by Walt Whitman (1819 - 1892)
Now while I sat in the day, and look'd...
Language: English
Now while I sat in the day, and look'd forth, In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops, In the large unconscious scenery of my land, with its lakes and forests, In the heavenly aerial beauty, [(after the perturb'd winds, and the storms;)]1 Under the arching heavens of the afternoon swift passing, and the voices of children and women, The many-moving sea-tides, -- and [I saw]1 the ships how they sail'd, And the summer approaching with richness, and the fields all busy with labor, And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages; And the streets, how their throbbings throbb'd, and the cities pent -- lo! [then and there,]1 Falling upon them all, and among them all, enveloping me with the rest, Appear'd the cloud, appear'd the long black trail; And I knew Death, its thought, and the sacred knowledge of death.
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View original text (without footnotes)1 omitted by Sessions
Text Authorship:
- by Walt Whitman (1819 - 1892), no title, appears in Memories of President Lincoln, in When Lilacs Last in the Dooryard Bloom'd, no. 14 [author's text checked 1 time against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- [ None yet in the database ]
The text above (or a part of it) is used in the following settings:
- by Paul Hindemith (1895 - 1963), no title [ baritone, mezzo-soprano, chorus and orchestra ], from cantata When lilacs last in the dooryard bloom'd, no. 9
- by Roger Sessions (1896 - 1985), no title, from cantata When lilacs last in the dooryard bloom'd, no. 3, cantata
Researcher for this page: Ahmed E. Ismail
This text was added to the website: 2005-01-13
Line count: 16
Word count: 162