Taivas nöyrtyy [ ... ]
The Illuminated Traces of Ligeia
Opera by Ylva Lund Bergner (b. 1981)
Taivas nöyrtyy Matches base text
Text Authorship:
- by Pentti Ilmari Saarikoski (1937 - 1983), appears in Hämärän tanssit, Albert Bonniers förlag, first published 1984, copyright © [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Ylva Lund Bergner (b. 1981) [ bass baritone, zither, violin, violoncello and accordion ]This text may be copyright, so we will not display it until we obtain permission to do so or discover it is public-domain.
Conqueror worm
Lo! ’t is a gala night Within the lonesome latter years! An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre, to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly— Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their Condor wings Invisible Wo! That motley drama—oh, be sure It shall not be forgot! With its Phantom chased for evermore By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot, And much of Madness, and more of Sin, And Horror the soul of the plot. But see, amid the mimic rout, A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes!—it writhes!—with mortal pangs The mimes become its food, And seraphs sob at vermin fangs In human gore imbued. Out—out are the lights—out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, “Man,” And its hero, the Conqueror Worm.
Text Authorship:
- by Edgar Allan Poe (1809 - 1849), "The conqueror worm" [author's text checked 1 time against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Ylva Lund Bergner (b. 1981), 2012 [ mixed chorus ]Researcher for this text: Emily Ezust [Administrator]
Deres ord Matches base text
Jeg ser de lette skyer [ ... ]
Text Authorship:
- by Inger Christensen (1935 - 2009), appears in Det, copyright © [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Ylva Lund Bergner (b. 1981), 2011 [ soprano, zither, violin and accordion ]This text may be copyright, so we will not display it until we obtain permission to do so or discover it is public-domain.
Den glimt jag såg Matches base text
Jag ber om detta. Att mina ögon ska se [ ... ]
Text Authorship:
- by Göran Sonnevi (b. 1939), appears in Trädet, copyright © [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Ylva Lund Bergner (b. 1981), 2012 [ bass, flute, piano and percussion ]This text may be copyright, so we will not display it until we obtain permission to do so or discover it is public-domain.
På godt og ondt Matches base text
Jeg ser at jeg er her med vilje [ ... ]
Text Authorship:
- by Inger Christensen (1935 - 2009), "På godt og ondt", copyright © [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Ylva Lund Bergner (b. 1981), 2012 [ soprano, violoncello and percussion ]This text may be copyright, so we will not display it until we obtain permission to do so or discover it is public-domain.