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Texts by B. Jonson set in Art Songs and Choral Works

 § Author § 

Ben Jonson (1572 - 1637)

Text Collections:

  • Cynthia's Revels, or the Fountain of Self Love
  • The Devil's an Ass
  • The Forest
  • The Sad Shepherd, or, a tale of Robin Hood

Texts set in art song or choral works (not necessarily comprehensive):

Legend:
The symbol [x] indicates a placeholder for a text that is not yet in the database.
The symbol ⊗ indicates a translation that is missing an original text.

A * indicates that a text cannot (yet?) be displayed on this site because of its copyright status.
Special notes: All titles and first lines are included in this index, including those used by composers.
Titles used by the text author appear in boldface. First lines appear in italics.
A language code in a blue rectangle like ENG indicates that a translation to that language is available.
A grey rectangle like FRE indicates a particular translation (usually one set to music) exists but isn't yet available.

  • A Hymn to God the Father (Hear me, O God!)
  • An Hymn (I sing the birth was born to-night)
  • A nymph's passion (I love, and he loves me again) - B. Boyle
  • A Prayer (Hear me, O God!) - E. Rubbra
  • A Rebuke (Still to be neat, still to be drest) - G. Bush GER
  • A song (Drink to me only with thine eyes) - E. Turner GER ⊗
  • Beauties, have ye seen a Toy
  • Beauties, have ye seen this Toy
  • Bebändert, geputzt, immer aufs best' (from Die Fähre, Englische Lyrik aus fünf Jahrhunderten) (Süße Saumsal) -
  • Begging another, on colour of mending the former (For Love's sake, kiss me once again)
  • Buzz, quoth the blue fly (Buzz, quoth the blue fly) - G. Bachlund
  • Buzz, quoth the blue fly - G. Bachlund
  • By a fountainside (Slow, slow, fresh fount, keep time with my salt tears) - R. Quilter
  • Come my Celia, let us prove - E. Bunge, A. Ferrabosco
  • Come my Celia (Come my Celia, let us prove) - A. Ferrabosco
  • Consider this small dust, here in the glass - D. Pinkham (The hour glass)
  • Die Schatten (Jag deinen Schatten: er flieht deinen Schritt) (from Die Fähre, Englische Lyrik aus fünf Jahrhunderten)
  • Do but consider this small dust - G. Bachlund, S. Wilkinson (The hourglass)
  • Drink to me only with thine eyes (Drink to me only with thine eyes) - R. Quilter, C. Scott GER ⊗
  • Drink to me only with thine eyes GER - E. Bunge, R. Faith, R. Quilter, C. Rogers, C. Scott, E. Turner (Song to Celia) ⊗
  • Drink to me only (Drink to me only with thine eyes) - E. Bunge GER ⊗
  • Echo's Lament for Narcissus (Slow, slow, fresh fount, keep time with my salt tears) - G. Bush
  • Echo's Lament of Narcissus (Slow, slow, fresh fount, keep time with my salt tears) - I. Gurney
  • Echo's song (Slow, slow, fresh fount, keep time with my salt tears) - D. Hagen, N. Rorem
  • Edle Art (Nicht wie beim Baum die Höh und Pracht) (from Die Fähre, Englische Lyrik aus fünf Jahrhunderten)
  • Epitaph on Salathiel Pavy (Weep with me all you that read) - W. Browne FRE
  • Epitaph (Wouldst thou hear what man can say) - R. Stöhr
  • Follow a shadow, it still flies you (from The Forest) GER - C. Parry (That women are but men's shadows)
  • Follow a shadow (Follow a shadow, it still flies you) (from The Forest) - C. Parry GER
  • For Love's sake, kiss me once again - A. Bax (Begging another, on colour of mending the former)
  • For love's sake (For Love's sake, kiss me once again) - A. Bax
  • Have you seen but a bright Lilie grow (from The Devil's an Ass)
  • Have you seen but a bright lily grow? (Have you seen but a whyte Lilie grow) (from The Devil's an Ass) - E. Maconchy
  • Have you seen but a white lily grow? (Have you seen but a whyte Lilie grow) (from The Devil's an Ass) - M. Herbert, R. Johnson
  • Have you seen but a whyte Lilie grow (Have you seen but a whyte Lilie grow) (from The Devil's an Ass) - Anonymous
  • Have you seen but a whyte Lilie grow (from The Devil's an Ass) - Anonymous, F. Delius, M. Herbert, R. Johnson, E. Maconchy
  • Hear me, O God! - E. Rubbra (A Hymn to God the Father)
  • Hymn to Diana (Queen and huntress, chaste and fair) - M. Carmichael, H. Gál, W. Lockitt, J. Raynor CAT FRE NYN SPA
  • Hymn (Queen and huntress, chaste and fair) - D. Argento, B. Britten CAT FRE NYN SPA
  • I love, and he loves me again - B. Boyle (A nymph's passion)
  • I sing the birth was born to-night - J. Raynor (An Hymn)
  • I Sing The Birth (I sing the birth was born to-night) - J. Raynor
  • It is not growing like a tree (It is not growing like a tree) - W. Davies, J. Gardner GER
  • It is not growing like a tree GER - W. Davies, J. Gardner, L. Lehmann
  • Jag deinen Schatten: er flieht deinen Schritt (from Die Fähre, Englische Lyrik aus fünf Jahrhunderten) (Die Schatten) -
