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by Michelangelo Buonarroti (1475 - 1564)
Translation by John Addington Symonds (1840 - 1893)

Sonetto XXIV
Language: Italian (Italiano) 
Our translations:  ENG FRE LIT SPA
Spirto ben nato, in cui si specchia e vede
Nelle tuo belle membra oneste e care
Quante natura e 'l ciel tra no' puo' fare,
Quand'a null'altra suo bell'opra cede;
Spirto leggiadro, in cui si spera e crede
Dentro, come di fuor nel viso appare,
Amor, pietà, mercè, cose sì rare
Che mà furn'in beltà con tanta fede;
L'amor mi prende, e la beltà mi lega;
La pietà, la mercè con dolci sguardi
Ferma speranz'al cor par che ne doni.
Qual uso o qual governo al mondo niega,
Qual crudeltà per tempo, o qual più tardi,
C'a sì bel viso morte non perdoni?

Text Authorship:

  • by Michelangelo Buonarroti (1475 - 1564), appears in Rime, no. 41 [author's text not yet checked against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

  • by (Edward) Benjamin Britten (1913 - 1976), "Sonetto XXIV", op. 22 no. 7 (1940), published 1943 [ voice and piano ], from Seven Sonnets of Michelangelo, no. 7 [sung text checked 1 time]

Settings in other languages, adaptations, or excerpts:

  • Also set in English, a translation by John Addington Symonds (1840 - 1893) , appears in The Sonnets of Michael Angelo Buonarroti and Tommaso Campanella now for the first time translated into rhymed English ; composed by John Mitchell.
    • Go to the text.

Other available translations, adaptations or excerpts, and transliterations (if applicable):

  • ENG English (Carl Johengen) , "Sonnet XXIV", copyright ©, (re)printed on this website with kind permission
  • FRE French (Français) (Guy Laffaille) , "Sonnet XXIV", copyright © 2015, (re)printed on this website with kind permission
  • LIT Lithuanian (Lietuvių kalba) (Giedrius Prunskus) , "Sonetas XXIV", copyright © 2022, (re)printed on this website with kind permission
  • SPA Spanish (Español) (Juan Henríquez Concepción) , copyright © 2008, (re)printed on this website with kind permission


Researcher for this text: Emily Ezust [Administrator]

This text was added to the website between May 1995 and September 2003.
Line count: 14
Word count: 103

Choice soul
Language: English  after the Italian (Italiano) 
Choice soul, in which, as in a glass we see,
In thy pure form and delicate,
What beauties heaven and nature can create,
The paragon of all their works to be!
Fair soul, in whom love, pity, piety,
Have found a home as from thy outward state
We clearly read, and are so rare and great
That they adorn none other like to thee!
And love for thee holds my captivity;
Beauty binds my soul to thine own
Thy gentle eyes of mercy wake my hope
What law, what destiny, what cruelty denies
That death should spare perfection so complete?
Choice soul in thee as in a glass we see
Beauty bind my soul to thine own.

Text Authorship:

  • by John Addington Symonds (1840 - 1893), appears in The Sonnets of Michael Angelo Buonarroti and Tommaso Campanella now for the first time translated into rhymed English [author's text not yet checked against a primary source]

Based on:

  • a text in Italian (Italiano) by Michelangelo Buonarroti (1475 - 1564), appears in Rime, no. 41
    • Go to the text page.

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

  • by John Mitchell (b. 1941), "Choice soul", op. 72 no. 5 (1989), from Six Sonnets by Michelangelo, no. 5. [
     text verified 1 time
    ]

Researcher for this page: Victoria Brago

This text was added to the website: 2003-11-05
Line count: 15
Word count: 117

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This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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