Unter den grünen Pfefferbäumen Gehn die Musiker auf den Strich, zwei und zwei Mit den Schreibern. Bach Hat ein Strichquartett im Täschen. Dante schwenkt Den dürren Hintern.
Die Hollywood-Elegien
Song Cycle by Hanns Eisler (1898 - 1962)
1. Unter den grünen Pfefferbäumen
Text Authorship:
- by Bertolt Brecht (1898 - 1956), no title, appears in Hollywood-Elegien, no. 4
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Sharon Krebs) , copyright © 2010, (re)printed on this website with kind permission
Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Research team for this page: Emily Ezust [Administrator] , Sharon Krebs [Guest Editor]2. Die Stadt
Die Stadt ist nach den Engeln genannt Und man begegnet allenthalben Engeln. Sie riechen nach Öl und tragen goldene Pessare Und mit blauen Ringen um die Augen Füttern sie allmorgenlich die Schreiber in ihren Schwimmpfühlen.
Text Authorship:
- by Bertolt Brecht (1898 - 1956), no title, appears in Hollywood-Elegien, no. 3
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Sharon Krebs) , copyright © 2010, (re)printed on this website with kind permission
Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Research team for this page: Emily Ezust [Administrator] , Sharon Krebs [Guest Editor]3. Jeden Morgen
Jeden Morgen, mein Brot zu verdienen Geh' ich zum Markt, wo Lügen verkauft werden. Hoffnungsvoll Reihe ich mich ein unter die Verkäufer.
Text Authorship:
- by Bertolt Brecht (1898 - 1956), "Hollywood"
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Sharon Krebs) , copyright © 2010, (re)printed on this website with kind permission
Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Research team for this page: Emily Ezust [Administrator] , Sharon Krebs [Guest Editor]4. Hollywood
Diese Stadt hat mich belehrt, Paradies und Hölle können eine Stadt sein. Für die Mittellosen ist das Paradies die Hölle.
The text shown is a variant of another text. [ View differences ]
It is based on
- a text in German (Deutsch) by Bertolt Brecht (1898 - 1956), appears in Hollywood-Elegien, no. 1
Go to the general single-text view
Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Sharon Krebs) , copyright © 2010, (re)printed on this website with kind permission
Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this text: Emily Ezust [Administrator]5. In den Hügeln
In den Hügeln wird Gold gefunden, an der Küste findet man Öl. Größere Vermögen bringen die Träume von Glück, die man hier auf Zelluloid schreibt.
The text shown is a variant of another text. [ View differences ]
It is based on
- a text in German (Deutsch) by Bertolt Brecht (1898 - 1956), appears in Hollywood-Elegien, no. 2
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Emily Ezust) , copyright © 2005
- ENG English (Sharon Krebs) , copyright © 2010, (re)printed on this website with kind permission
Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this text: Emily Ezust [Administrator]6. The rat men
The rat men accused me of not liking stench, of not liking garbage, of not liking their squeals, of not liking to eat dirt. For days they argued, considering the question from every angle, finally they condemned me. You don't like stench, you don't like garbage, You don't like our squeals; You don't like to eat dirt.
Text Authorship:
- sometimes misattributed to Bertolt Brecht (1898 - 1956)
- by Hanns Eisler (1898 - 1962)
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- GER German (Deutsch) (Sharon Krebs) , copyright © 2016, (re)printed on this website with kind permission
Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this text: Emily Ezust [Administrator]7. I saw many friends
I saw many friends and the friend I loved most among them [ ... ]
Text Authorship:
- by Naomi Replansky (b. 1918), copyright ©
Based on:
- a text in German (Deutsch) by Bertolt Brecht (1898 - 1956), "Der Sumpf"
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This text may be copyright, so we will not display it until we obtain permission to do so or discover it is public-domain.8. Über die vier Städte
Über die vier Städte kreisen die Jagdflieger Der Verteidigung in großer Höhe vermutlich damit der Gestank der Gier und des Elends Nicht zu ihnen hinauf dringt
Text Authorship:
- by Bertolt Brecht (1898 - 1956), no title, appears in Hollywood-Elegien, no. 6
Go to the general single-text view
Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Sharon Krebs) , copyright © 2010, (re)printed on this website with kind permission
Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Research team for this page: Emily Ezust [Administrator] , Sharon Krebs [Guest Editor]