Ass-Face drank The asses' milk of the stars... the millky spirals as they sank From heaven's saloons and golden bars, Made a gown For Columbine, Spirting, down On sands divine By the asses' hide of the sea (With each tide braying free). And the beavers building Babel Beneath each tree's thin beard, Said, "Is it Cain and Abel fighting again we heard?" It is Ass-Face, Ass-Face, Drunk on the milk of the stars, Who will spoil their houses of white lace - Expelled from the golden bars!
Façade
Song Cycle by William Walton (1902 - 1983)
?. Ass‑Face  [sung text checked 1 time]
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Tango ‑ Pasodoble  [sung text checked 1 time]
When Don Pasquito arrived at the seaside Where the donkey's hide tide brayed, he Saw the bandito Jo in a black cape Whose slack shape waved like the sea - Thetis wrote a treatise noting wheat is silver like the sea; the lovely cheat is sweet as foam; Erotis notices that she Will Steal The Wheat-kings luggage, like Babel Before the League of Nations grew - So Jo put the luggage and the label In the pocket of Flo the Kangaroo. Through trees like rich hotels that bode Of dreamless ease fled she, Carrying the load and goading the road Through the marine scene to the sea. "Don Pasquito, the road is eloping With your luggage though heavy and large; You must follow and leave your moping Bride to my guidance and charge!" When Don Pasquito returned from the road's end, Where vanilla-coloured ladies ride From Sevilla, his mantilla'd bride and young friend Were forgetting their mentor and guide. For the lady and her friend from Le Touquet In the very shady trees on the sand Were plucking a white satin bouquet Of foam, while the sand's brassy band Blared in the wind. Don Pasquito Hid where the leaves drip with sweet... But a word stung him like a mosquito... For what they hear, they repeat!
Text Authorship:
- by Edith Sitwell (1887 - 1964), "I do like to be beside the seaside", appears in Troy Park, first published 1925
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Researcher for this page: Dan Eggleston?. Something lies beyond the scene  [sung text checked 1 time]
Something lies beyond the scene the encre de chine, marine obscene Horizon In Hell Black as a bison See the tall black Aga on the sofa in the alga mope, his Bell-rope Moustache (clear as a great bell!) Waves in eighteen-eighty Bustles Come Late with tambourines of Rustling Foam. They answer to the names Of ancient dames and shames, and Only call horizons their home. Coldly wheeze (Chinese as these black-armoured fleas that dance) the breezes Seeking for horizons Wide; from her orisons In her wide Vermilion Pavilion By the seaside The doors clang open and hide Where the wind died Nothing but the Princess Cockatrice Lean Dancing a caprice To the wind's tambourine.
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Something lies beyond the scene", appears in Troy Park, first published 1925
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Note: used as the second part of "I do like to be beside the seaside", revised 1950Researcher for this page: Dan Eggleston
?. Through gilded trellises  [sung text checked 1 time]
Through gilded trellises Of the heat, Dolores, Inez, Manuccia, Isabel, Lucia, Mock Time that flies. "Lovely bird, will you stay and sing, Flirting your sheened wing,- Peck with your beak, and cling To our balconies?" They flirt their fans, flaunting "O silence enchanting As music!" Then slanting Their eyes, Like gilded or emerald grapes, They make mantillas, capes, Hiding their simian shapes. Sighes Each lady, "Our spadille Is done."...Dance the quadrille from Hell's towers to Seville; Surprise Their siesta," Dolores Said. Through gilded trellises Of the heat, spangles Pelt down through the tangles Of bell flowers; each dangles Her castanets, shutters Fall while the heat mutters, With sounds like a mandoline Or tinkled tambourine... Ladies, Time dies!
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Through gilded trellises", appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Scotch rhapsody  [sung text checked 1 time]
Do not take a bath in Jordan Gordon, On the holy Sabbath, on the peaceful day! Said the huntsman, playing on his old bagpipe, Boring to death the pheasant and the snipe - Boring the ptarmigan and grouse for fun - Boring them worse than a nine-bore gun. Till the flaxen leaves where the prunes are ripe, Heard the tartan wind a-droning through the pipe, And they, heard Macpherson say: "Where do the waves go; What hotels Hide their bustles and their gay ombrelles? And would there be room for me? - Would there be room, Would there be room for me?" There is a hotel at Ostend Cold as the wind, without an end, Haunted by ghostly poor relations Of Bostonian conversations (Like bagpipes rotting through the walls.) And there the pearl-ropes fall like shawls With a noise like marine waterfalls. And "Another little drink wouldn't do us any harm" Pierces through the sabbatical calm. And that is the place for me! So do not take a bath in Jordan, Gordon, On the holy Sabbath on the peaceful day- Or you'll never go to heaven, Gordon Macpherson, And speaking purely as a private person That is the place - that is the place - that is the place for me!
