Shine out, fair Sun, with all your heat, Show all your thousand-coloured light! Black Winter freezes [to]1 his seat; The grey wolf howls, he does so bite; Crookt Age on three knees creeps the street; The boneless fish close quaking lies And eats for cold his aching feet; The stars in icicles arise: Shine out, and make this winter night Our beauty's Spring, our Prince of Light!
Spring Symphony
Song Cycle by (Edward) Benjamin Britten (1913 - 1976)
1. Shine out  [sung text not yet checked]
Authorship:
- by George Chapman (1559? - 1634), from "The Masque of the Twelve Months". [author's text checked 1 time against a primary source]
See other settings of this text.
View original text (without footnotes)1 omitted by Rands
Researcher for this text: Emily Ezust [Administrator]
2. The merry cuckoo  [sung text checked 1 time]
The merry cuckoo, messenger of spring, His trumpet shrill hath thrice already sounded: That warns all lovers wait upon their king, Who now is coming forth with garlands crowned. With noise thereof the quire of birds resounded Their anthems sweet devised of love's praise, That all the woods their echoes back rebounded, As if they knew the meaning of their lays. But 'mongst them all, which did Love's honour raise, No word was heard of her that most it ought, But she his precept proudly disobeys, And doth this idle message set at nought. Therefore O love, unless she turn to thee Ere Cuckoo end, let her a rebel be.
Authorship:
- by Edmund Spenser (1552 - 1599) [author's text not yet checked against a primary source]
3. Spring, the sweet spring  [sung text checked 1 time]
Spring, the sweet Spring, is the year's pleasant king; Then blooms each thing, then maids dance in a ring, Cold doth not sting, the pretty birds do sing, Cuckoo, jug-jug, pu-we, to-witta-woo! The palm and may make country houses gay, Lambs frisk and play, the [shepherds pipe]1 all day, And we hear aye birds tune this merry lay, Cuckoo, jug-jug, pu-we, to-witta-woo! The fields breathe sweet, the daisies kiss our feet, Young lovers meet, old wives a-sunning sit, In every street these tunes our ears do greet, Cuckoo, jug-jug, pu-we, to-witta-woo! Spring! The sweet Spring!
Authorship:
- by Thomas Nashe (1567 - 1601), appears in Summer's Last Will and Testament, first published 1600 [author's text not yet checked against a primary source]
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- GER German (Deutsch) (Julia Hamann) , "Frühling", copyright © 2007, (re)printed on this website with kind permission
1 Argento: "shepherd pipes"
Researcher for this text: Ted Perry
4. The driving boy [sung text checked 1 time]
Note: this is a multi-text setting
[Come queen of months in company Wi all thy merry minstrelsy The restless cuckoo absent long And twittering swallows chimney song And hedge row crickets notes that run From every bank that fronts the sun And swathy bees about the grass That stops wi every bloom they pass And every minute every hour Keep teazing weeds that wear a flower And toil and childhoods humming joys For there is music in the noise The village childern mad for sport In school times leisure ever short That crick and catch the bouncing ball And run along the church yard wall Capt wi rude figured slabs whose claims In times bad memory hath no names Oft racing round the nookey church Or calling ecchos in the porch And jilting oer the weather cock Viewing wi jealous eyes the clock Oft leaping grave stones leaning hights Uncheckt wi mellancholy sights The green grass swelld in many a heap Where kin and friends and parents sleep Unthinking in their jovial cry That time shall come when they shall lye As lowly and as still as they While other boys above them play Heedless as they do now to know The unconcious dust that lies below The shepherd goes wi happy stride Wi moms long shadow by his side Down the dryd lanes neath blooming may That once was over shoes in clay While martins twitter neath his eves Which he at early morning leaves]1 The driving boy beside his team [Will oer the may month beauty dream]2 And cock his hat and turn his eye On flower and tree and deepning skye And oft [bursts]3 loud in fits of song And [whistles]4 as he reels along Crack[ing] his whip in starts of joy A happy dirty driving boy [The youth who leaves his corner stool Betimes for neighbouring village school While as a mark to urge him right The church spires all the way in sight Wi cheerings from his parents given Starts neath the joyous smiles of heaven And sawns wi many an idle stand Wi bookbag swinging in his hand And gazes as he passes bye On every thing that meets his eye Young lambs seem tempting him to play Dancing and bleating in his way Wi trembling tails and pointed ears They follow him and loose their fears He smiles upon their sunny faces And feign woud join their happy races The birds that sing on bush and tree