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Canzoni di Bilitis

Translations © by Ferdinando Albeggiani

Song Cycle by Claude Achille Debussy (1862 - 1918)

View original-language texts alone: Chansons de Bilitis

1. La flûte de Pan
 (Sung text)
Language: French (Français) 
Pour le jour des Hyacinthies,
il m'a donné une syrinx faite
de roseaux bien taillés,
unis avec la blanche cire
qui est douce à mes lèvres comme le miel.

Il m'apprend à jouer, assise sur ses genoux ;
mais je suis un peu tremblante.
il en joue après moi, 
si doucement que je l'entends à peine.

Nous n'avons rien à nous dire,
tant nous sommes près l'un de l'autre;
mais nos chansons veulent se répondre,
et tour à tour nos bouches
s'unissent sur la flûte.

Il est tard, 
voici le chant des grenouilles vertes
qui commence avec la nuit.
Ma mère ne croira jamais
que je suis restée si longtemps
à chercher ma ceinture perdue.

Text Authorship:

  • by Pierre-Félix Louis (1870 - 1925), as Pierre Louÿs, "La Flûte de Pan", written 1894, appears in Les Chansons de Bilitis, in Bucoliques en Pamphylie, no. 30, Paris, Éd. du Mercure de France, first published 1897

See other settings of this text.

by Pierre-Félix Louis (1870 - 1925), as Pierre Louÿs
1. Il flauto di Pan
Language: Italian (Italiano) 
Per il giorno di Giacinto,
egli mi ha donato
un flauto di canne ben tagliate,
unite con cera bianca
dolce alle mie labbra come il miele.

In ginocchio davanti a me, mi insegna a suonare;
ma tremo un poco.
Poi inizia a suonare, così dolcemente
che io lo sento appena.

Non abbiamo bisogno di parole,
tanto siamo vicini;
ma si parlano i nostri canti, 
e sul flauto a poco a poco 
si toccano le nostre labbra .

Si è fatto tardi; 
ecco, già cominciano a cantare
le rane smeraldine nella notte.
Difficilmente mia madre crederà 
che sia rimasta per tanto tempo 
a cercare la cintura perduta.

Text Authorship:

  • Translation from French (Français) to Italian (Italiano) copyright © 2005 by Ferdinando Albeggiani, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Pierre-Félix Louis (1870 - 1925), as Pierre Louÿs, "La Flûte de Pan", written 1894, appears in Les Chansons de Bilitis, in Bucoliques en Pamphylie, no. 30, Paris, Éd. du Mercure de France, first published 1897
    • Go to the text page.

Go to the general single-text view


This text was added to the website: 2005-10-16
Line count: 20
Word count: 106

Translation © by Ferdinando Albeggiani
2. La chevelure
 (Sung text)
Language: French (Français) 
Il m'a dit: « Cette nuit, j'ai rêvé.
J'avais ta chevelure autour de mon cou.
J'avais tes cheveux comme un collier noir
autour de ma nuque et sur ma poitrine.

« Je les caressais, et c'étaient les miens ;
et nous étions liés pour toujours ainsi,
par la même chevelure, la bouche sur la bouche,
ainsi que deux lauriers n'ont souvent qu'une racine.

« Et peu à peu, il m'a semblé,
tant nos membres étaient confondus,
que je devenais toi-même,
ou que tu entrais en moi comme mon songe. »

Quand il eut achevé,
il mit doucement ses mains sur mes épaules,
et il me regarda d'un regard si tendre,
que je baissai les yeux avec un frisson.

Text Authorship:

  • by Pierre-Félix Louis (1870 - 1925), as Pierre Louÿs, "La chevelure", appears in Les Chansons de Bilitis, in Bucoliques en Pamphylie, no. 31

See other settings of this text.

by Pierre-Félix Louis (1870 - 1925), as Pierre Louÿs
2. La chioma
Language: Italian (Italiano) 
"L'altra notte" mi ha detto "ho sognato,
di avere la tua chioma attorno al collo.
I tuoi capelli come una nera collana
a cingermi la nuca e il petto.