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Small talk  [sung text checked 1 time]
I Upon the noon Cassandra died The Harpy preened itself outside. Bank holiday put forth its glamour, And in the wayside station's clamour We found the cafe at the rear, And sat and drank our Pilsener beer. Words smeared upon our wooden faces Now paint them into queer grimaces; The crackling greeneries that spirt Like firworks, mock our souls inert, And we seem feathered like a bird Among the shadows scarcely heard. Beneath her shade-ribbed switchback mane The harpy, breasted like a train, Was haggling with a farmer's wife; "Fresh harpy's eggs, no trace of life." Miss Sitwell, cross and white as chalk, Was indisposed for the small talk; Since, peering through a shadowed door, She saw Cassandra on the floor. II Upon the noon Cassandra died, Harpy soon Screeched outside. Gardener Jupp, In his shed. Counted wooden Carrots red. Black shades pass, Dead-stiff there, On green baize grass - Drink his beer. Bumpkin turnip, Mask limp-locked, White sun frights The gardener shocked. Harpy creaked Her limbs again: I think, she squeaked, It's going to rain!"
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Small talk"
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First published in Arts and Letters, Spring 1920Researcher for this page: Dan Eggleston
?. The wind's bastinado  [sung text checked 1 time]
The wind's bastinado Whipt on the calico Skin of the Macaroon And the black Picaroon Beneath the galloon Of the midnight sky. Came the great soldan In his sedan Floating his fan- Saw what the sly Shadow's cocoon In the barracoon Held. Out they fly. "This melon, Sir Mammon, Comes out of Babylon: By for a patacoon- Sir, you must buy!" Said il Magnifico Pulling a fico - With a stoccado And a gambado, Making a wry Face: "This corraceous Round orchidaceous Laceous porraceous Fruit is a lie! It is my friend King Pharoah's head That nodding blew out of the Pyramid..." The tree's small corinths Where hard as jacinths, For it is winter and cold winds sigh... No nightingale In her farthingale Of bunched leaves let her singing die.
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Rose Castles  [sung text checked 1 time]
Rose Castles Those bustles Beneath parasols seen! Fat blondine pearls Rondine curls Seem Banncrols sheen The brave tartan Waves' Spartan Domes (Crystal Palaces) Where like fallacies Die the calices Of the water-flowers green. Said the Dean To the Queen, On the tartan wave seen: "Each chilly White lily Has her own crinoline And the seraphs recline On divans divine In a smooth seventh heaven of polished pitch-pine." Castellated. Related To castles the waves lean Balmoral-like; They quarrel, strike (As round as a rondine) With sharp towers The water-flowers And, floating between, Each chatelain In the battle slain - Laid low by the Ondine.
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. When Sir Beelzebub  [sung text checked 1 time]
When Sir Beelzebub called for his syllabub in the hotel in Hell Where Proserpine first fell, Blue as the gendarmerie were the waves of the sea, (Rocking and shocking the bar-maid) Nobody comes to give him his rum but the Rim of the sky hippopotamus-glum Enhances the chances to bless with a benison Alfred Lord Tennyson crossing the bar laid With cold vegetation from pale deputations Of temperance workers (all signed in Memoriam) Hoping with glory to trip up the Laureate's feet, (Moving in classical metres)... Like Balaclava, the lava came down from the Roof, and the sea's blue wooden gendarmerie Took them in charge while Beelzebub roared for his rum. ...None of them come!
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Black Mrs. Behemoth  [sung text checked 1 time]
In a room of the palace Black Mrs Behemoth Gave way to wroth And the wildest malice. Cried Mrs Behemoth, "Come, come, Come, court lady, Doomed like a moth, Through palace rooms shady!" The candle flame Seemed a yellow pompion, Sharp as a scorpion, Nobody came... Only a bugbear, Air unkind, That bud-furred papoose, The young spring wind, Blew out the candle. Where is it gone? To flat Coromandel Rolling on!
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Black Mrs. Behemoth", appears in Troy Park, first published 1925
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Researcher for this page: Dan Eggleston?. A man from a far country  [sung text checked 1 time]
Rose and Alice, Oh, the pretty lassies, With their mouths like a calice And their hair a golden palace- Through my heart like a lovely wind they blow. Though I am black and not comely, Though I am black as the darkest trees, I have swarms of gold that will fly like honey-bees, By the rivers of the sun I will feed my words Until they skip like those fleeced lambs The waterfalls, and the rivers (horned rams), Then for all my darkness I shall be The peacefulness of a lovely tree- A tree wherein the golden birds Are singing in the darkest branches, oh!