  • Karolin's song (Though I am young and cannot tell) (from The Sad Shepherd, or, a tale of Robin Hood) - B. Boyle
  • Modest and fair, for fair and good are near - E. Elgar
  • Modest and Fair (Modest and fair, for fair and good are near) - E. Elgar
  • Nicht wie beim Baum die Höh und Pracht (from Die Fähre, Englische Lyrik aus fünf Jahrhunderten) (Edle Art) -
  • On Salathiel Pavy, a Child of Queen Elizabeth’s Chapel (Weep with me all you that read) FRE
  • O that joy so soon should waste! - G. Bush
  • Queen and huntress, chaste and fair CAT FRE NYN SPA - D. Argento, B. Britten, M. Carmichael, H. Gál, W. Lockitt, J. Raynor, C. Stanford
  • Queen and Huntress (Queen and huntress, chaste and fair) - C. Stanford CAT FRE NYN SPA
  • See, see, the mourning fount, whose springs weep yet (from Cynthia's Revels, or the Fountain of Self Love) - G. Bachlund
  • See the chariot at hand here of love DUT - R. Vaughan Williams
  • Slow fresh fount (Slow, slow, fresh fount, keep time with my salt tears) - W. Horsley
  • Slow, slow, fresh fount, keep time with my salt tears - S. Barab, L. Bassett, G. Bush, J. Eaton, M. Gideon, I. Gurney, D. Hagen, W. Horsley, W. Ogdon, D. Pinkham, R. Quilter, N. Rorem
  • Slow, slow, fresh fount (See, see, the mourning fount, whose springs weep yet) (from Cynthia's Revels, or the Fountain of Self Love) - G. Bachlund
  • Slow, slow fresh fount (Slow, slow, fresh fount, keep time with my salt tears) - S. Barab, L. Bassett, M. Gideon, W. Ogdon, D. Pinkham
  • So beautie on the waters stood (So beautie on the waters stood) - G. Bachlund, A. Ferrabosco
  • So beautie on the waters stood - G. Bachlund, A. Ferrabosco
  • So breaks the sun earth's rugged chains - G. Bachlund
  • So breaks the sun (So breaks the sun earth's rugged chains) - G. Bachlund
  • Song from Epicene (Still to be neat, still to be drest) - I. Gurney GER
  • Song from The Sad Shepherd (Though I am young and cannot tell) (from The Sad Shepherd, or, a tale of Robin Hood) - I. Gurney
  • Song of the glove () - M. Blitzstein [x]
  • Song to Celia (Come my Celia, let us prove) - E. Bunge
  • Song to Celia (Drink to me only with thine eyes) GER ⊗
  • Song (Slow, slow, fresh fount, keep time with my salt tears) - J. Eaton
  • So white, so soft, so sweet is she (Have you seen but a whyte Lilie grow) (from The Devil's an Ass) - F. Delius
  • Still to be neat, still to be drest GER - E. Bunge, G. Bush, E. Elgar, I. Gurney
  • Still to be neat (Still to be neat, still to be drest) - E. Bunge, E. Elgar GER
  • Süße Saumsal (Bebändert, geputzt, immer aufs best') (from Die Fähre, Englische Lyrik aus fünf Jahrhunderten)
  • That women are but men's shadows (Follow a shadow, it still flies you) (from The Forest) GER
  • The faiery beame upon you (The faiery beame upon you) - G. Bachlund
  • The faiery beame upon you - G. Bachlund
  • The fairy beam upon you (The fairy beam upon you) - D. Steele
  • The fairy beam upon you - D. Steele
  • The hour glass (Consider this small dust, here in the glass) - D. Pinkham
  • The hourglass (Do but consider this small dust) - G. Bachlund, S. Wilkinson
  • The Kiss (O that joy so soon should waste!) - G. Bush
  • The lily of a day (It is not growing like a tree) - L. Lehmann GER
  • The owl is abroad, the bat and the toad - H. Purcell, J. Smith, C. Stanford (The Witches' Charms)
  • The Owl Is Abroad (The owl is abroad, the bat and the toad) - H. Purcell, J. Smith
  • The Owl is abroad (The Witches' Charms) - H. Purcell (misattributed), J. Smith, C. Stanford
  • The shepherds' holyday (Thus, thus begin the yearly rites) - A. Bliss
  • The Witches' Charms (The owl is abroad, the bat and the toad)
  • Those eyes (Drink to me only with thine eyes) - C. Rogers GER ⊗
  • Though I am young and cannot tell (Though I am young and cannot tell) (from The Sad Shepherd, or, a tale of Robin Hood) - M. Carmichael
  • Though I am young and cannot tell (from The Sad Shepherd, or, a tale of Robin Hood) - B. Boyle, M. Carmichael, I. Gurney, N. Lanier
  • Though I am young (Though I am young and cannot tell) (from The Sad Shepherd, or, a tale of Robin Hood) - N. Lanier
  • Thus, thus begin the yearly rites - A. Bliss
  • To Celia (Drink to me only with thine eyes) - R. Faith GER ⊗
  • Wedding chorus (See the chariot at hand here of love) - R. Vaughan Williams DUT
  • Weep with me all ye that read FRE (On Salathiel Pavy, a Child of Queen Elizabeth’s Chapel) - W. Browne
  • Weep with me all you that read FRE - W. Browne (On Salathiel Pavy, a Child of Queen Elizabeth’s Chapel)
  • Witches' Charms (The owl is abroad, the bat and the toad) - C. Stanford
  • Wouldst thou hear what man can say - R. Stöhr (Epitaph)

Last update: 2025-02-07 19:19:35

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