by Percy Bysshe Shelley (1792 - 1822)
Translation by Jaroslav Vrchlický (1853 - 1912)
Hymn of Pan
Language: English
From the forests and highlands We come, we come; From the river-girt islands, Where loud waves are dumb Listening to my sweet pipings. The wind in the reeds and the rushes, The bees on the bells of thyme, The birds on the myrtle bushes, The cicale above in the lime, And the lizards below in the grass, Were as silent as ever old Tmolus was, Listening to my sweet pipings. Liquid Peneus was flowing, And all dark Tempe lay In Pelion's shadow, outgrowing The light of the dying day, Speeded by my sweet pipings. The Sileni, and Sylvans, and Fauns, And the Nymphs of the woods and the waves, To the edge of the moist river-lawns, And the brink of the dewy caves, And all that did then attend and follow, Were silent with love, as you now, Apollo, With envy of my sweet pipings. I sang of the dancing stars, I sang of the daedal Earth, And of Heaven--and the giant wars, And Love, and Death, and Birth, -- And then I changed my pipings, -- Singing how down the vale of Maenalus I pursued a maiden and clasped a reed. Gods and men, we are all deluded thus! It breaks in our bosom and then we bleed: All wept, as I think both ye now would, If envy or age had not frozen your blood, At the sorrow of my sweet pipings.
Text Authorship:
- by Percy Bysshe Shelley (1792 - 1822), "Hymn of Pan", first published 1824 [author's text checked 1 time against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- by Granville Ransome Bantock, Sir (1868 - 1946), "Hymn of Pan", 1921, published 1922 [ voice and piano ], from Songs of Shelley, no. 5 [sung text not yet checked]
- by Frederic Field Bullard (1864 - 1904), "Hymn of Pan", op. 17 no. 4, published 1894, from Four Poems by Shelley Set to Lyric Music, no. 4 [sung text not yet checked]
Available translations, adaptations or excerpts, and transliterations (if applicable):
- CZE Czech (Čeština) (Jaroslav Vrchlický) , "Hymna Panova", Prague, J. Otto, first published 1901
Researcher for this text: Emily Ezust [Administrator]
This text was added to the website: 2005-01-30
Line count: 36
Word count: 232
Hymna Panova
Language: Czech (Čeština)  after the English
Z hvozdů a horských lad my jdeme, my jdeme, z výsp, proudy jež vroubí odevšad, jichž hlučící vody jsou němé, mé sladké slouchajíce třtině. A vítr, jenž v sítí se ztrácí, na zvonkách tymianu včely, v myrt křoví zapadlí ptáci na lípě cikad sbor bdělý a ještěrky hravé, travin kde klas jak starý kdy Tanolus utichly v ráz mé sladké slouchajíce třtině. Vlnivý Peneus splynul, důl chmurný Tempe leh’ v stín Pelionu, dne, jenž hynul, on předstih’ světlo v spěch, vše konáno mou sladkou třtinou. A Sileni, Sylváni, Faunů dav a Nymfy z lesů a vod na kraji mýtin, jež smáčí vln splav a rosných slují kde vchod, druž s nimi táhnoucí stanula okolo a zmlkla láskou jak závistí Apollo nad mojí sladkou třtinou. Hvězd tančících pěl jsem roje, o Daedalské pěl jsem zemi, já nebe pěl, s giganty boje, Smrt, Lásku, Porod zvuky všemi, pak změnil jsem nápěv své třtiny. Já pěl, kterak Menalu v zápětí jsem běžel za dívkou a třtinu chyt’. Bozi a lidé jsme přeludů obětí, pak srdce nám puká a jitří se cit. A všickni lkali — jak vy, za to mám, by záštím a stářím krev natuhla vám zármutkem z mé sladké třtiny.
Confirmed with SHELLEY, P. B. Výbor lyriky, translated by Jaroslav Vrchlický, Praha: J. Otto, 1901, pages 61-62.
Text Authorship:
- by Jaroslav Vrchlický (1853 - 1912), "Hymna Panova", Prague, J. Otto, first published 1901 [author's text checked 1 time against a primary source]
Based on:
- a text in English by Percy Bysshe Shelley (1792 - 1822), "Hymn of Pan", first published 1824
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- [ None yet in the database ]
Researcher for this page: Andrew Schneider [Guest Editor]
This text was added to the website: 2019-07-26
Line count: 36
Word count: 199