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Seven Shakespeare Songs

Song Cycle by Madeleine Dring (1923 - 1977)

The Cuckoo

Language: English 
When daisies pied and violets blue
 [And lady-smocks all silver white,
And cuckoo-buds of yellow hue]1,
  Do paint the meadows with delight,
The cuckoo, then on ev'ry tree
Mocks married men, for thus sings he,
  Cuckoo,
Cuckoo, cuckoo: o word of fear,
Unpleasing to a married ear.

When shepherds pipe on oaten straws,
  And merry larks are ploughmen's clocks,
[When]2 turtles tread, and rooks, and daws,
  And maidens bleach their summer [smocks]3,
The cuckoo, then on ev'ry tree
Mocks married men, for thus sings he,
  Cuckoo,
Cuckoo, cuckoo: o word of fear,
Unpleasing to a married ear.

Text Authorship:

  • by William Shakespeare (1564 - 1616), appears in Love's Labour's Lost, Act V, Scene 2 [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

Set by Madeleine Dring (1923 - 1977), published 1992 [ voice and piano ]
View text without footnotes
1 Stravinsky: "And cuckoo-buds of yellow hue,/ And lady-smocks all silver white"
2 Arne: "And"
3 Arne: "frocks"

Researcher for this text: Emily Ezust [Administrator]

Take O take those lips away

Language: English 
Take, o take those lips away,
That so sweetly [were]1 forsworn;
And those eyes, the break of day,
Lights [that]2 do mislead the morn:
But my kisses bring again;
Seals of love, [but]3 seal'd in vain, sealed in vain.

Hide, o hide those hills of snow
that thy frozen bosom wears,
On whose tops the pinks that grow
are yet of those that April wears;
But first set my poor heart free,
Bound in those icy chains by thee.

Text Authorship:

  • by Anonymous / Unidentified Author
  • sometimes misattributed to William Shakespeare (1564 - 1616)

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

Set by Madeleine Dring (1923 - 1977) [ voice and piano ]
View text without footnotes
Note: quoted by John Fletcher, in Bloody Brother, 1639 and by William Shakespeare, in Measure for Measure, Act IV, scene 1, c1604 (just one stanza)
1 Bishop: "are"
2 Bishop: "which"
3 Bishop: "tho'"

Researcher for this text: Emily Ezust [Administrator]

It was a lover

Language: English 
It was a lover and his lass,
  With a hey, and a ho, and a hey nonino
That o'er the green [corn-field]1 did pass.
  In [the]2 spring time, the only pretty ring time,
When birds do sing, hey ding a ding a ding;
Sweet lovers love the spring.

Between the acres of the rye,
  [With a hey, and a ho, and a hey nonino,]3
These pretty country [folks]4 would lie,
  [In the spring time, the only pretty ring time,]5
[When birds do sing, hey ding a ding a ding;
Sweet lovers love the spring.]3

This carol they began that hour,
  [With a hey, and a ho, and a hey nonino,]3
How that a life was but a flower
  [In the spring time, the only pretty ring time,]5
[When birds do sing, hey ding a ding a ding;
Sweet lovers love the spring.]3

[And therefore take the present time]6
  [With]7 a hey, and a ho, and a hey nonino,
For love is crownéd with the prime
  In [the]2 spring time, the only pretty ring time,
When birds do sing, hey ding a ding a ding;
Sweet lovers love the spring.

Text Authorship:

  • by William Shakespeare (1564 - 1616), no title, appears in As You Like It, Act V, Scene 3 [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

Set by Madeleine Dring (1923 - 1977) [ voice and piano ]
View text without footnotes
1 Morley: "cornfields"
2 omitted by Barton, Bush, and Morley
3 omitted by Dring; omitted by Parry
4 Delius, Dring: "folk"
5 Barton, Bush, Morley: "In spring time, the only pretty ring time,"; omitted by Dring; omitted by Parry
6 Barton, Morley : "Then, pretty lovers, take the time"
7 Bush: "And with"

Researcher for this text: Emily Ezust [Administrator]
Total word count: 385
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