Heure pâle où se meurt tout bruit ! Le monde est comme une féerie. La robe noire de la nuit Par le clair de lune est fleurie.
L'Idylle persane
by Rodolphe Théophile Cahen d'Anvers, marquis de Torre Alfina (1869 - 1955)
. Heure pâle [sung text not yet checked]
Note: this is a multi-text setting
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 55
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Jean Lahor, Les Quatrains d'Al-Ghazali, Paris, Alphonse Lemerre, 1896, page 16.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]
La lune, tendre luth d’argent, Dont les rayons blancs sont les cordes, Avec mon cœur triste et changeant, Doucement, Allah, tu l’accordes.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 87
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 55.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]