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Country dance  [sung text checked 1 time]
That hobnailed goblin, the bob-tailed Hob, Said, "It is time I began to rob." For strawberries bob, hob-nob with the pearls Of cream (like the curls of the dairy girls), And flushed with the heat and fruitish ripe Are the gowns of the maids who dance to the pipe. Chase a maid? She's afraid! "Go gather a bob-cherry kiss from a tree, But don't, I prithee, come bothering me!" She said - As she fled. The snouted satyrs drink clouted cream 'Neath the chestnut-trees is thick as a dream; So I went And leant, Where none but the doltish coltish wind Nuzzled my hand for what could find. As I neighed I said, "Don't touch me, sir, don't touch me, I say, You'll tumble my strawberries into the hay. Those snow-mounds of silver that bee, the spring, Has sucked his sweetness from, I will bring With fair-haired plants and with apples chill For the great god Pan's high altar ...I'll spill Not one!" So, in fun We rolled on the grass and began to run Chasing that gaudy satyr the Sun; Over the haycocks, away we ran Crying, "Here be berries as sunburnt as Pan!" But Silenus Has seen us... He runs like the rough satyr Sun. Come away!
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Country dance", appears in Bucolic Comedies, first published 1923
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Researcher for this page: Dan Eggleston?. Daphne  [sung text checked 1 time]
When green as a river was the barley, Green as a river the rye, I waded deep and began to parley With a youth whom I heard sigh. 'I seek', said he, 'a lovely lady, A nymph as bright as a queen, Like a tree that drips with pearls Her shady locks of hair were seen; And all the rivers became her flocks Though their wool you cannot shear, Because of the love of her flowing locks, The kingly sun like a swain came strong, Unheeding of her scorn, Wading in deeps where she has lain, Sleeping upon her riven lawn And chasing her starry satyr train. She fled, and changed into a tree, That lovely fair-haired lady... And now I seek through the sere summer Where no trees are shady!'
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Daphne"
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First published in Spectator, May 1923, revised 1940Researcher for this page: Dan Eggleston
?. En famille  [sung text checked 1 time]
In the early springtime after their tea, Through the young fields of the springing Bohea, Jemima, Jocasta, Dina and Deb Walked with their father Sir Joshua Jebb - An admiral red, whose only notion, (A butterfly poised on a pigtailed ocean) Is of the peruked sea whose swell Breaks on the flowerless rocks of Hell. Under the thin trees, Deb and Dinah, Jemima, Jocasta, walked, and finer Their black hair seemed (flat-sleek to see) Than the young leaves of the springing Bohea; Their cheeks were like nutmeg-flowers when swells The rain into foolish silver bells. They said, "If the door you would only slam, Or if, Papa, you would once say "Damn" - Instead of merely roaring "Avast" Or boldly invoking the nautical Blast - We should now stand in the street of Hell Watching siesta shutters that fell With a noise like amber softly sliding; Our moon-like glances through these gliding Would see at her table preened and set Myrrhina sitting at her toilette With eyelids closed as soft as the breeze That flows from gold flowers on the incense-trees. The Admiral said, "You could never call - I assure you it would not do at all! She gets down from table without saying "Please", Forgets her prayers and to cross her Ts, In short, her scandalous reputation Has shocked the whole of the Hellish nation; And every turbaned Chinoiserie, With whom we should sip our black Bohea, Would stretch out her simian fingers thin To scratch you, my dears, like a mandoline; For Hell is just as properly proper As Greenwich, or as, Bath, or Joppa!"
Text Authorship:
- by Edith Sitwell (1887 - 1964), "En famille", appears in Façade
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First published in Chapbook, July 1920Researcher for this page: Dan Eggleston
?. Old Sir Faulk  [sung text checked 1 time]
Old Sir Faulk, Tall as a stork, Before the honeyed fruits of dawn were ripe, would walk, And stalk with a gun The reynard-coloured sun, Among the pheasant-feathered corn the unicorn has torn, forlorn the Smock-faced sheep Sit and sleep; Periwigged as William and Mary, weep... "Sally, Mary, Mattie, what's the matter, why cry?" The huntsman and the reynard- coloured sun and I sigh; "Oh, the nursery-maid Meg With a leg like a peg Chased the feathered dreams like hens, And when they laid an egg In the sheepskin Meadows Where The serene King James would steer Horse and hounds, then he From the shade of a tree Picked it up as spoil to boil for nursery tea", said the mourners. In the Corn, towers strain, Feathered tall as a crane, And whistling down the feathered rain, Old Noah goes again - An old dull mome With a head like a pome, Seeing the world as a bare egg, Laid by the feathered air: Meg Would beg three of these For the nursery teas Of Japhet, Shem and Ham, she gave it Underneath the trees, Where the boiling Water, Hissed, Like the goose-king's feathered daughter-kissed, Pot and pan and copper kettle Put upon their proper mettle, Lest the Flood - the Flood - The Flood begin again through these!
