te vivere
Mori sit assidue,
Nec ad vitam anima
Satis est dimidia.

Vicem amicitiae
Vel unam me reddere,
Oportebat tempore
Summae tunc angustiae;

Triumphi participem
Vel ruinae comitem,
Ut te vel eriperem
Vel tecum occumberem,

Vitam pro te finiens,
Quam salvasti totiens,
Ut et mors nos jungeret
Magis quam disjungeret.

Infausta victoria
Potitus, interea,
Quam vana, quam brevia
Hic percepi gaudia!

Quam cito durissimus
Est secutus nuntius,
Quem in sua anima
Locuta est superbia!

Mortuos quos nuntiat
Illata mors aggregat,
Ut doloris nuntius
Doloris sit socius.

Do quietem fidibus:
Vellem ut et planctibus
Sic possem et fletibus!
Caesis pulsu manibus,
Raucis planctu vocibus
Deficit et spiritus. 

Text Authorship:

  • by Peter Abelard (1079 - 1142), "Planctus David super Saul et Jonathan"

See other settings of this text.

Researcher for this text: Emily Ezust [Administrator]

3. Alternus amor
 (Sung text)

Language: Latin 
Si vis celsi iura tonantis
Pura sollers cernere mente,
Aspice summi culmina caeli.
Illic iusto foedere rerum
Veterem servant sidera pacem.
Non sol rutilo concitus igne
Gelidum Phoebes impedit axem
Nec quae summo vertice mundi
Flectit rapidos Ursa meatus,
Numquam occiduo lota profundo
Cetera cernens sidera mergi
Cupit oceano tingere flammas.
Semper vicibus temporis aequis
Vesper seras nuntiat umbras
Revehitque diem Lucifer almum.
Sic aeternos reficit cursus
Alternus amor, sic astrigeris
Bellum discors exulat oris.
 ... 

Text Authorship:

  • by Anicius Manlius Severinus Boethius (c480 - 524), no title, appears in De consolatione philosophiae, no. 6

Go to the general single-text view

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission

Note: the text above is taken from lines 1-18 of the original text.

Note: Boethius wrote his De consolatione philosophiae (On the Consolation of Philosophy) while in prison awaiting execution by the Ostrogothic king Theodoric the Great. It is a dialog in alternating prose and verse between Boethius and a personification of Philosophy; this is the sixth verse passage of Book IV, and is spoken by Philosophy.
Research team for this page: Emily Ezust [Administrator] , Grant Hicks [Guest Editor] , Joost van der Linden [Guest Editor]
Total word count: 479
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

Donate

We use cookies for internal analytics and to earn much-needed advertising revenue. (Did you know you can help support us by turning off ad-blockers?) To learn more, see our Privacy Policy. To learn how to opt out of cookies, please visit this site.

I acknowledge the use of cookies

Contact
Copyright
Privacy

Copyright © 2026 The LiederNet Archive

Site redesign by Shawn Thuris