Blaw! skirlin' win! raw, tirlin'win'! Nowt reck we In the byre the coo's gly an'warm, By the fire na wink o' storm, Whaup on the wing, Snaw on the tree, Thou wi' me Thy mithers breast shall be thy rest Close thy bonnie e'e. Sleep! Sleep! Sleep! Sleep! A' shieldit frae harm Whiles couthie shall guard thee Mither's arm. Sleep! Sleep! Sleep! Sleep! She'll still be near. Naething shall fley thy rest, Sae dinna fear Sleep on thy mither's breast.
Eleven Songs and Two Harmonizations
by Charles Edward Ives (1874 - 1954)
1. A Scotch Lullaby
Text Authorship:
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Researcher for this page: Barbara Miller2. A sea dirge
Full fathom five thy father lies,
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
...
Hark! now I hear them, - ding-dong bell.
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in The Tempest, Act I, Scene 2
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Lidy van Noordenburg) , "Vijf vadem diep", copyright © 2008, (re)printed on this website with kind permission
- FIN Finnish (Suomi) (Erkki Pullinen) , copyright © 2009, (re)printed on this website with kind permission
- FRE French (Français) (Guy Laffaille) , copyright © 2009, (re)printed on this website with kind permission
- FRE French (Français) (Guy de Pourtalès)
- FRE French (Français) (Maurice Bouchor)
- GER German (Deutsch) [singable] (David Paley) , "Voll Faden fünf", copyright © 2012, (re)printed on this website with kind permission
- IRI Irish (Gaelic) [singable] (Gabriel Rosenstock) , copyright © 2014, (re)printed on this website with kind permission
- ITA Italian (Italiano) (Ferdinando Albeggiani) , "Tuo padre giace a una profondità di cinque tese", copyright © 2008, (re)printed on this website with kind permission
- ITA Italian (Italiano) (Andrea Maffei) , no title, first published 1869
- NOR Norwegian (Bokmål) (Arild Bakke) , "På fem favner", copyright © 2004, (re)printed on this website with kind permission
- SWE Swedish (Svenska) (Anonymous/Unidentified Artist)
3. Christmas Carol
Come away to the manger Our Lord Christ to see. Most sweet, fair and holy Of all babes is he. Come away, come away To see the dear child, Whose face is so tender, Gentle and mild. Shepherds come and him worship As he lies in his bed, And even fair Mary Doth bow her sweet head. Come away, come away To see the dear child, Whose face is so tender, Gentle and mild. Then in walk the wise men Our Lordship to see, With gold, myrrh and incense And give Christ all three. Come away, come away To see the dear child, Whose face is so tender, Gentle and mild. All worship Christ then In the morning so dim. We also must kneel And thank God for him. Come away, come away To see the dear child, Whose face is so tender, Gentle and mild.
Text Authorship:
- by Edith Osborne Ives (1914 - 1956), written 1924
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Researcher for this page: Barbara Miller4. Far from my heav'nly home
Far from my heav'nly home, Far from my Father's breast, Fainting I cry, blest Spirit, come, Blest Spirit, come, blest Spirit, come And guide me to my rest, And guide me to my rest. My spirit homeward turns, And fain would thither flee; My heart, O Zion, droops and yearns When I remember thee. My heart, O Zion, droops and yearns, When I remember thee, My heart, O Zion, droops and yearns, When I remember thee. To thee I press A dark and toilsome road. When shall I pass, when shall I pass the wilderness, the wilderness And reach the saints' abode, and reach the saints' abode? God of my life, be near: On Thee my hopes I cast. O guide me through the desert here And bring me home at last! O guide me through the desert here And brin me home at last! O guide me thro' the desert here And bring me home at last.
Text Authorship:
- by Henry Francis Lyte (1793 - 1847), "Far from my heav'nly home", written 1834
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Researcher for this page: Barbara Miller5. God bless and keep thee
I know not if thy love be as a flower in autumn, and has faded now from me I know not, if I came now as of yore, You would greet me I can but pray: "God bless and keep thee, God bless and keep thee, keep thee, my love for e'er and e'er." I know not if thy love be as a fortress And has withstood all other loves for me I only know my love for thee is changeless I still love thee Each day I pray: "God bless and keep thee, God bless and keep thee, keep thee, my love for e'er and e'er."
Text Authorship:
- by Anonymous / Unidentified Author
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Note: in the score for the Ives song, underneath the final three words of each stanza there is the following text in brackets: "aye and aye"
Researcher for this page: Barbara Miller
6. In the mornin'
In the mornin' when I rise, In the mornin' when I rise, In the mornin' when I rise, Give me Jesus! Give me Jesus! Give me Jesus! You can have all the world, but Give me Jesus! 'Twixt the cradle and the grave, 'Twixt the cradle and the grave, 'Twixt the cradle and the grave, Give me Jesus! Give me Jesus! Give me Jesus! You can have all the world, but Give me Jesus!