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Fox Trot", appears in Bucolic Comedies, first published 1923
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Researcher for this page: Dan Eggleston?. The last gallop  [sung text checked 1 time]
Gone the saturnalia sighing, dying, Shone the leaves' regalia, maddened with the flying Hooves, the glittering leaves seem Faces in a dim dream, Satyrine the leaves gleam At the dreams of dying. Pierrot's mask is whitened, Long-nosed frightened; Rags tragi-comical, Flags plano-conical, Tags histrionical, All histrionical, Form acronomical Falls - lies sprawling. Cannibal, the sun, blared down upon the shrunken Heads, the drums of skin, the sin - The dead men drunken, Through the canvas slum come Bunches of taut nerves, dance, Caper through the slum, prance Like paper blowing. Lying in the deep mud under tumbrils rolling, The dead men drunken, tossed and lost, and sprawling The trumpets calling From Hell's pits falling The crowd seas tumble And Death's drums rumble. White as a winding sheet, Masks blowing down the street: Moscow, Paris London, Vienna- all are undone. The drums of death are mumbling, rumbling, and tumbling , Mumbling, rumbling, and tumbling, The world's floors are quaking, crumbling and breaking.
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Long steel grass (Noche Espagnola)  [sung text checked 1 time]
Long steel grass - The white soldiers pass - The light is braying like an ass. See The tall Spanish jade With hair black as night-shade Worn as a cockade! Flee Her eyes' gasconade And her gown's parade (As stiff as a brigade!) Tee-hee! The hard and braying light Is zebra'd black and white It will take away the slight And free, Tinge of the mouth organ sound, (Oyster-stall notes) oozing round Her flounces as they sweep the ground. The Trumpet and the drum And the martial cornet come To make the people dumb - But we Won't wait for sly-foot night (Moonlight, watered milk-white, bright) To make clear the declaration Of our Paphian vocation Beside the castanetted sea, Where stalks Il Capitaneo Swaggart braggadocio Sword and moustacio - He Is green as a cassada And his hair is an armada. To the jade: "Come kiss me harder" He called across the battlements as she Heard our voices thin and shrill As the steely grasses' thrill, Or the sound of the onycha When the phoca has the pica In the palace of the Queen Chinee!
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Long Steel Grass", appears in Façade, first published 1922
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"Long Steel Grass is in fact called Trio for two cats and a Trombone. It is about a couple of cats, do you see, having a love affair." --Edith Sitwell, "Last Years of a Rebel", p. 182.Researcher for this page: Dan Eggleston
?. Bank Holiday  [sung text checked 1 time]
I The houses on a seesaw rush In the giddy sun's hard spectrum, push The noisy heat's machinery; Like flags of colored heat they fly. The wooden ripples of the smiles Suck down the houses, then at whiles, Grown suctioned like an octopus, They throw them up against us, As we rush by on coloured bars Of sense, vibrating flower-hued stars, With lips like velvet drinks and winds That bring strange Peris to our minds. II Seas are roaring like a lion; with their Wavy flocks Zion, Noses like a scimitar, Hair a brassy bar Come to The sun's drum. Though Light green water's swim their daughters, lashing with their eel-sleek-locks The furred Heads Of mermaids that occurred, Sinking to the cheap beds. Blurred Legs, like trunks of tropical Plants, rise up and, over all. Green as a conservatory Is the light..........another story.......... It has grown too late for life! Put on your gloves and take a drive!
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Bank Holiday", appears in Façade, first published 1922
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First published in Oxford and Cambridge Miscellany, June 1920, revised same yearResearcher for this page: Dan Eggleston
?. Hornpipe  [sung text checked 1 time]
Sailors come To the drum Out of Babylon; Hobby-horses Foam, the dumb Sky rhinoceros-glum Watched the courses of the breakers' rocking-horses and with Glaucis, Lady Venus on the settee of the horsehair sea! Where Lord Tennyson in laurels wrote a gloria free, In a borealic iceberg came Victoria; she Knew Prince Albert's tall memorial took the colours of the floreal And the borealic iceberg; floating on they see New-arisen Madam Venus for whose sake from far Came the fat zebra'd emperor from Zanzibar Where like golden bouquets lay far Asia, Africa, Cathay, All laid before that shady lady by the fibroid Shah. Captain Fracasse stout as any water - butt came, stood With Sir Bacchus both a-drinking the black tarr'd grapes' blood Plucked among the tartan leafage By the furry wind whose grief age Could not wither - like a squirrel with a gold star-nut. Queen Victoria sitting shocked upon a rocking horse Of a wave said to the Laureate, "This minx of course Is as sharp as a lynx and blacker - deeper than the drinks and quite as Hot as any Hottentot, without remorse! For the minx," Said she, "And the drinks, You can see Are hot as any hottentot and not the goods for me!"
