When daisies pied and violets blue [And lady-smocks all silver white, And cuckoo-buds of yellow hue]1, Do paint the meadows with delight, The cuckoo, then on ev'ry tree Mocks married men, for thus sings he, Cuckoo, Cuckoo, cuckoo: o word of fear, Unpleasing to a married ear. When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, [When]2 turtles tread, and rooks, and daws, And maidens bleach their summer [smocks]3, The cuckoo, then on ev'ry tree Mocks married men, for thus sings he, Cuckoo, Cuckoo, cuckoo: o word of fear, Unpleasing to a married ear.
Seven Shakespeare Songs
Song Cycle by Madeleine Dring (1923 - 1977)
The Cuckoo
Text Authorship:
- by William Shakespeare (1564 - 1616), appears in Love's Labour's Lost, Act V, Scene 2 [author's text checked 1 time against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Madeleine Dring (1923 - 1977), published 1992 [ voice and piano ]View text without footnotes
1 Stravinsky: "And cuckoo-buds of yellow hue,/ And lady-smocks all silver white"
2 Arne: "And"
3 Arne: "frocks"
Researcher for this text: Emily Ezust [Administrator]
Take O take those lips away
Take, o take those lips away, That so sweetly [were]1 forsworn; And those eyes, the break of day, Lights [that]2 do mislead the morn: But my kisses bring again; Seals of love, [but]3 seal'd in vain, sealed in vain. Hide, o hide those hills of snow that thy frozen bosom wears, On whose tops the pinks that grow are yet of those that April wears; But first set my poor heart free, Bound in those icy chains by thee.
Text Authorship:
- by Anonymous / Unidentified Author
- sometimes misattributed to William Shakespeare (1564 - 1616)
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Madeleine Dring (1923 - 1977) [ voice and piano ]View text without footnotes
Note: quoted by John Fletcher, in Bloody Brother, 1639 and by William Shakespeare, in Measure for Measure, Act IV, scene 1, c1604 (just one stanza)
1 Bishop: "are"
2 Bishop: "which"
3 Bishop: "tho'"
Researcher for this text: Emily Ezust [Administrator]
It was a lover
It was a lover and his lass, With a hey, and a ho, and a hey nonino That o'er the green [corn-field]1 did pass. In [the]2 spring time, the only pretty ring time, When birds do sing, hey ding a ding a ding; Sweet lovers love the spring. Between the acres of the rye, [With a hey, and a ho, and a hey nonino,]3 These pretty country [folks]4 would lie, [In the spring time, the only pretty ring time,]5 [When birds do sing, hey ding a ding a ding; Sweet lovers love the spring.]3 This carol they began that hour, [With a hey, and a ho, and a hey nonino,]3 How that a life was but a flower [In the spring time, the only pretty ring time,]5 [When birds do sing, hey ding a ding a ding; Sweet lovers love the spring.]3 [And therefore take the present time]6 [With]7 a hey, and a ho, and a hey nonino, For love is crownéd with the prime In [the]2 spring time, the only pretty ring time, When birds do sing, hey ding a ding a ding; Sweet lovers love the spring.
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in As You Like It, Act V, Scene 3 [author's text checked 1 time against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by Madeleine Dring (1923 - 1977) [ voice and piano ]View text without footnotes
1 Morley: "cornfields"
2 omitted by Barton, Bush, and Morley
3 omitted by Dring; omitted by Parry
4 Delius, Dring: "folk"
5 Barton, Bush, Morley: "In spring time, the only pretty ring time,"; omitted by Dring; omitted by Parry
6 Barton, Morley : "Then, pretty lovers, take the time"
7 Bush: "And with"
Researcher for this text: Emily Ezust [Administrator]