Text Authorship:
- by Anonymous / Unidentified Author, Negro spiritual from before 1850, communicated to Ives in 1929 by Mary Evelyn Stiles
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Researcher for this page: Barbara Miller7. No more
They walked beside the summer sea And watched the slowly dying sun; And 'Oh', she said, 'come back to me, My love, my own, my only one!' But, while he kissed her fears away, The gentle waters kissed the shore, And sadly whisp'ring, seemed to say, 'He'll come no more! He'll come no more!' Alone beside the autumn sea She watched the somber death of day; And 'Oh', she said, remember me, And love me, darling, far away!' A cold wind swept the wat'ry gloom, And, darkly whisp'ring on the shore, Sighed out the secret of his doom, 'He'll come no more! He'll come no more!' In peace beside the winter sea A white grave glimmers to the moon; And waves are fresh, and clouds are free, Shrill winds pipe a careless tune. One sleeps beneath the dark blue wave, And one on the lonely shore; But, joined in love, beyond the grave, They part no more! They part no more!
Text Authorship:
- by William Winter (1836 - 1917)
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Researcher for this page: Barbara Miller8. Peaks
Quiet faces, That look in faith On distance, I will come to you And gaze upon that peace. I cannot tell If it be wind you see Across the summer grain Or the shaken agony Of driven seas.
Text Authorship:
- by Heinrich Hauer Bellamann (1882 - 1945)
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First published in Poetry, v. 19/2, Nov. 1921, p. 87Researcher for this page: Barbara Miller
9. Pictures
I. [The Cornfield] The ripe corn bends low When the wind blows fair, Like curtseying maidens, Curts'ying maidens With golden hair. II. [The Sea] Dark billows reflect The gath'ring clouds; The white foam is frothing Like tossing shrouds. III. [The Moor] Winds are sobbing In pinetree wood. The moor is a king's robe Stained with blood. IV. [Night] The wild rose sleeps above the pool, Round her sleepeth every leaf; The night air, soft and cool, Cradles them all above the pool And all their shadows sleep beneath.
Text Authorship:
- by Monica Peveril Turnbull (1879 - 1901)
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Researcher for this page: Barbara Miller10. Rock of ages
Rock of Ages, cleft for me, Let me hide myself in Thee, Rock of Ages, cleft for me, O let me hide myself in Thee; Let the water and the blood, From Thy side, a healing flood, Be of sin the double cure, Save from wrath and make me pure, Be of sin the double cure, Save from wrath and make me pure. Should my tears forever flow, Should my zeal no languor know, All for sin could not atone, Thou must save, and Thou alone; In my hand no price I bring, Simply to Thy cross I cling, To Thy cross I cling. While I draw this fleeting breath, When my eyelids close in Death, When I rise to worlds unknown, And see Thee on Thy Judgment Throne, When I rise to worlds unknown, See Thee on Thy Judgment Throne, Rock of Ages, cleft for me, Let me hide myself in Thee, Rock of Ages, cleft for me, Let me hide myself in Thee.
Text Authorship:
- by Augustus Montague Toplady (1740 - 1778)
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Note: there is also a four-stanza version of this text.Researcher for this page: Barbara Miller
11. The one way
Subtitle: The True Philosophy of all Nice Conservatories of Music and Nice "MUS. DOC'S" "IMBCDGODAMLILY"
Here are things you've heard before, Turned out daily by the score, Pretty rhymes you know How gently on the ear They bring a smile or bring a tear, Do re mi fa mi re do. When we go a-marching Down thro' life and the Street, O loud and free must the music be With [the] tunes to match the feet. Now a softer cadence, Now we change the key, Just to stage a come-back To the main strain of our glee. So if you'd go a-marching To fortune or to Fame, Perhaps the safest way's to play the same old, same old game. Tunes we've often heard before, Snatches of a dozen more, Jingles row on row, When borne upon the ear, They bring a smile or bring a blear, Do re me fa me re do. When we go a-marching Down the aisle or the Street, O nice and sweet must the music bleat, With [the] time to match the feet. Now a softer cadence, Now we change the key, Just to stage a comeback To the nice key of our glee. So if you'd go a-marching To Fortune or to Fame, The safest way's to play the same old, same old game. Hola ! Huzza ! Je ne sais pas !
Text Authorship:
- by Charles Edward Ives (1874 - 1954)
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Note: in the score of the Ives song, there is a bracketed alternative shown for the last line: "Same old game! Same old game! Same old game!"
Researcher for this page: Barbara Miller
12. There is a certain garden
There is a certain garden where I know
That flowers flourish in a poet's spring,
Where aye young birds their ... matins sing,
And never ill wind blows, nor any snow.
But if you wonder where so fair a show,
Where such eternal pleasure may be seen,
I say, my memory keeps that garden green,
Wherein I loved my first love long ago.
Text Authorship:
- by Justin Huntly McCarthy (1859 - 1936), "The Garden of Memory"
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Researcher for this page: Barbara Miller13. Yellow leaves
Heart shaped yellow leaves on thin brown switches pointing upward like taper flames in windless naves. Yellow leaves among the green like gold coins deep, deep, deep in old fountains.
Text Authorship:
- by Heinrich Hauer Bellamann (1882 - 1945)
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Researcher for this page: Barbara Miller