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Springing Jack  [sung text checked 1 time]
Green wooden leaves clap fight away, Severely practical, as they Shelter the children, candy-pale, The chestnut-candles flicker, fail...... The showman's face is cubed clear as The shapes reflected in a glass Of water - (glog, glut, a ghost's speech Fumbling for space from each to each). The fusty showman fumbles, must Fit in a particle of dust The universe, for fear it gain Its freedom from my box of brain. Yet dust hears seeds that grow to grace Behind my crude-striped wooden face. As I, a puppet tinsel-pink, Leap on my springs, learn how to think, Then like the trembling golden stalk Of some long-petalled star, I walk Through the dark heavens until dew Falls on my eyes and sense thrills through.
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Aubade ‑ Jane, Jane  [sung text checked 1 time]
Jane, Jane Tall as a crane, The morning light creaks down again; Comb your cockscomb-ragged hair, Jane, Jane, Come down the stair. Each dull blunt wooden stalactite Of rain creaks, hardened by the light, Sounding like an overtone From some lonely world unknown. But the creaking empty light Will never harden into sight, Will never penetrate your brain With overtoncs like the blunt rain, The light would show (if it could harden) Eternities of kitchen garden, Cockscomb flowers that none will pluck, And wooden flowers that 'gin to cluck. In the kitchen you must light Flames as staring, red and white, As carrots or as turnips, shining Where the old dawn light lies whining Cockscomb hair on the cold wind Hangs limp, turns the milk's weak mind... Jane, Jane, Tall as a crane, The morning light creaks down again!
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Aubade", appears in Façade
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First published in Saturday Westminster Gazette, October 1920Researcher for this page: Dan Eggleston
?. Gardinir Janus  [sung text checked 1 time]
Baskets of ripe fruit in air The bird-songs seem, suspended where Between the hairy leaves trills dew, All tasting of fresh green anew. Ma'am, I've heard your laughter flare Through your waspish-gilded hair: Feathered masks Pots of peas, Janus asks Naught of these Creaking water Brightly stripèd, No, I've caught her - Shrieking biped. Flute sounds jump And turn together Changing clumps Of glassy feather. In among the Pots of peas Naiad changes - Quick as these.
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Came the great Popinjay  [sung text checked 1 time]
Came the great Popinjay Smelling his nosegay: In cages like grots, The bird sang gavottes. "Herodiade's flea Was named sweet Amanda. She danced like a lady From here to Uganda. Oh, what a dance was there! Long-haired, the candle Salome-like tossed her hair To a dance tune by Handel"... Dance they still? Then came Courtier Death Blew out the candle flame With civet breath.
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Jodelling song  [sung text checked 1 time]
"We bear velvet cream. Green and babyish Small leaves seem; each stream Horses' tails that swish, And the chimes remind Us of sweet birds singing, Like the Jangling bells, On rose trees ringing. Man must say farewells To parents now, And to William Tell And to Mrs Cow. Man must say farewells To storks and Bettes, And to roses, 'bells, And statuettes, Forests white and black In spring are blue With forget-me-nots, And to lovers true Still the sweet bird begs And tries to cozen Them: -- Buy angels' eggs Sold by the dozen. -- Gone are clouds like inns On the gardens' brinks, And the mountain djinns,- Ganymede sells drinks; While the days seem grey, And his heart of ice, Grey as chamois, or The edelweiss, And the mountain streams Like cowbells sound- Tirra lirra, drowned In the waiter's dreams Who has gone beyond The forest waves, While his true and fond Ones seek their graves."
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Centaurs and Centauresses", appears in Rustic Elegies, part of "Prelude to a Fairy Tale", first published 1927
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Researcher for this page: Dan Eggleston?. Jumbo's lullaby  [sung text checked 1 time]
Jumbo asleep! Grey leaves thick-furred As his ears keep Conversations blurred. Thicker than hide Is the trumpeting water; Don Pasquito's bride And his youngest daughter Watch the leaves Elephantine grey: What is it grieves In the torrid day? Is it the animal World that snores Harsh and inimical In sleepy pores?- And why should the spined flowers red as a soldier Make Don Pasquito Seem still mouldier?
