Little Lamb, who made thee? Dost thou know who made thee? Gave thee life, and [bid]1 thee feed, By the stream and o'er the mead; Gave thee clothing of delight, Softest clothing woolly, bright; Gave thee such a tender voice, Making all the vales rejoice? Little Lamb, who made thee? Dost thou know who made thee? Little Lamb, I'll tell thee, Little Lamb, I'll tell thee: He is callèd by thy name, For He calls Himself a Lamb. He is meek, and He is mild: He became a little child. I a child, and thou a lamb, We are callèd by His name. Little Lamb, God bless thee! Little Lamb, God bless thee!
Eight Poems of William Blake
Song Cycle by Ronald A. Beckett
1. The lamb  [sung text not yet checked]
Text Authorship:
- by William Blake (1757 - 1827), "The lamb", appears in Songs of Innocence and Experience, in Songs of Innocence, no. 4, first published 1789
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- CAT Catalan (Català) (Salvador Pila) , "L'anyell", copyright © 2014, (re)printed on this website with kind permission
- GER German (Deutsch) (Thomas F. Schubert) , "Das Lamm", copyright ©, (re)printed on this website with kind permission
- GER German (Deutsch) [singable] (Bertram Kottmann) , copyright © 2015, (re)printed on this website with kind permission
- RUS Russian (Русский) [singable] (Dmitri Nikolaevich Smirnov) , "Агнец", copyright ©, (re)printed on this website with kind permission
1 MacNutt, Somervell: "bade"
Researcher for this page: Ted Perry
2. The Tyger  [sung text not yet checked]
Tyger Tyger, burning bright, In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare sieze the fire? And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp, Dare its deadly terrors clasp! When the stars threw down their spears And water'd heaven with their tears: Did he smile his work to see? Did he who made the Lamb make thee? Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?
Text Authorship:
- by William Blake (1757 - 1827), "The tyger", appears in Songs of Innocence and Experience, in Songs of Experience, no. 12, first published 1794
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- CAT Catalan (Català) (Salvador Pila) , "El tigre", copyright © 2014, (re)printed on this website with kind permission
- CHI Chinese (中文) [singable] (Dr Huaixing Wang) , copyright © 2024, (re)printed on this website with kind permission
- FRE French (Français) (Guy Laffaille) , "Le tigre", copyright © 2009, (re)printed on this website with kind permission
- GER German (Deutsch) (Walter A. Aue) , "Der Tiger", copyright © 2006, (re)printed on this website with kind permission
- GER German (Deutsch) (Thomas F. Schubert) , "Der Tiger", copyright ©, (re)printed on this website with kind permission
- RUS Russian (Русский) [singable] (Dmitri Nikolaevich Smirnov) , "Тигр", copyright ©, (re)printed on this website with kind permission
3. Holy Thursday  [sung text not yet checked]
['Twas]1 on a holy Thursday, their innocent faces clean, The children walking two and two, in red and blue and green: Gray-headed beadles walked before, with wands as white as snow, Till into the high dome of St Paul's they like Thames waters flow.2 O what a multitude they seemed, these flowers of London town! Seated in companies they sit, with radiance all their own. The hum of multitudes was there, but multitudes of lambs, Thousands of little boys and girls raising their innocent hands.2 Now like a mighty wind they raise to heaven the voice of song, Or like harmonious thunderings the seats of heaven among; Beneath them sit the aged men, wise guardians of the poor: Then cherish pity, lest you drive an angel from your door.2
Text Authorship:
- by William Blake (1757 - 1827), "Holy Thursday", appears in Songs of Innocence and Experience, in Songs of Innocence, no. 13, first published 1789
See other settings of this text.
View original text (without footnotes)1 Boughton: "It was"; further changes may exist not noted.
2 Wheeler adds: "Kyrie Eleison."
Researcher for this text: Emily Ezust [Administrator]
4. Spring  [sung text not yet checked]
Sound the Flute! Now [it's]1 mute. Birds delight Day and Night. Nightingale In the dale, Lark in Sky, 2 Merrily, Merrily Merrily to welcome in the Year. Little Boy, Full of Joy; Little Girl, Sweet and small. Cock does crow, So do you. Merry voice Infant noise Merrily Merrily to welcome in the Year. Little Lamb Here I am, Come and [lick My white neck]3. Let me pull Your soft Wool. Let me kiss Your soft face. Merrily Merrily [we]4 welcome in the Year.
