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Songs of War

Song Cycle by Gary Bachlund (b. 1947)

1. In Time of 'The Breaking of Nations'
 (Sung text)

Language: English 
Only a man harrowing clods
In a slow silent walk
With an old horse that stumbles and nods
Half asleep as they stalk.

Only thin smoke without flame
From the heaps of couch-grass;
Yet this will go onward the same
Though Dynasties pass.

Yonder a maid and her wight
Come whispering by:
War's annals will cloud into night
Ere their story die.

Text Authorship:

  • by Thomas Hardy (1840 - 1928), "In Time of 'The Breaking of Nations'"

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • HUN Hungarian (Magyar) (Dezső Kosztolányi) , "Amikor a háború"

First published in Saturday Review, January, 1916
Researcher for this text: Emily Ezust [Administrator]

2. The Send‑Off
 (Sung text)

Language: English 
Down the close, darkening lanes they sang their way
To the siding-shed,
And lined the train with faces grimly gay.
Their breasts were stuck all white with wreath and spray
As men's are, dead.

Dull porters watched them, and a casual tramp
Stood staring hard,
Sorry to miss them from the upland camp.
Then, unmoved, signals nodded, and a lamp
Winked to the guard.

So secretly, like wrongs hushed-up, they went.
They were not ours:
We never heard to which front these were sent.
Nor there if they yet mock what women meant
Who gave them flowers.

Shall we return to beatings of great bells
In wild train-loads?
A few, a few, too few for drums and yells,
May creep back, silent, to village wells
Up half-known roads.

Text Authorship:

  • by Wilfred Owen (1893 - 1918), "The Send‑Off"

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • FRE French (Français) (Guy Laffaille) , "Le départ", copyright © 2017, (re)printed on this website with kind permission

Researcher for this text: Emily Ezust [Administrator]

3. Attack
 (Sung text)

Language: English 
At dawn the ridge emerges massed and dun
In the wild purple of the glow'ring sun,
Smouldering through spouts of drifting smoke that shroud
The menacing scarred slope; and, one by one,
Tanks creep and topple forward to the wire.
The barrage roars and lifts. Then, clumsily bowed
With bombs and guns and shovels and battle-gear,
Men jostle and climb to meet the bristling fire.
Lines of grey, muttering faces, masked with fear,
They leave their trenches, going over the top,
While time ticks blank and busy on their wrists,
And hope, with furtive eyes and grappling fists,
Flounders in mud. O Jesus, make it stop!

Text Authorship:

  • by Siegfried Lorraine Sassoon (1886 - 1967), "Attack", from Counter-Attack and Other Poems, first published 1918

Go to the general single-text view

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • FRE French (Français) (Pierre Mathé) , "Attaque", copyright © 2017, (re)printed on this website with kind permission

Please note: this text, provided here for educational and research use, is in the public domain in Canada and the U.S., but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.

Confirmed with Siegfried Sassoon, COUNTER-ATTACK and other poems, E.P .Dutton and company, New York, 1918, page 18


Research team for this page: Emily Ezust [Administrator] , Pierre Mathé [Guest Editor]

4. Dead Man's Dump
 (Sung text)

Language: English 
The plunging limbers over the shattered track
Racketed with their rusty freight,
Stuck out like many crowns of thorns,
And the rusty stakes like scepters old
To stay the flood of brutish men
Upon our brothers dear.

The wheels lurched over sprawled dead
But pained them not, though their bones crunched,
Their shut mouths made no moan.
They lie there huddled, friend and foeman,
Man born of man, and born of woman,
And shells go crying over them
From night till night and now.

Earth has waited for them,
All the time of their growth
Fretting for their decay:
Now she has them at last!
In the strength of their strength
Suspended - stopped and held.

What fierce imaginings their dark souls lit?
Earth! have they gone into you!
Somewhere they must have gone,
And flung on your hard back
Is their soul's sack
Emptied of God-ancestralled essences.
Who hurled them out? Who hurled?

None saw their spirits' shadow shake the grass,
Or stood aside for the half used life to pass
Out of those doomed nostrils and the doomed mouth,
When the swift iron burning bee
Drained the wild honey of their youth.

What of us who, flung on the shrieking pyre,
Walk, our usual thoughts untouched,
Our lucky limbs as on ichor fed,
Immortal seeming ever?
Perhaps when the flames beat loud on us,
A fear may choke in our veins
And the startled blood may stop.

The air is loud with death,
The dark air spurts with fire,
The explosions ceaseless are.
Timelessly now, some minutes pass,
These dead strode time with vigorous life,
Till the shrapnel called 'An end!'
But not all. In bleeding pangs
Some borne on stretchers dreamed of home,
Dear things, war-blotted from their hearts.

Maniac Earth! howling and flying, your bowel
Seared by the jagged fire, the iron love,
The impetuous storm of savage love.
Dark Earth! dark Heavens! Swinging in chemic smoke,
What dead are born when you kiss each soundless soul
With lightning and thunder from your minded heart,
Which man's self dug, and his blind fingers loosed?

A man's brains splattered on
A stretcher-bearer's face;
His shook shoulders slipped their load,
But when they bent to look again
The drowning soul was sunk too deep
For human tenderness.