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. By the lake  [sung text checked 1 time]
Across the thick and the pastel snow Two people go... "And do you remember When last we wandered this shore?" ... "Ah, No! For it is cold-hearted December." "Dead, the leaves that like asses' ears hung on the trees When last we wandered and squandered joy here; Now Midas your husband will listen for these Whispers - these tears for joy's bier..." And as they walk, they seem tall pagodas; And all the ropes let down from the cloud Ring the hard cold bell-buds upon the trees-codas Of overtones ecstasies, grown for love's shroud.
Text Authorship:
- by Edith Sitwell (1887 - 1964), "By the lake", appears in Façade
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First published in Chapbook, May 1923Researcher for this page: Dan Eggleston
?. March  [sung text checked 1 time]
Ratatantan, ratatantan, ratatantan: The marshal's harrier Bites arid fights The water carrier. Mossed as a druid, Under the wall Thin waters fall And turn into fluid Petals of tulips, and hard regalias Of lilies and dahlias. Then, as they brawl, Jupiter leaned from his vast snow cage, Cuffed the marshal's harrier - Still in a rage he bites and fights The wall grown mouldier, Where stiff as a soldier Stands the breeze, Like a handy andy, And words they bandy Under the dandy Dinmont trees.
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Mariner man  [sung text checked 1 time]
"What are you staring at, mariner man Wrinkled as sea-sand and old as the sea?" "Those trains will run over their tails, if they can, Snorting and sporting like porpoises. Flee The burly, the whirligig wheels of the train. As round as the world and as large again, Running half the way over to Babylon, down Through fields of clover to gay Troy town- A-puffing their smoke as grey as the curl On my forehead as wrinkled as sands of the sea!- But what can that matter to you, my girl? (And what can that matter to me?)"
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Mazurka  [sung text checked 1 time]
God Pluto is a kindly man; the children ran: "Come help us with the games our dames ban." He drinks his beer and builds his forge, as red as George The Fourth his face is that flames tan. Like baskets of ripe fruit the bird-songs' oaten flutes All honeyed yellow sound in air, where Among the hairy leaves fall trills of dew and sheaves Are tasting of fresh green anew. Flare His flames as tall As Windsor Castle, all Balmoral was not higher; Like feathered masks and peas in pots and castled trees Walled gardens of the seas, the flames seemed all of these. As red and green as Petticoats of queens Among the flowering Beans they Bloom... "Come rest and be! I care for nobody, nobody, not I, the world can be - and no one cares for me!" In the lane, Hattie Meddlesome Mattie, Suddenly quarrel. Flames like Balmoral From feathered doxies Blow up like boxes, Cram full of matches, - Each yells and scratches. Flames green and yellow spirt from lips and eyes and skirt, The leaves like chestnut horses' ears rear. Ladies, though my forge has made me red as George The Fourth, Such flames we know not here, dear!
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Four in the morning  [sung text checked 1 time]
Cried the navy-blue ghost of Mr. Belaker The allegro negro cocktail-shaker: Why did the cock crow, Why am I lost Down the endless road to Infinity toss'd'? The tropical leaves are whispering white as water: I race the wind in my flight down the promenade, - Edging the far-off sand Is the foam of the sirens' Metropole and Grand,- As I raced through the leaves as white as water My ghost flowed over a nursemaid, caught her, And there I saw the long grass weep, Where tile guinea-fowl plumaged houses sleep And the sweet ring-doves of curded milk Watch the Infanta's gown of silk the ghost-room tall where the governante Whispers slyly fading andante In at the window then looked he, The navy-blue ghost of Mr. Belaker, The allegro negro cocktail-shaker,- And his flattened face like the moon saw she,- Rhinoceros-black yet flowing like the sea.
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Four in the morning"
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First published in Vogue, London, December 1924, revised 1950Researcher for this page: Dan Eggleston
?. Dame Souris Trotte  [sung text checked 1 time]
Madam Mouse trots, Gray in the black night! Madam Mouse trots: Furred is the light. The elephant-trunks Trumpet from the sea.... Gray in the black night The mouse trots free. Hoarse as a dog's bark The heavy leaves are furled.... The cat's in his cradle, All's well with the World!
Text Authorship:
- by Edith Sitwell (1887 - 1964), "Dame Souris Trotte", appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. The octogenarian  [sung text checked 1 time]
The octogenarian Leaned from his window, To the valerian Growing below Said, "My nightcap Is only the gap In the thrembling thorn Where the mild unicorn With the little Infanta Danced the lavolta (Clapping hands: molto Lent' eleganta)." The man with the lanthorn Peers high and low; No more Than a snore As he walks to and fro... Il Dottore the stoic Culls silver herb Benath the superb Vast moon azoic.