Seem chirping for his company And all in fancys idle whim Seem keeping holiday but him He lolls upon each resting stile To see the fields so sweetly smile To see the wheat grow green and long And list the weeders toiling song Or short not[e] of the changing thrush Above him in the white thorn bush That oer the leaning stile bends low Loaded wi mockery of snow Mozzld wi many a lushing thread Of crab tree blossoms delicate red He often bends wi many a wish Oer the brig rail to view the fish Go sturting by in sunny gleams And chucks in the eye dazzld streams Crumbs from his pocket oft to watch The swarming struttle come to catch Them where they to the bottom sile Sighing in fancys joy the while Hes cautiond not to stand so nigh By rosey milkmaid tripping bye Where he admires wi fond delight And longs to be there mute till night He often ventures thro the day At truant now and then to play Rambling about the field and plain Seeking larks nests in the grain And picking flowers and boughs of may To hurd awhile and throw away Lurking neath bushes from the sight Of tell tale eyes till schools noon night Listing each hour for church clocks hum To know the hour to wander home That parents may not think him long Nor dream of his rude doing wrong Dreading thro the night wi dreaming pain To meet his masters wand again Each hedge is loaded thick wi green And where the hedger late hath been Tender shoots begin to grow From the mossy stumps below While sheep and cow that teaze the grain will nip them to the root again They lay their bill and mittens bye And on to other labours hie While wood men still on spring intrudes And thins the shadow solitudes Wi sharpend axes felling down The oak trees budding into brown Where as they crash upon the ground A crowd of labourers gather round And mix among the shadows dark To rip the crackling staining bark From off the tree and lay when done The rolls in lares to meet the sun Depriving yearly where they come The green wood pecker of its home That early in the spring began Far from the sight of troubling man And bord their round holes in each tree In fancys sweet security Till startld wi the woodmans noise It wakes from all its dreaming joys The blue bells too that thickly bloom Where man was never feared to come And smell smocks that from view retires Mong rustling leaves and bowing briars And stooping lilys of the valley That comes wi shades and dews to dally White beady drops on slender threads Wi broad hood leaves above their heads Like white robd maids in summer hours Neath umberellas shunning showers These neath the barkmens crushing treads Oft perish in their blooming beds Thus stript of boughs and bark in white Their trunks shine in the mellow light Beneath the green surviving trees That wave above them in the breeze And waking whispers slowly bends As if they mournd their fallen friends Each morning now the weeders meet To cut the thistle from the wheat And ruin in the sunny hours Full many wild weeds of their flowers Corn poppys that in crimson dwell Calld 'head achs' from their sickly smell And carlock yellow as the sun That oer the may fields thickly run And 'iron weed' content to share The meanest spot that spring can spare Een roads where danger hourly comes Is not wi out its purple blooms And leaves wi points like thistles round Thickset that have no strength to wound That shrink to childhoods eager hold Like hair-and with its eye of gold And scarlet starry points of flowers Pimpernel dreading nights and showers Oft calld 'the shepherwim Along the wheat when skys grow dim Wi clouds-slow as the gales of spring In motion wi dark shadowd wing Beneath the coming storm it sails And lonly chirps the wheat hid quails That came to live wi spring again And start when summer browns the grain They start the young girls joys afloat Wi 'wet my foot' its yearly note So fancy doth the sound explain And proves it oft a sign of rain About the moor 'mong sheep and cow The boy or old man wanders now Hunting all day wi hopful pace Each thick sown rushy thistly place For plover eggs while oer them flye The fearful birds wi teazing cry Trying to lead their steps astray And coying him another way And be the weather chill or warm Wi brown hats truckd beneath his arm Holding each prize their search has won They plod bare headed to the sun Now dames oft bustle from their wheels Wi childern scampering at their heels To watch the bees that hang and swive In clumps about each thronging hive And flit and thicken in the light While the old dame enjoys the sight And raps the while their warming pans A spell that superstition plans To coax them in the garden bounds As if they lovd the tinkling sounds And oft one hears the dinning noise Which dames believe each swarm decoys Around each village day by day Mingling in the warmth of may Sweet scented herbs her skill contrives