Let tyrants shake their iron rod, And Slav'ry clank her galling chains, We fear them not, we trust in God, New England's God forever reigns. Howe and Burgoyne and Clinton too, With Prescot and Cornwallis join'd, Together plot our Overthrow, In one Infernal league combin'd. When God inspir'd us for the fight, Their ranks were broke, their lines were forc'd, Their ships were Shatter'd in our sight, Or swiftly driven from our Coast. The Foe comes on with haughty Stride; Our troops advance with martial noise, Their Vet'rans flee before our Youth, And Gen'rals yield to beardless Boys. What grateful Off'ring shall we bring? What shall we render to the Lord? Loud Halleluiahs let us Sing, And praise his name on ev'ry Chord.
The Singing Master's Assistant
by William Billings (1746 - 1800)
?. Chester
Text Authorship:
- by William Billings (1746 - 1800), "Chester"
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Researcher for this text: Emily Ezust [Administrator]Boston Matches base text
Methinks I see a heav’nly host Of angels on the wing; Methinks I hear their cheerful notes, So merrily they sing Let all your fears be banish’d hence; Glad tidings we proclaim, For there’s a Savior born to day, And Jesus is his name. Let all your fears be banish’d hence; Glad tidings we proclaim, For there’s a Savior born to day, And Jesus is his name. Lord! and shall Angels have their Songs, and men no tunes to raise? O may we lose these useless Tongues when they forget to praise! Glory to God that reigns above, that pitied us forlorn, We join to sing our Maker’s Love, for there’s a Savior born. Glory to God that reigns above, that pitied us forlorn, We join to sing our Maker’s Love, for there’s a Savior born.
Text Authorship:
- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by William Billings (1746 - 1800)Note: another version has different but overlapping words:
'Shepherds, rejoice, lift up your eyes And send your fears away; News from the regions of the skies - A Savior's born today! Jesus, the God whom angels fear Comes down to dwell with you! Today he makes his entrance here But not as monarchs do Jesus, the God whom angels fear Comes down to dwell with you! Today he makes his entrance here But not as monarchs do 'No gold or purple swaddling bands Nor royal shining things; A manger for his cradle stands And holds the King of Kings Go, shepherds, where the infant lies And see his humble throne; With tears of joy in all your eyes Go, shepherds, kiss the Son.' Go, shepherds, where the infant lies And see his humble throne; With tears of joy in all your eyes Go, shepherds, kiss the Son.' Thus Gabriel sang, and straight around The heavenly armies throng; They tune their harps to lofty sound And thus conclude the song; 'Glory to God that reigns above Let peace surround the earth; Mortals shall know their maker's love At their Redeemer's birth.' 'Glory to God that reigns above Let peace surround the earth; Mortals shall know their maker's love At their Redeemer's birth.' Lord! and shall angels have their songs And men no tunes to raise? Oh, may we lose our useless tongues When they forget to praise Glory to God that reigns above That pitied us forborn; We join to sing our maker's love For there's a Savior born Glory to God that reigns above That pitied us forborn; We join to sing our maker's love For there's a Savior born.
Researcher for this page: Ross Klatte
Brookfield Matches base text
'Twas on that dark, that doleful night When all the powers of hell arose Against the Son of God's delight And friends betrayed him to his foes: Before the mournful scene began He took the bread, and blessed, and brake: What love through all his actions ran! What wondrous words of grace he spake! "This is my body broke for sin; Receive and eat the living food:" Then took the cup and blessed the wine,-- "'Tis the new cov’nant in my blood." "Do this," he said, "till time shall end In mеmory of your dying Friend; Meet at my table, and record The love of your departed Lord." Jesus! thy feast we celebrate; We show thy death, we sing thy name Till thou return, and we shall eat The marriage supper of the Lamb.
Text Authorship:
- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by William Billings (1746 - 1800)Researcher for this page: Ross Klatte
Emmaus Matches base text
When Jesus wept a falling tear, Mercy flowed beyond all bound. When Jesus groaned, a trembling fear Seized all the guilty world around.
