"Deep in my soul that tender secret dwells, Lonely and lost to light for evermore, Save when to thine my heart responsive swells, Then trembles into silence as before. "There, in its centre, a sepulchral lamp Burns the slow flame, eternal — but unseen; Which not the darkness of Despair can damp, Though vain its ray as it had never been. "Remember me — Oh! pass not thou my grave Without one thought whose relics there recline: The only pang my bosom dare not brave Must be to find forgetfulness in thine. "My fondest — faintest — latest accents hear — Grief for the dead not Virtue can reprove; Then give me all I ever asked — a tear, The first — last — sole reward of so much love!
E. Elgar sets stanzas 1-2
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Confirmed with The Select Poetical Works of Lord Byron, containing The Corsair, Lara, The Giaour, The Siege of Corinth, The Bride of Abydos, Parasina, Mazeppa, The Prisoner of Chillon, etc., Paris and Lyons: B. Cormon and Blanc, Booksellers, 1836, pages 14-15.
Authorship:
- by George Gordon Noel Byron, Lord Byron (1788 - 1824), no title, appears in The Corsair, Canto I, xiv [author's text checked 2 times against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- by Edward Elgar, Sir (1857 - 1934), "Deep in my soul", op. 53 no. 2 (1908), stanzas 1-2 [ ssaattbb chorus ] [sung text checked 1 time]
- by Ann Sheppard Mounsey (1811 - 1891), "Medora's song", op. 11 no. 4, published 1836? [ vocal duet for 2 sopranos with piano ], from Six duets in canon for two soprano voices, with an accompaniment for the piano forte, no. 4, London : T. E. Purday [sung text not yet checked]
Settings in other languages, adaptations, or excerpts:
- Also set in French (Français), a translation by Benjamin Laroche (1797 - 1852) ; composed by Charles Camille Saint-Saëns.
- Also set in German (Deutsch), a translation by Ernst Ortlepp (1800 - 1864) , no title ; composed by Josephine Lang.
- Also set in German (Deutsch), a translation by Caroline Pichler (1769 - 1843) , no title ; composed by Benedikt Randhartinger.
- Also set in German (Deutsch), a translation by Joseph Emanuel Hilscher (1806 - 1837) , no title, first published 1840 ; composed by Johann Rufinatscha.
Other available translations, adaptations or excerpts, and transliterations (if applicable):
- GER German (Deutsch) (Ernst Eckstein) , "Medora's Lied", subtitle: "(Aus dem "Corsar".) (Nach dem Englischen des Lord Byron.)", appears in In Moll und Dur, in 3. Dritte Abtheilung
Research team for this page: Emily Ezust [Administrator] , Sharon Krebs [Guest Editor]
This text was added to the website between May 1995 and September 2003.
Line count: 16
Word count: 130
Ce tendre sentiment, dans mon âme il habite; et je le cache à tous les yeux si ce n'est quand mon coeur à ton regard palpite puis revient silencieux. Un invisible feu, flamme éternelle et sombre, là, brule lentement comme dans un tombeau. En vain le désespoir le couvre de son ombre; toujours il resplendit, inutile flambeau! Pense à moi, lorqu'auprès de ma tombe récente tu viendras à passer; pense alors, pense à moi! Il n'est plus qu'un malheur dont mon coeur s'épouvante: C'est que mon souvenir ne plane plus sur toi. Pour la dernière fois ma voix résonne encore; on peut donner des pleurs à qui dort sans retour; une larme de toi, c'est tout ce que j'implore: Seul prix, hélas! de tant d'amour!
Authorship:
- by Benjamin Laroche (1797 - 1852) [author's text not yet checked against a primary source]
Based on:
- a text in English by George Gordon Noel Byron, Lord Byron (1788 - 1824), no title, appears in The Corsair, Canto I, xiv
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- by Charles Camille Saint-Saëns (1835 - 1921), "Sonnet", subtitle: "Souvenir de Las Palmas", 1898, published 1898 [medium voice and piano], Éd. Durand [text verified 1 time]
Researcher for this page: Caroline Diehl
This text was added to the website: 2016-07-12
Line count: 16
Word count: 125