To rub the bramble platted hives Fennels thread leaves and crimpld balm To scent the new house of the swarm The thresher dull as winter days And lost to all that spring displays Still mid his barn dust forcd to stand Swings his frail round wi weary hand While oer his head shades thickly creep And hides the blinking owl asliretail, long a stranger, comes To his last summer haunts and homes To hollow tree and crevisd wall And in the grass the rails odd call That featherd spirit stops the swain To listen to his note again And school boy still in vain retraces The secrets of his hiding places In the black thorns crowded copse Thro its varied turns and stops The nightingale its ditty weaves Hid in a multitude of leaves The boy stops short to hear the strain And 'sweet jug jug' he mocks again The yellow hammer builds its nest By banks where sun beams earliest rest That drys the dews from off the grass Shading it from all that pass Save the rude boy wi ferret gaze That hunts thro evry secret maze He finds its pencild eggs agen All streakd wi lines as if a pen By natures freakish hand was took To scrawl them over like a book And from these many mozzling marks The school boy names them 'writing larks' Bum barrels twit on bush and tree Scarse bigger then a bumble bee And in a white thorns leafy rest It builds its curious pudding-nest Wi hole beside as if a mouse Had built the little barrel house Toiling full many a lining feather And bits of grey tree moss together Amid the noisey rooky park Beneath the firdales branches dark The little golden crested wren Hangs up his glowing nest agen And sticks it to the furry leaves As martins theirs beneath the eaves The old hens leave the roost betimes And oer the garden pailing climbs To scrat the gardens fresh turnd soil And if unwatchd his crops to spoil Oft cackling from the prison yard To peck about the houseclose sward Catching at butterflys and things Ere they have time to try their wings The cattle feels the breath of may And kick and toss their heads in play The ass beneath his bags of sand Oft jerks the string from leaders hand And on the road will eager stoop To pick the sprouting thistle up Oft answering on his weary way Some distant neighbours sobbing bray Dining the ears of driving boy As if he felt a fit of joy Wi in its pinfold circle left Of all its company bereft Starvd stock no longer noising round Lone in the nooks of foddering ground Each skeleton of lingering stack By winters tempests beaten black Nodds upon props or bolt upright Stands swarthy in the summer light And oer the green grass seems to lower Like stump of old time wasted tower All that in winter lookd for hay Spread from their batterd haunts away To pick the grass or lye at lare Beneath the mild hedge shadows there Sweet month that gives a welcome call To toil and nature and to all Yet one day mid thy many joys Is dead to all its sport and noise Old may day where's thy glorys gone All fled and left thee every one Thou comst to thy old haunts and homes Unnoticd as a stranger comes No flowers are pluckt to hail the now Nor cotter seeks a single bough The maids no more on thy sweet morn Awake their thresholds to adorn Wi dewey flowers-May locks new come And princifeathers cluttering bloom And blue bells from the woodland moss And cowslip cucking balls to toss Above the garlands swinging hight Hang in the soft eves sober light These maid and child did yearly pull By many a folded apron full But all is past the merry song Of maidens hurrying along To crown at eve the earliest cow Is gone and dead and silent now The laugh raisd at the mocking thorn Tyd to the cows tail last that morn The kerchief at arms length displayd Held up by pairs of swain and maid While others bolted underneath Bawling loud wi panting breath 'Duck under water' as they ran Alls ended as they ne'er began While the new thing that took thy place Wears faded smiles upon its face And where enclosure has its birth It spreads a mildew oer her mirth The herd no longer one by one Goes plodding on her morning way And garlands lost and sports nigh gone Leaves her like thee a common day Yet summer smiles upon thee still Wi natures sweet unalterd will And at thy births unworshipd hours Fills her green lap wi swarms of flowers To crown thee still as thou hast been Of spring and summer months the queen.]1
Authorship:
- by John Clare (1793 - 1864), "May" [author's text checked 1 time against a primary source]
1 not set by Britten.
2 Britten: "of Maymonth's beauty now will dream"
3 Britten: "burst"
4 Britten: "whistle"
Researcher for this text: Emily Ezust [Administrator]
Whenas the rye reach to the chin, And chop-cherry, chop-cherry ripe within, Straw berries swimming in the cream, And schoolboys playing in the stream; Then, O, then, O then, O, my true love said, Till that time come again She could not live a maid.
