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Warum sind denn die Rosen so blaß?

Language: German (Deutsch)

Warum sind denn die Rosen so blaß?
O sprich mein Lieb warum?
Warum sind denn im grünen Gras
Die blauen Veilchen so stumm?

Warum singt denn mit so kläglichem Laut,
Die Lerche in der Luft?
Warum steigt denn aus dem Balsamkraut
Verwelkter Blütenduft?

Warum scheint denn die Sonn' auf die Au,
So kalt und verdrießlich herab?
Warum ist denn die Erde so grau,
Und öde wie ein Grab?

Warum bin ich selbst so krank und so trüb?
Mein liebes Liebchen sprich
O sprich mein herzallerliebstes Lieb,
Warum verließest du mich?


Translation(s): CAT DUT ENG ENG ENG ENG ENG ENG ENG ENG ENG ENG ENG FRE FRE FRE FRE FRE ITA ITA POR RUS RUS UKR

List of language codes

P. Cornelius sets stanzas 1-2, 4

About the headline (FAQ)

Confirmed with Heinrich Heine, Buch der Lieder, Hoffmann und Campe, Hamburg, 1827, page 129.


Submitted by Emily Ezust [Administrator] and Pierre Mathé [Guest Editor]

Authorship


Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive)


This text (or a part of it) is used in a work

Settings in other languages, adaptations, or excerpts:

Other available translations, adaptations or excerpts, and transliterations (if applicable):

  • CAT Catalan (Català) (Salvador Pila) , "Perquè són les roses tan pàl·lides", copyright © 2014, (re)printed on this website with kind permission
  • DUT Dutch (Nederlands) [singable] (Lau Kanen) , copyright © 2017, (re)printed on this website with kind permission
  • ENG English (Emily Ezust) , "Why are the roses so pale?", copyright ©
  • ENG English (John Todhunter) , appears in Heine's Book of Songs, first published 1907
  • FRE French (Français) (Charles Beltjens) , no title, appears in Intermezzo lyrique, no. 23, first published 1827
  • FRE French (Français) (Guy Laffaille) , "Pourquoi les roses sont-elles si pâles?", copyright © 2008, (re)printed on this website with kind permission
  • FRE French (Français) (Pierre Mathé) , copyright © 2016, (re)printed on this website with kind permission
  • POR Portuguese (Português) (Axel Bergstedt) , copyright © 2016, (re)printed on this website with kind permission


Text added to the website between May 1995 and September 2003.

Last modified: 2017-02-07 13:45:19
Line count: 16
Word count: 90

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Por que as rosas são tão pálidos

Language: Portuguese (Português) after the German (Deutsch)

Por que as rosas são tão pálidos,
Ó, meu amorzinho, fala, por que?
Por que as violetas no gramado verde
Estão tão mudas?
 
Por que a cotovia no ar
Canta com voz tão triste?
Por que a erva-cidreira
Emana um perfume de cadáver?
 
Por que o sol brilha por cima das matas
Tão frio e aborrecido?
Por que a terra é tão cinza
E solitário como um túmulo?
 
Por que eu mesmo estou tão doente e sorumbático?
Meu amor querido, fala.
Ó fala, meu amor de coração,
Por que você me deixou?


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About the headline (FAQ)

Authorship

  • Translation from German (Deutsch) to Portuguese (Português) copyright © 2016 by Axel Bergstedt, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.

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Based on
  • a text in German (Deutsch) by Heinrich Heine (1797 - 1856), no title, appears in Buch der Lieder, in Lyrisches Intermezzo, no. 23 CAT DUT ENG ENG FRE FRE FRE FRE FRE ITA RUS RUS ENG ENG ENG ENG ENG ENG ENG ENG ENG ITA UKR
      • This text was set to music by the following composer(s): Jules Bleichmann, Albert Bratfisch, August Bungert, Hans van den Burg, Vladimir, Fürst Castriota-Scanderbeg, Peter Cornelius, Paul Dessau, G. J. van Dongen, Heinrich Dorn, Alexander Julius Paul Dorn, Hermann Drechsler, Luisa Erdődy, Ludwig von Erlanger, Don Forsythe, Gabel, Thecla de Gähler, Georgiana, Olivier Greif, Rudolf Gritzner, Ludwig Grünberger, Ferdinand Gumbert, Henry Kimball Hadley, Lennart Hedwall, Henrik Hennings, Arthur Hervey, Richard Hol, Friedrich Gustav Jansen, M. P. Kavelina, Nikolay Filippovich Khristianovich, O. K. Klemm, Franz Theodor Kugler, Georg Karl Kulenkamp, Franz Paul Lachner, Ernst Löwenberg, Felix Mendelssohn Bartholdy, Fanny Mendelssohn-Hensel, Ernst Hermann Meyer, Victor Ernst Nessler, C. Adolph Oberdörffer, Rudolf Philipp, Edna Frida Pietsch, Catharine Adelaide Agnes Ranken, Alfred Reisenauer, Jakob Rosenhain, Ludwig Rottenberg, Ludwig Schnorr von Carolsfeld, Malvina Schnorr von Carolsfeld, Othmar Schoeck, Josef Schreier, F. J. Schumann, E. von Selle, Anton Julievich Simon, Korstiaan Stougie, Oscar Strasnoy, Reginald Lindsey Sweet, Sigismund Thalberg, Feofil Matveyevich Tolstoy, Albert Theodor Töpken, Carl Uterhart, Peter Visser, Cornelis Christian Adriaan de Vliegh, Joel Weiss, Hermann Wichmann, Heinrich Rudolph Willmers, Theodor Winkelmann, Gerhard Wuensch, Max Zenger. Go to the text.

 

Text added to the website: 2016-09-11.
Last modified: 2016-09-11 19:09:35
Line count: 16
Word count: 92