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. The white owl  [sung text checked 1 time]
The currants moonwhite as Mother Bunch In their thick-bustled leaves were laughing like Punch; And, ruched as their country waterfalls, The cherried maids walk beneath the dark walls. Where the moonlight was falling thick as curd Through the cherry-branches half-unheard Said old Mrs. Bunch, the crop-eared owl, To her gossip: "If once I began to howl, I am sure that my sobs would drown the seas - With my "oh's and my ah's" and my "oh dear me's!" Everything wrong from cradle to grave - No money to spend, no Money to save!" And the currant-bush began to rustle As poor Mrs. Bunch arranged her bustle.
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Polka  [sung text checked 1 time]
"Tra la la la la la la la La! See me dance the polka", Said Mr Wagg like a bear, "with my top hat And my whiskers that - (Tra la la) trap the Fair." Where the waves seem chiming haycocks I dance the polka; there Stand Venus' children in their gay frocks, - Maroon and marine, - and stare To see me fire my pistol Through the distance blue as my coat; Like Wellington, Byron, the Marquis of Bristol, Busbied great trees float. While the wheezing hurdy-gurdy Of the marine wind blows me To the tune of Annie Rooney, sturdy, Over the sheafs of the sea; And bright as a seedsman's packet With zinnias, candytufts chill, Is Mrs. Marigold's Jacket As she gapes at the inn door still, Where at dawn in the box of the sailor, Blue as the decks of the sea, Nelson awoke crowed like the cocks, Then back to the dust sank he. And Robinson Crusoe Rues so The bright and foxy beer, - But he finds fresh isles in a negress' smiles, - The poxy doxy dear, As they, watch me dance the polka", Said MrWagg like a bear, "In my top hat and my whiskers that, - Tra la la, trap the Fair, Tra la la la la la - Tra la la la la la - Tra la la la la la la la La La La!"
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan Eggleston?. Said King Pompey  [sung text checked 1 time]
Said King Pompey, the emperor's ape Shuddering black in his temporal cape Of dust: "The dust is everything - The heart to love And the voice to sing Indianapolis, And the Acropolis, Also the hairy sky that we Take for a coverlet comfortably." ... Said the Bishop Eating his ketchup "There still remains Eternity (Swelling the diocese) - That elephantiasis The flunkeyed and trumpeting Sea!"
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922
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Researcher for this page: Dan EgglestonPopular Song
Lily O'Grady, Silly and shady, Longing to be A lazy lady, Walked by the cupolas gables in the Lake's Georgian stables, In a fairy tale like the heat intense, And the mist in the woods when across the fence The children gathering strawberries Are changed by the heat into negresses, Though their fair hair Shines there Like gold-haired planets, Calliope, Io, Pomona, Antiope, Echo and Clio. Then Lily O'Grady, Silly and shady, Sauntered along like a Lazy Lady; Beside the waves' haycocks her gown with tucks as of satin the colour of shining green ducks, And her fol-de-rol Parasol Was a great gold sun o'er the haycocks shining, But she was a negress black as the shade That time on the brightest lady laid. Then a satyr, dog-haired as trunks of trees, Began to flatter, began to tease And she ran like the nymphs with golden foot That trampled the strawberry, buttercup root, In the thick cold dew as bright as the mesh Of dead Panope's golden flesh, Made from the music whence were born Memphis and Thebes in the first hot morn, - And ran, to wake In the lake, Where the water-ripples seem hay to rake. And Charlotine, Adeline, Round rose-bubbling Victorine, And the other fish Express a wish For mastic mantles and gowns with a swish; And bright and slight as the posies Of buttercups and of roses, And buds of the wild wood-lilies They chase her, as frisky as fillies. The red retriever-haired satyr Can whine and tease her and flatter But Lily O'Grady, Silly and shady, In the deep shade is a lazy lady; Now Pompey's dead, Homer's read, Heliogabalus lost his head, And shade is on the brightest wing, And dust forbids the bird to sing.
Text Authorship:
- by Edith Sitwell (1887 - 1964), from Facades, first published 1922 [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by William Walton (1902 - 1983)Please note: this text, provided here for educational and research use, is in the public domain in Canada and the U.S., but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this page: Dan EgglestonSwitchback
By the blue wooden sea- Curling laboriously, Coral and amber grots (Cherries and apricots) Ribbons of noisy heat Binding them head and feet, Horses as fat as plums Snort as each bumpkin comes. Giggles like towers of glass (Pink and blue spirals) pass, Oh how the Vacancy Laughed at them rushing by. "Turn again, flesh and brain, Only yourselves again! How far above the ape Differing in each shape, You with your regular Meaningless circles are!"
