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English translations of Zwei Lieder für 1 Sopran- oder Tenorstimme mit Pianoforte, opus 26

by Alexander Winterberger (1834 - 1914)

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1. Das Veilchen  [sung text not yet checked]
by Alexander Winterberger (1834 - 1914), "Das Veilchen", op. 26 (Zwei Lieder für 1 Sopran- oder Tenorstimme mit Pianoforte) no. 1, published 1875 [ soprano or tenor and piano ], Leipzig, Kahnt
Language: German (Deutsch) 
Ein Veilchen auf der Wiese stand,
Gebückt in sich und unbekannt;
Es war ein herzigs Veilchen.
[Da]1 kam [eine]2 junge Schäferin
Mit leichtem [Schritt]3 und muntrem Sinn
Daher, daher,
Die Wiese her, und sang.

Ach! denkt das Veilchen, wär ich nur
Die schönste Blume der Natur,
Ach, nur ein kleines Weilchen,
Bis mich das Liebchen abgepflückt
Und an dem Busen matt gedrückt!
Ach nur, ach nur
Ein Viertelstündchen lang!

Ach! aber ach! das Mädchen kam
Und nicht in Acht das Veilchen nahm,
[Ertrat]4 das arme Veilchen.
Es sank und starb und freut' sich noch:
Und sterb' ich denn, so sterb' ich doch
Durch sie, durch sie,
Zu ihren Füßen doch.

Text Authorship:

  • by Johann Wolfgang von Goethe (1749 - 1832), "Das Veilchen", appears in Erwin und Elmire

See other settings of this text.

View original text (without footnotes)

Note for Stanza 1, line 5: "muntrem" is often modernized to "munterm"

1 omitted by Štěpán.
2 Mozart: " ein' "
3 Medtner: "Tritt"
4 Kunzen: "Zertrat"

by Johann Wolfgang von Goethe (1749 - 1832)
1. A violet stood upon the lea
Language: English 
A violet stood upon the lea,
Hunched o'er in anonymity;
So amiable a violet!
Along there came a young shepherdess
Light paced, full of contentedness
Along, along,
The lea, and sang her song.

Ah!" thinks the violet, "were I just
The fairest flower in the dust
For just a little while yet,
Until that darling seizes me
And to her bosom squeezes me!
For just, for just
A quarter hour long!"

Ah! And alas!  There came the maid
And no heed to the violet paid,
Crushed the poor little violet.
It sank and died, yet filled with pride:
And though I die, I shall have died
Through her, through her,
And at her feet have died."

Text Authorship:

  • Translation from German (Deutsch) to English copyright © 1996 by Walter Meyer, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in German (Deutsch) by Johann Wolfgang von Goethe (1749 - 1832), "Das Veilchen", appears in Erwin und Elmire
    • Go to the text page.

Go to the general single-text view


This text was added to the website between May 1995 and September 2003.
Line count: 21
Word count: 116

Translation © by Walter Meyer
2. Philine  [sung text not yet checked]
by Alexander Winterberger (1834 - 1914), "Philine", op. 26 (Zwei Lieder für 1 Sopran- oder Tenorstimme mit Pianoforte) no. 2, published 1875 [ soprano or tenor and piano ], Leipzig, Kahnt
Language: German (Deutsch) 
Singet nicht in Trauertönen
Von der Einsamkeit der Nacht.
Nein, sie ist, o holde Schönen,
Zur Geselligkeit gemacht.

Wie das Weib dem Mann gegeben
Als die schönste Hälfte war,
Ist die Nacht das halbe Leben
Und die schönste Hälfte zwar.

Könnt ihr euch des Tages freuen,
Der nur Freuden unterbricht?
Er ist gut, sich zu zerstreuen;
Zu was anderm taugt er nicht.

Aber wenn in nächt'ger Stunde
Süsser Lampe Dämmrung fließt,
Und vom Mund zum nahen Munde
Scherz und Liebe sich ergießt;

Wenn der rasche, lose Knabe,
Der sonst wild und feurig eilt,
Oft bei einer kleinen Gabe
Unter leichten Spielen weilt;

Wenn die Nachtigall Verliebten
Liebevoll ein Liedchen singt,
Das Gefangnen und Betrübten
Nur wie Ach und Wehe klingt;

Mit wie leichtem Herzensregen
Horchet ihr der Glocke nicht,
Die mit zwölf bedächtgen Schlägen
Ruh und Sicherheit verspricht.

Darum an dem langen Tage,
Merke dir es, liebe Brust;
Jeder Tag hat seine Plage,
Und die Nacht hat ihre Lust.

Text Authorship:

  • by Johann Wolfgang von Goethe (1749 - 1832), appears in Wilhelm Meisters Lehrjahre

See other settings of this text.

by Johann Wolfgang von Goethe (1749 - 1832)
2. Do not sing in mournful tones
Language: English 
 Do not sing in mournful tones
 of the loneliness of Night.
 No; it was, o tender, fair ones,
 made for companionship.
 
 As woman was given to man
 to be his better half,
 so is Night half of life,
 and certainly the better half.
 
 Can you delight in the day,
 which only interrupts joy?
 It is good for distraction, 
 but of use for nothing else.
 
 But when, in that nocturnal hour,
 the sweet lamps' twilight flows,
 and from mouth to neighboring mouth
 pour jests and love;
 
 when that quick, scampish boy
 who hurries, wild and fiery,
 often toying with a small gift
 in light play to pass the time;
 
 when the nightingale sings to sweethearts
 a little song full of love,
 which to the imprisoned and troubled
 sounds only like sighs and moans;
 
 with such a lightly stirring heart
 do you not listen to the bell,
 that, with twelve measured strokes
 promises repose and safety?
 
 Thus, in the long day,
 mark it well, dear heart:
 every day has its troubles,
 and the night has its pleasure.

Text Authorship:

  • Translation from German (Deutsch) to English copyright © by Emily Ezust

    Emily Ezust permits her translations to be reproduced without prior permission for printed (not online) programs to free-admission concerts only, provided the following credit is given:

    Translation copyright © by Emily Ezust,
    from the LiederNet Archive

    For any other purpose, please write to the e-mail address below to request permission and discuss possible fees.
    licenses@email.lieder.example.net

Based on:

  • a text in German (Deutsch) by Johann Wolfgang von Goethe (1749 - 1832), appears in Wilhelm Meisters Lehrjahre
    • Go to the text page.

Go to the general single-text view


This text was added to the website between May 1995 and September 2003.
Line count: 32
Word count: 176

Translation © by Emily Ezust
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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