Text Authorship:
- by William Blake (1757 - 1827), "Spring", appears in Songs of Innocence and Experience, in Songs of Innocence, no. 15, first published 1789
See other settings of this text.
View original text (without footnotes)Confirmed with William Blake, Songs of Innocence, 1789.
1 MacNutt: "'tis"2 Dougherty adds: "Out of sight"
3 MacNutt: "play/ Hours away"
4 MacNutt: "to"
Research team for this page: Emily Ezust [Administrator] , Garrett Medlock [Guest Editor]
5. A poison tree  [sung text not yet checked]
I was angry with my friend: I told my wrath, my wrath did end. I was angry with my foe: I told it not, my wrath did grow. And I water'd it in fears, Night & morning with my tears; And I sunned it with smiles, And with soft deceitful wiles. And it grew both day and night, Till it bore an apple bright. And my foe beheld it shine, And he knew that it was mine. And into my garden stole When the night had veil'd the pole, In the morning glad I see My foe outstretch'd beneath the tree.
Text Authorship:
- by William Blake (1757 - 1827), "The poison tree", appears in Songs of Innocence and Experience, in Songs of Experience, no. 21, first published 1794
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- CAT Catalan (Català) (Salvador Pila) , copyright © 2024, (re)printed on this website with kind permission
- FRE French (Français) (Guy Laffaille) , "Un arbre empoisonné", copyright © 2009, (re)printed on this website with kind permission
- GER German (Deutsch) (Bertram Kottmann) , "Ein Giftbaum", copyright © 2014, (re)printed on this website with kind permission
6. London (1)  [sung text not yet checked]
I wander thro' each charter'd street, Near where the charter'd Thames does flow And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infant's cry of fear, In every voice, in every ban, The mind-forg'd manacles I hear. How the Chimney-sweeper's cry Every black'ning Church appalls, And the hapless Soldier's sigh Runs in blood down Palace walls. But most thro' midnight streets I hear How the youthful Harlot's curse Blasts the new-born Infant's tear And blights with plagues the Marriage hearse.
Text Authorship:
- by William Blake (1757 - 1827), "London", appears in Songs of Innocence and Experience, in Songs of Experience, no. 18, first published 1794
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- CAT Catalan (Català) (Salvador Pila) , copyright © 2024, (re)printed on this website with kind permission
- FRE French (Français) (Guy Laffaille) , "Londres", copyright © 2009, (re)printed on this website with kind permission
7. London (2)  [sung text not yet checked]
I wander thro' each charter'd street, Near where the charter'd Thames does flow And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infant's cry of fear, In every voice, in every ban, The mind-forg'd manacles I hear. How the Chimney-sweeper's cry Every black'ning Church appalls, And the hapless Soldier's sigh Runs in blood down Palace walls. But most thro' midnight streets I hear How the youthful Harlot's curse Blasts the new-born Infant's tear And blights with plagues the Marriage hearse.
Text Authorship:
- by William Blake (1757 - 1827), "London", appears in Songs of Innocence and Experience, in Songs of Experience, no. 18, first published 1794
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- CAT Catalan (Català) (Salvador Pila) , copyright © 2024, (re)printed on this website with kind permission
- FRE French (Français) (Guy Laffaille) , "Londres", copyright © 2009, (re)printed on this website with kind permission
8. The Little Vagabond  [sung text not yet checked]
Dear Mother, dear Mother, the Church is cold, But the Ale-house is healthy & pleasant & warm; Besides I can tell where I am used well, Such usage in heaven will never do well. But if at the Church they would give us some Ale, And a pleasant fire our souls to regale, We'd sing and we'd pray all the live-long day, Nor ever once wish from the Church to stray. Then the Parson might preach, & drink, & sing, And we'd be as happy as birds in the spring; And modest dame Lurch, who is always at Church, Would not have bandy children, nor fasting, nor birch. And God, like a father rejoicing to see His children as pleasant and happy as he, Would have no more quarrel with the Devil or the Barrel, But kiss him, & give him both drink and apparel.
Text Authorship:
- by William Blake (1757 - 1827), "The Little Vagabond", appears in Songs of Innocence and Experience, in Songs of Experience, no. 17, first published 1794
See other settings of this text.
Researcher for this text: Emily Ezust [Administrator]