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922 [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by William Walton (1902 - 1983)Please note: this text, provided here for educational and research use, is in the public domain in Canada and the U.S., but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this page: Dan EgglestonTarantella
Where the satyrs are chattering, nymphs with their flattering Glimpse of the forest enhance All the beauty of marrow and cucumber narrow And Ceres will join in the dance. Where the satyrs can flatter the flat-leaved fruit And the gherkin green and the marrow, Said Queen Venus, "Silenus, we'll settle between us The gourd and the cucumber narrow!" See, like palaces hid in the lake, they shake - Those greenhouses shot by her arrow narrow! The gardener seizes the pieces, like Croesus, for gilding the potting-shed barrow. There the radish roots, And the strawberry fruits Feel the nymphs' high boots in the glade. Trampling and sampling mazurkas, cachucas and turkas, Cracoviaks hid in the shade. Where, in the haycocks, the Country nymphs' gay flocks Wear gowns that are looped over bright yellow petticoats, Gaiters of leather and pheasants' tail feathers In straw hats bewildering many a leathern bat. There they haymake, Cowers and whines in showers The dew in the dogskin bright flowers; Pumpkin and marrow And cucumber narrow Have grown through the spangled June hours. Melons as dark as caves have for their fountain waves Thickest gold honey. And wrinkled as dark as Pan, Or old Silenus, yet youthful as Venus Are gourds and the wrinkled figs Whence all the jewels ran. Said QueenVenus, 'Silenus We'll settle between us The nymphs' disobedience, forestall With my bow and my quiver Each fresh evil liver: For I don't understand it at all!'
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922 [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by William Walton (1902 - 1983)Please note: this text, provided here for educational and research use, is in the public domain in Canada and the U.S., but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this page: Dan EgglestonTrams
Castles of crystal. Castles of wood, Moving on pulleys just as you should! See the gay people Flaunting like flags, Bells in the steeple, Sky all in rags. Bright as a parrot Flaunts the gay heat - Songs in the garret, Fruit in the street; Plump as a cherry, Red as a rose, Old Mother Berry - Blowing her nose!
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922 [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by William Walton (1902 - 1983)Please note: this text, provided here for educational and research use, is in the public domain in Canada and the U.S., but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
Researcher for this page: Dan EgglestonValse
Daisy and Lily, Lazy and silly, Walk by the shore of the wan grassy sea,- Talking once more 'neath a swan- bosomed tree. Rose castles Tourelles Those bustles Where swells Each foam-bell of ermine They roam and determine What fashions have been and what fashions will be,- What tartan leaves born, What Crinolines worn. By Queen Thetis, Pelisses Of tarlatine blue, Like the thin Plaided leaves that the Castle crags grew, Or velours d'Afrande: On the water-god's land Her hair seemed gold trees on the honey-cell sand When the thickest gold spangles, on deep water seen, Were like twanging guitar and like cold mandoline, And the nymphs of great caves, With hair like gold waves, Of Venus, wore tarlatiine Louise and Charlottine (Borea's daughters) And the nymphs of deep waters, The nymph Taglioni, Grisi the ondine Wear Plaided Victoria and thin Clementine Like the crinolined waterfalls; Wood-nymphs wear bonnets, shawls, Elegant parasols Floating are seen. The Amazones wear balzarine of jonquille Besides the blond lace of a deep- falling rill; Through glades like a nun They run from and shun The enormous and gold-rayed rustling sun; And the nymphs of the fountains Descend from the mountains Like elegant willows On their deep barouche pillows, In cashmere Alvandar, barege Isabelle Like bells of bright water from clearest wood-well. Our elegantes favouring bonnets of blond, The stars in their apiaries, Sylphs in their aviaries, Seeing them, spangle these, and the sylphs fond From their aviaries fanned With each long fluid hand The manteaux espagnoles, Mimic the waterfalls Over the long and the light summer land. ... So Daisy and Lily, Lazy and silly Walk by the shore of the wan grassy Sea, Talking once more 'neath a swan- bosomed tree. Row Castles, Tourelles, Those bustles! Mourelles Of their shade in their train follow. Ladies, how vain, - hollow, - Gone is the sweet swallow, - Gone, Philomel!"
Text Authorship:
- by Edith Sitwell (1887 - 1964), appears in Façade, first published 1922 [author's text not yet checked against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
Set by William Walton (1902 - 1983)Please note: this text, provided here for educational and research use, is in the public domain in Canada and the U.S., but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.
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