English translations of Drei Gesänge, opus 2

by Wilhelm Goldner (1839 - 1907)

1. Im Rhein  [sung text not yet checked]
by Wilhelm Goldner (1839 - 1907), "Im Rhein", op. 2 (Drei Gesänge) no. 3 [ bass or baritone, piano ]
Language: German (Deutsch) 
[Im]1 Rhein, [im]1 [schönen]2 Strome,
Da spiegelt sich in den [Well'n]3
Mit seinem großen Dome
Das [große, heil'ge]4 Köln.

Im Dom da steht ein Bildnis,
Auf [goldnem Leder]5 gemalt;
In meines Lebens Wildnis
Hat's freundlich [hineingestrahlt]6.

Es schweben Blumen und [Eng'lein]7
Um unsre liebe Frau;
Die Augen, die Lippen, die Wänglein,
Die gleichen der Liebsten genau.

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Confirmed with Heinrich Heine, Buch der Lieder, Hoffmann und Campe, Hamburg, 1827, page 120.

Note: in the first version of the poem, Heine has "heiligen" in stanza 1, line 1, word 4.

1 Hollmann, Urspruch: "Am" / "am"; further changes may exist for Hollmann's setting, not shown above.
2 Schumann, Franz: "heiligen"
3 Liszt: "Wellen"
4 Liszt, Urspruch: "große, das heilige"
5 Franz: "goldenem Grunde"; Urspruch: "goldenes Leder"
6 Urspruch: "herein gestrahlt"
7 Ender: "Eng'lein"

by Heinrich Heine (1797 - 1856)
1. In the Rhine, in the fair stream
Language: English 
In the Rhine, in the holy stream
Is it mirrored in the waves -
With its great cathedral -
That great, holy city Cologne.

In the Cathedral stands an image
Painted on golden leather;
Into the wildness of my life
Has it shone, friendly.

Flowers and little cherubs hover
Around our beloved Lady;
The eyes, the lips, the cheeks--
They match my beloved's exactly.

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  • Translation from German (Deutsch) to English copyright © by Paul Hindemith, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
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This text was added to the website between May 1995 and September 2003.
Line count: 12
Word count: 62

Translation © by Paul Hindemith