Authorship:
- by George Peele (1556? - 1596), appears in The Old Wives' Tale, first published 1595 [author's text not yet checked against a primary source]
See other settings of this text.
Researcher for this text: Emily Ezust [Administrator]5. The morning star  [sung text checked 1 time]
Now the bright morning star, day's harbinger, Comes dancing from the East, and leads with her The flowry May, who from her green lap throws The yellow cowslip, and the pale primrose. Hail bounteous May that dost inspire Mirth and youth, and warm desire, Woods and groves, are of thy dressing, Hill and dale, doth boast thy blessing. Thus we salute thee with our early Song, And welcome thee, and wish thee long.
Authorship:
- by John Milton (1608 - 1674), "Song on May Morning", written 1632-3 [author's text not yet checked against a primary source]
See other settings of this text.
Researcher for this text: Ahmed E. Ismail6. Welcome, Maids of Honour  [sung text not yet checked]
Welcome, maids-of-honour! You do bring In the spring, And wait upon her. She has virgins many, Fresh and fair; Yet you are More sweet than any. You're the maiden posies, And so grac'd To be plac'd 'Fore damask roses. Yet, though thus respected, By-and-by Ye do lie, Poor girls, neglected.
Authorship:
- by Robert Herrick (1591 - 1674), "To violets" [author's text checked 1 time against a primary source]
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- SPA Spanish (Español) (Elisa Rapado) , copyright © 2020, (re)printed on this website with kind permission
7. Waters above  [sung text checked 1 time]
Waters above eternal springs! The dew that sivers the Dove's wings! O welcome, welcome to the sad! Give dry dust drink, drink that makes glad! Many fair ev'nings many flowers Sweetened with rich and gentle showers, Have I enjoyed, and down have run Many a fine and shining Sun; But never, never, till this happy hour, Was blest with such an evening shower!
Authorship:
- by Henry Vaughan (1622 - 1695) [author's text not yet checked against a primary source]
8. Out on the lawn I lie in bed  [sung text not yet checked]
Out on the lawn I lie in bed [ ... ]
Authorship:
- by W. H. (Wystan Hugh) Auden (1907 - 1973), "Summer Night", copyright © [author's text not yet checked against a primary source]
First published in Listener, March 1934
9. When will my May come  [sung text checked 1 time]
When will my May come, that I may embrace thee? When will the hower be of my soules joying? If thou wilt come and dwell with me at home, My sheepcote shall be strowed with new greene rushes Weele haunt the trembling prickets as they rome About the fields, along the hauthorne bushes; I have a pie-bald curre to hunt the hare, So we will live with daintie forrest fare. And when it pleaseth thee to walke abroad Abroad into the fields to take fresh ayre, The meades with Floras treasure should be strowde, The mantled meaddowes, and the fields so fayre. And by a silver well with golden sands Ile sit me downe, and wash thine ivory hands. But it thou wilt not pittie my complaint, My teares, nor vowes, nor oathes, made to thy beautie: What shall I do but languish, die, or faint, Since thou dost scorne my teares, and my soules duetie: And teares contemned, vowes and oaths must faile, And where teares cannot, nothing can prevaile. When will my May come, that I may embrace thee?
Authorship:
- by Richard Barnfield (1574 - 1627) [author's text not yet checked against a primary source]
10. Fair and fair  [sung text checked 1 time]
Fair and fair, and twice so fair, As fair as any may be; The fairest shepherd on our green, A love for any lady. Fair and fair, and twice so fair, As fair as any may be; Thy love is fair for thee alone, And for no other lady. My love is fair, my love is gay, As fresh as bin the flowers in May, And of my love my roundelay, My merry, merry, merry roundelay. Concludes with Cupid's curse: "They that do change old love for new Pray gods they change for worse!" My love can pipe, my love can sing, My love can many a pretty thing, And of his lovely praises ring My merry, merry, merry roundelays Amen to Cupid's curse: "They that do change old love for new Pray gods they change for worse!"
