Wenn Sie Paradoxen lieben, können Sie sagen, die Luftzitterung wird zum Schalle, erst wenn sie das hörende Ohr trifft.
About the headline (FAQ)
Note: this is an excerpt from an 1857 lecture on the physiological roots of musical harmony.
Text Authorship:
- by Hermann von Helmholtz (1821 - 1894), no title [author's text checked 1 time against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- [ None yet in the database ]
The text above (or a part of it) is used in the following settings:
- by Edvin Østergaard (b. 1959), "...das hörende Ohr...", 2019 [ soprano, mezzo-soprano, tenor, double bass ], from Ørenslyd: Ritus V, no. 2
Settings in other languages, adaptations, or excerpts:
- Also set in Norwegian (Bokmål), a translation by Edvin Østergaard (b. 1959) ; composed by Edvin Østergaard.
Other available translations, adaptations or excerpts, and transliterations (if applicable):
- NOR Norwegian (Bokmål) (Edvin Østergaard)
Researcher for this text: Emily Ezust [Administrator]
This text was added to the website: 2023-10-14
Line count: 3
Word count: 19
Dersom De liker paradokser, kunne De hevde at luftens sitring blir til lyd først i det den treffer det hørende øre.
About the headline (FAQ)
Text Authorship:
- by Edvin Østergaard (b. 1959)
Based on:
- a text in German (Deutsch) by Hermann von Helmholtz (1821 - 1894), no title
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- [ None yet in the database ]
The text above (or a part of it) is used in the following settings:
- by Edvin Østergaard (b. 1959), "...das hörende Ohr...", 2019 [ soprano, mezzo-soprano, tenor, double bass ], from Ørenslyd: Ritus V, no. 2
Researcher for this text: Emily Ezust [Administrator]
This text was added to the website: 2023-10-14
Line count: 3
Word count: 21