Text Authorship:
- by Perez Morton (1751 - 1837) [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by William Billings (1746 - 1800), published 1778Note: another version of Billings' setting begins "When Jesus wept, the falling tear in mercy..." and the rest is the same.
Researcher for this page: Ross Klatte
I Am the Rose of Sharon Matches base text
I am the rose of Sharon, and the lily of the valley. I am the rose of Sharon, and the lily of the valley. As the lily among the thorns, so is my love among the daughters. As the apple tree, the apple tree among the trees of the wood, so is my beloved among the sons. so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit, and his fruit was sweet to my taste. and his fruit, and his fruit was sweet to my taste. He brought me to the banqueting house, his banner over me was love. He brought me to the banqueting house, his banner over me was love. Stay me with flagons, comfort me with apples: for I am sick for I am sick for I am sick of love. I charge you, O ye daughters of Jerusalem, by the roes, and by the hinds of the field, that ye stir not up, that ye stir not up, that ye stir not up, that ye stir not up, nor awake, awake, awake, awake my love, till he please. The voice of my beloved! behold, he cometh leaping upon the mountains, skipping, skipping, skipping, skipping leaping upon the mountains, skipping upon the hills. My beloved spake, and said unto me, Rise up, Rise up, Rise up, Rise up, my love, my fair one, and come away. For, lo, the winter is past, the rain is over and gone. For, lo, the winter is past, the rain is over and gone. the rain is over the rain is over the rain is over and gone. For, lo, the winter is past, the rain is over and gone.
Text Authorship:
- by Anonymous / Unidentified Author [an adaptation] [author's text not yet checked against a primary source]
Based on:
- a text in Latin by Bible or other Sacred Texts , no title, appears in Canticum Canticorum Salomonis (Song of Songs of Solomon), no. 2
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by William Billings (1746 - 1800), published 1778Researcher for this page: Ross Klatte
Is Any Afflicted Matches base text
Is any afflicted, let him pray. Is any of you merry, let him sing psalms: (James 5:13) singing and making melody singing and making melody singing and making melody in your hearts to the Lord. (Ephesians 5:19) singing and making melody singing and making melody singing and making melody in your hearts to the Lord. Let the word of Christ dwell in you richly, teaching and admonishing teaching and admonishing teaching and admonishing one another in psalms and hymns and spiritual songs: (Colossians 3:16) singing and making melody singing and making melody singing and making melody in your hearts to the Lord. singing and making melody singing and making melody singing and making melody in your hearts to the Lord.
Text Authorship:
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by William Billings (1746 - 1800), published 1778Researcher for this page: Ross Klatte
Judea Matches base text
Subtitle: Christmas Hymn
1. A Virgin unspotted the Prophet foretold, Should bring forth a Savior which now we behold, To be our Redeemer from Death, Hell and Sin, Which Adam's transgression involved us in. Then let us be Merry, put Sorrow away, Our Savior, Christ Jesus, was born on this day. Then let us be Merry, put Sorrow away, Our Savior, Christ Jesus, was born on this day. 2. Through Bethlehem City, in Jewry it was, That Joseph and Mary together did pass; And for to be taxèd when thither they came, Since Caesar Augustus commanded the same. Then let us be Merry, &c. 3. But Mary's full Time being come as we find, She brought forth her First-born to save all Mankind: The Inn being full, for this heavenly Guest, No Place there was found where to lay him to rest. Then let us be Merry, &c. 4. But Mary, blest Mary, so meek and so mild, Soon wrapped up in Swadlings this heavenly Child; Contented she laid him where Oxen do feed; The great God of Nature approved of the Deed. Then let us be Merry, &c. 5. To teach us Humility all this was done, Then learn we from hence haughty Pride for to shun; A Manger's his Cradle, who came from above, The Great God of Mercy, of Peace, and of Love. Then let us be Merry, &c. 6. Then presently after, the Shepherds did spy Vast numbers of Angels to stand in the Sky; So merrily talking, so sweet they did sing, All Glory and Praise to our heavenly King. Then let us be Merry, &c.
Text Authorship:
- by Anonymous / Unidentified Author [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by William Billings (1746 - 1800), subtitle: "Christmas Hymn", published 1778Researcher for this page: Ross Klatte