Li sfioravo; e mi sembravano i miei;
e noi eravamo uniti per sempre,
con la stessa chioma, labbra su labbra,
come due piante di alloro con una radice sola.

E a poco a poco sentivo,
tanto erano intrecciate le nostre membra,
che io diventavo te 
e che tu entravi in me come il mio sogno." 

Non appena ebbe finito di parlare,
mi posò dolcemente le mani sulle spalle,
con uno sguardo così tenero,
che abbassai gli occhi con un brivido.

Text Authorship:

  • Translation from French (Français) to Italian (Italiano) copyright © 2005 by Ferdinando Albeggiani, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Pierre-Félix Louis (1870 - 1925), as Pierre Louÿs, "La chevelure", appears in Les Chansons de Bilitis, in Bucoliques en Pamphylie, no. 31
    • Go to the text page.

Go to the general single-text view


This text was added to the website: 2005-10-16
Line count: 16
Word count: 109

Translation © by Ferdinando Albeggiani
3. Le tombeau des Naïades
 (Sung text)
Language: French (Français) 
Le long du bois couvert de givre, je marchais;
Mes cheveux devant ma bouche
Se fleurissaient de petits glaçons,
Et mes sandales étaient lourdes
De neige fangeuse et tassée.

Il me dit: "Que cherches-tu?"
Je suis la trace du satyre.
Ses petits pas fourchus alternent
Comme des trous dans un manteau blanc.
Il me dit: "Les satyres sont morts.

"Les satyres et les nymphes aussi.
Depuis trente ans, il n'a pas fait un hiver aussi terrible.
La trace que tu vois est celle d'un bouc.
Mais restons ici, où est leur tombeau."

Et avec le fer de sa houe il cassa la glace
De la source ou jadis riaient les naïades.
Il prenait de grands morceaux froids,
Et les soulevant vers le ciel pâle,
Il regardait au travers.

Text Authorship:

  • by Pierre-Félix Louis (1870 - 1925), as Pierre Louÿs, "Le tombeau des Naïades", appears in Les Chansons de Bilitis, in Bucoliques en Pamphylie, no. 46, Paris, Éd. du Mercure de France, first published 1897

See other settings of this text.

by Pierre-Félix Louis (1870 - 1925), as Pierre Louÿs
3. La tomba delle naiadi
Language: Italian (Italiano) 
Attraversavo il bosco coperto di brina;
Piccoli ghiaccioli fiorivano
fra i miei capelli sul viso,
e i miei sandali erano inzuppati
di neve fangosa e compatta.

"Cosa cerchi?" Egli mi chiese
"Seguo le tracce del satiro.
I suoi piccoli passi biforcuti
simili a fori in un bianco mantello."
Mi rispose: "I satiri sono morti."

"I satiri e anche le ninfe.
Da trenta anni non c'era mai stato un così rigido inverno.
Le orme che vedi sono quelle di un capro.
Ma fermiamoci qui, dove sta la loro tomba."

E con il ferro del suo bastone ruppe il ghiaccio 
della fonte dove una volta ridevano le naiadi.
Prese alcuni freddi frammenti,
e sollevandoli verso il pallido cielo,
vi guardò attraverso.

Text Authorship:

  • Translation from French (Français) to Italian (Italiano) copyright © 2005 by Ferdinando Albeggiani, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Pierre-Félix Louis (1870 - 1925), as Pierre Louÿs, "Le tombeau des Naïades", appears in Les Chansons de Bilitis, in Bucoliques en Pamphylie, no. 46, Paris, Éd. du Mercure de France, first published 1897
    • Go to the text page.

Go to the general single-text view


This text was added to the website: 2005-10-16
Line count: 19
Word count: 119

Translation © by Ferdinando Albeggiani
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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