In the stormy east-wind straining, The pale yellow woods were waning, The broad stream in his banks complaining, Heavily the low sky raining Over tower'd Camelot; Down she came and found a boat Beneath a willow left afloat, And round about the prow she wrote The Lady of Shalott. And down the river's dim expanse — Like some bold seer in a trance, Seeing all his own mischance — With a glassy countenance Did she look to Camelot. And at the closing of the day She loosed the chain, and down she lay; The broad stream bore her far away, The Lady of Shalott. Lying, robed in snowy white That loosely flew to left and right — The leaves upon her falling light — Thro' the noises of the night She floated down to Camelot: And as the boat-head wound along The willowy hills and fields among, They heard her singing her last song, The Lady of Shalott. Heard a carol, mournful, holy, Chanted loudly, chanted lowly, Till her blood was frozen slowly, And her eyes were darken'd wholly, Turn'd to tower'd Camelot; For ere she reach'd upon the tide The first house by the water-side, Singing in her song she died, The Lady of Shalott. Under tower and balcony, By garden-wall and gallery, A gleaming shape she floated by, Dead-pale between the houses high, Silent into Camelot. Out upon the wharfs they came, Knight and burgher, lord and dame, And round the prow they read her name, The Lady of Shalott. Who is this? and what is here? And in the lighted palace near Died the sound of royal cheer; And they cross'd themselves for fear, All the knights at Camelot: But Lancelot mused a little space; He said, 'She has a lovely face; God in His mercy lend her grace, The Lady of Shalott.'
About the headline (FAQ)
Confirmed with Quiller-Couch, Arthur Thomas, Sir. The Oxford Book of English Verse. Oxford: Clarendon, 1919, [c1901]; Bartleby.com, 1999. www.bartleby.com/101/700.html.
- by Alfred Tennyson, Lord (1809 - 1892), no title, appears in The Lady of Shalott, no. 4 [author's text checked 1 time against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive)
- by Wilfred Ellington Bendall (1850 - 1920), "In the stormy east-wind straining", published 1884 [soprano, SSA chorus, orchestra], from the cantata The Lady of Shalott, no. 4, London, Novello [text not verified]
- by Carl Reinhold Busch (1862 - 1943), "In the stormy east-wind straining", published 1894 [soprano, mixed chorus, orchestra], from the cantata The Lady of Shalott, no. 4, Boston, White-Smith [text not verified]
- by Christopher Montague Edmunds (1899 - 1990), "In the stormy east-wind straining", published 1926 [SA chorus, orchestra], from the cantata The Lady of Shalott, no. 4, London, Stainer & Bell [text not verified]
- by Maurice Jacobson (1896 - 1976), "In the stormy east-wind straining", published 1942 [tenor, SATB chorus, orchestra], from the cantata The Lady of Shalott, no. 4, London, Curwen [text not verified]
- by Phyllis Margaret Duncan Tate (1911 - 1987), "In the stormy east-wind straining", 1956 [tenor, viola, percussion, 2 pianos, cello], from the cantata The Lady of Shalott, no. 4, London, Oxford University Press [text not verified]
This text (or a part of it) is used in a work
- by Cecil Armstrong Gibbs (1889 - 1960), "The Lady of Shalott", published 1929 [mezzo-soprano, SA chorus, piano, optional strings], London, Curwen.
- by Cyril Bradley Rootham (1875 - 1938), "The Lady of Shalott", 1909-10. [mezzo-soprano, SATB chorus, orchestra].
Available translations, adaptations, and transliterations (if applicable):
- FRE French (Français) (Pierre Mathé) , title unknown, copyright © 2015, (re)printed on this website with kind permission
Researcher for this text: Emily Ezust [Administrator]
This text was added to the website: 2015-02-19
Line count: 54
Word count: 306