I met the Bishop on the road And much said he and I. "Those breasts are flat and fallen now, Those veins must soon be dry; Live in a heavenly mansion, Not in some foul sty." "Fair and foul are near of kin, And fair needs foul," I cried. "My friends are gone, but that's a truth Nor grave nor bed denied, Learned in bodily [lowliness]1 And in the heart's pride. "A woman can be proud and stiff When on love intent; But Love has pitched his mansion in The place of excrement; For nothing can be sole or whole That has not been rent."
Crazy Jane's songs
Song Cycle by David Lidov (b. 1941)
?. Crazy Jane talks with the Bishop  [sung text not yet checked]
Language: English
Text Authorship:
- by William Butler Yeats (1865 - 1939), "Crazy Jane talks with the Bishop", appears in The Winding Stair, first published 1929
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- GER German (Deutsch) [singable] (Walter A. Aue) , "Die verrückte Jane spricht mit dem Bischof", copyright © 2010, (re)printed on this website with kind permission
- GER German (Deutsch) [singable] (Walter A. Aue) , "De narrische Jane sogds dem Bischof eihne", Viennese dialect, copyright © 2010, (re)printed on this website with kind permission
1 Grill: "loneliness"
Research team for this page: Emily Ezust [Administrator] , Malcolm Wren [Guest Editor]
?. Crazy Jane on the Day of Judgment  [sung text not yet checked]
Language: English
"Love is all Unsatisfied That cannot take the whole Body and soul"; And that is what Jane said. "Take the sour If you take me I can scoff and lour And scold for an hour." "That's certainly the case," said he. "Naked I lay, The grass my bed; Naked and hidden away, That black day"; And that is what Jane said. "What can be shown? What true love be? All could be [known or shown]1 If Time were but gone." "That's certainly the case," said he.
Text Authorship:
- by William Butler Yeats (1865 - 1939), "Crazy Jane on the Day of Judgment", appears in Words for Music Perhaps and Other Poems, first published 1932
See other settings of this text.
View original text (without footnotes)1 Grill: "shown or known"
Research team for this page: Emily Ezust [Administrator] , Malcolm Wren [Guest Editor]
?. Crazy Jane grown old looks at the dancers  [sung text not yet checked]
Language: English
I found that ivory image there Dancing with her chosen youth, But when he wound her coal-black hair As though to strangle her, no scream Or bodily movement did I dare, Eyes under eyelids did so gleam; Love is like the lion's tooth. When She, and though some said she played I said that she had danced heart's truth, Drew a knife to strike him dead, I could but leave him to his fate; For no matter what is said They had all that had their hate; Love is like the lion's tooth. Did he die or did she die? Seemed to die or died they both? God be with the times when I Cared not a thraneen for what chanced So that I had the limbs to try Such a dance as there was danced - Love is like the lion's tooth.
Text Authorship:
- by William Butler Yeats (1865 - 1939), "Crazy Jane and the Dancers"
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First published in London Mercury, November 1930Researcher for this text: Emily Ezust [Administrator]
?. Crazy Jane reproved  [sung text not yet checked]
Language: English
I [care not]1 what the sailors say: All those dreadful thunder-stones, All that storm that blots the day Can but show that Heaven yawns; Great Europa played the fool That changed a lover for a bull. Fol de rol, fol de rol. To round that shell's elaborate whorl, Adorning every secret track With the delicate mother-of-pearl, Made the joints of Heaven crack: So never hang your heart upon A roaring, ranting journeyman. Fol de rol, fol de rol.
Text Authorship:
- by William Butler Yeats (1865 - 1939), "Crazy Jane reproved"
See other settings of this text.
View original text (without footnotes)First published in London Mercury, November 1930
1 Grill: "don't care"
Research team for this page: Emily Ezust [Administrator] , Malcolm Wren [Guest Editor]
?. Crazy Jane and the Bishop  [sung text not yet checked]
Language: English
Bring me to the blasted oak That I, midnight upon the stroke, (All find safety in the tomb.) May call down curses on his head Because of my dear Jack that's dead. Coxcomb was the least he said: The solid man and the coxcomb. Nor was he Bishop when his ban Banished Jack the Journeyman, (All find safety in the tomb.) Nor so much as parish priest, Yet he, an old book in his fist, Cried that we lived like beast and beast: The solid man and the coxcomb. The Bishop has a skin, God knows, Wrinkled like the foot of a goose, (All find safety in the tomb.) Nor can he hide in holy black The heron's hunch upon his back, But a birch-tree stood my Jack: The solid man and the coxcomb. Jack had my virginity, And bids me to the oak, for he (all find safety in the tomb.) Wanders out into the night And there is shelter under it, But should that other come, I spit: The solid man and the coxcomb.
Text Authorship:
- by William Butler Yeats (1865 - 1939), "Crazy Jane and the Bishop", appears in The Winding Stair, first published 1929
See other settings of this text.
Researcher for this text: Emily Ezust [Administrator]?. Crazy Jane on God  [sung text not yet checked]
Language: English
That lover of a night Came when he would, Went in the dawning light Whether I would or no; Men come, men go; All things remain in God. Banners choke the sky; Men-at-arms tread; Armoured horses neigh Where the great battle was In the narrow pass: All things remain in God. Before their eyes a house That from childhood stood Uninhabited, ruinous, Suddenly lit up From door to top: All things remain in God. I had wild Jack [for]1 a lover; Though like a road That men pass over My body makes no moan But sings on: All things remain in God.
Text Authorship:
- by William Butler Yeats (1865 - 1939), "Crazy Jane on God", appears in Words for Music Perhaps and Other Poems, first published 1932
See other settings of this text.
View original text (without footnotes)1 Grill: "as"
Research team for this page: Emily Ezust [Administrator] , Malcolm Wren [Guest Editor]
Total word count: 689