Authorship:
- by George Peele (1556? - 1596) [author's text not yet checked against a primary source]
11. Sound the Flute!  [sung text not yet checked]
Sound the Flute! Now [it's]1 mute. Birds delight Day and Night; Nightingale In the dale, Lark in Sky,2 Merrily, Merrily, Merrily, To welcome in the Year. Little Boy, Full of Joy; Little Girl, Sweet and small; Cock does crow, So do you; Merry voice, Infant noise; Merrily, Merrily, To welcome in the Year. Little Lamb, Here I am; Come and [lick My white neck;]3 Let me pull Your soft Wool; Let me kiss Your soft face; Merrily, Merrily, [We]4 welcome in the Year.
Authorship:
- by William Blake (1757 - 1827), "Spring", appears in Songs of Innocence and Experience, in Songs of Innocence, no. 15, first published 1789 [author's text checked 1 time against a primary source]
See other settings of this text.
View original text (without footnotes)1 MacNutt: "'tis"
2 Dougherty inserts "Out of sight" after this line
3 MacNutt: "play/ Hours away"
4 MacNutt: "To"
Research team for this text: Emily Ezust [Administrator] , Garrett Medlock [Guest Editor]
12. Finale [sung text checked 1 time]
Note: this is a multi-text setting
London, to thee I do present the merry month of May; Let each true subject be content to hear me what I say: [For from the top of conduit-head, as plainly may appear, I will both tell my name to you, and wherefore I came here. My name is Ralph, by due descent though not ignoble I Yet far inferior to the stock of gracious grocery; And by the common counsel of my fellows in the Strand,]1 With gilded staff and [crossèd]2 scarf, the May-lord here I stand. Rejoice, oh, English hearts, rejoice! rejoice, oh, lovers dear! Rejoice, oh, city, town, and country! rejoice, eke every [shere]3! For now the fragrant flowers do spring and sprout in seemly sort, The little birds do sit and sing, the lambs do make fine sport; And now the birchen-tree doth bud, that makes the schoolboy cry The morris rings, while hobby-horse doth foot it feateously; The lords and ladies now abroad, for their disport and play, Do kiss sometimes upon the grass, and sometimes in the hay; Now butter with a leaf of sage is good to purge the blood; Fly Venus and phlebotomy, for they are neither good; Now little fish on tender stone begin to cast their bellies, And sluggish snails, that erst were mewed, do creep out of their shellies; The rumbling rivers now do warm, for little boys to paddle; The sturdy steed now goes to grass, and up they hang his saddle; The heavy hart, the bellowing buck, the rascal, and the pricket, Are now among the yeoman's peas, and leave the fearful thicket: And be like them, oh, you, I say, of this same noble town, And lift aloft your velvet heads, and slipping off your gown, With bells on legs, and napkins clean unto your shoulders tied, With scarfs and garters as you please, and "Hey for our town!" cried. March out, and show your willing minds, by twenty and by twenty, To Hogsdon or to Newington, where ale and cakes are plenty; And let it ne'er be said for shame, that we the youths of London Lay thrumming of our caps at home, and left our custom undone. Up, then, I say, both young and old, both man and maid a-maying, With drums, and guns that bounce aloud, and merry tabor playing! Which to prolong, God save our king, and send his country peace And root out treason from the land! and so, my friends, I cease.
Authorship:
- by Francis Beaumont (1584 - 1616), no title, appears in The Knight of the Burning Pestle, Act IV, Scene 5, Ralph/Rafe [author's text checked 1 time against a primary source]
- by John Fletcher (1579 - 1625), no title, appears in The Knight of the Burning Pestle, Act IV, Scene 5, Ralph/Rafe [author's text checked 1 time against a primary source]
1 omitted by Britten.
2 Britten: "cross'd
3 Britten: "shire"
Researcher for this text: Ahmed E. Ismail
Sumer is icumen in, lhude sing cuccu. Groweth sed and bloweth med and springth the wode nu. Sing cuccu. Awe bleteth after lomb, lhouth after calve cu. Bulluc sterteth, bucke verteth, murrie sing cuccu. Cuccu, cuccu, wel singes thu cuccu, ne swik thu naver nu.
Authorship:
- by Anonymous / Unidentified Author, 13th century [author's text not yet checked against a primary source]
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- GER German (Deutsch) (Bertram Kottmann) , copyright © 2017, (re)printed on this website with kind permission
See also Ezra Pound's comedic poem that was inspired by this one, Ancient Music.
Researcher for this text: Emily Ezust [Administrator]