They left this dead with the other dead,
Stretched at the cross roads.
Burnt black by strange decay
Their sinister faces lie,
The lid over each eye,
The grass and coloured clay
More motion have than they,
Joined to the great sunk silence.

Here is one not long dead;
His dark hearing caught our far wheels,
And the choked soul stretched weak hands
To reach the living world the far wheels said,
The blood-dazed intelligence beating for light,
Crying through the suspense of the far torturing wheels
Swift for the end to break
Or the wheels to break,
Cried as the tide of the world broke over his sight.

Will they come? Will they ever come?
Even as the mixed hoofs of the mules,
The quivering-bellied mules,
And the rushing wheels all mixed
With his tortured upturned sight.
So we crashed round the bend,
We heard his weak scream,
We heard his very last sound,
And our wheels grazed his dead face.

Text Authorship:

  • by Isaac Rosenberg (1890 - 1918)

Go to the general single-text view

Researcher for this text: Emily Ezust [Administrator]

5. Gethsemane
 (Sung text)

Language: English 
The Garden called Gethsemane
In Picardy it was,
And there the people came to see
The English soldiers pass.

We used to pass - we used to pass
Or halt, as it might be,
And ship our masks in case of gas
Beyond Gethsemane.

The Garden called Gethsemane
It held a pretty lass,
But all the time she talked to me
I prayed my cup might pass.

The officer sat on the chair,
The men lay on the grass,
And all the time we halted there,
I prayed my cup might pass.

It didn't pass - it didn't pass -
It didn't pass from me.
I drank it when we met the gas
Beyond Gethsemane!

Text Authorship:

  • by Rudyard Kipling (1865 - 1936)

Go to the general single-text view

Researcher for this text: Emily Ezust [Administrator]

6. Danny Deever
 (Sung text)

Language: English 
"What are the bugles blowin' for?" said Files-on-Parade.
"To turn you out, to turn you out", the Colour-Sergeant said.
"What makes you look so white, so white?" said Files-on-Parade.
"I'm dreadin' what I've got to watch", the Colour-Sergeant said.
    For they're hangin' Danny Deever, you can hear the Dead March play,
    The regiment's in 'ollow square -- they're hangin' him to-day;
    They've taken of his buttons off an' cut his stripes away,
    An' they're hangin' Danny Deever in the mornin'.

"What makes the rear-rank breathe so 'ard?" said Files-on-Parade.
"It's bitter cold, it's bitter cold", the Colour-Sergeant said.
"What makes that front-rank man fall down?" said Files-on-Parade.
"A touch o' sun, a touch o' sun", the Colour-Sergeant said.
    They are hangin' Danny Deever, they are marchin' of 'im round,
    They 'ave 'alted Danny Deever by 'is coffin on the ground;
    An' 'e'll swing in 'arf a minute for a sneakin' shootin' hound --
    O they're hangin' Danny Deever in the mornin'!

"'Is cot was right-'and cot to mine", said Files-on-Parade.
"'E's sleepin' out an' far to-night", the Colour-Sergeant said.
"I've drunk 'is beer a score o' times", said Files-on-Parade.
"'E's drinkin' bitter beer alone", the Colour-Sergeant said.
    They are hangin' Danny Deever, you must mark 'im to 'is place,
    For 'e shot a comrade sleepin' -- you must look 'im in the face;
    Nine 'undred of 'is county an' the regiment's disgrace,
    While they're hangin' Danny Deever in the mornin'.

"What's that so black agin' the sun?" said Files-on-Parade.
"It's Danny fightin' 'ard for life", the Colour-Sergeant said.
"What's that that whimpers over'ead?" said Files-on-Parade.
"It's Danny's soul that's passin' now", the Colour-Sergeant said.
    For they're done with Danny Deever, you can 'ear the quickstep play,
    The regiment's in column, an' they're marchin' us away;
    Ho! the young recruits are shakin', an' they'll want their beer to-day,
    After hangin' Danny Deever in the mornin'.

Text Authorship:

  • by Rudyard Kipling (1865 - 1936), "Danny Deever"

See other settings of this text.

First published in Scots Observer, 1890

Researcher for this text: Emily Ezust [Administrator]

7. The dead
 (Sung text)

Language: English 
These hearts were woven of human joys and cares,
Washed marvelously with sorrow, swift to mirth,
The years had given them kindness. Dawn was theirs,
And sunset, and the colours of the earth.
These had seen movement, and heard music; known
Slumber and waking; loved; gone proudly friended;
Felt the quick stir of wonder; sat alone;
Touched flowers and furs and cheeks. All this is ended.

There are waters blown by changing winds to laughter
And lit by the rich skies, all day. And after,
Frost, with a gesture, stays the waves that dance
And wandering loveliness. He leaves a white
Unbroken glory, a gathered radiance,
A width, a shining peace, under the night.

Text Authorship:

  • by Rupert Brooke (1887 - 1915), "The dead", appears in 1914, no. 4

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • ITA Italian (Italiano) (Ferdinando Albeggiani) , "I morti", copyright © 2007, (re)printed on this website with kind permission

First published in New Numbers, December 1914

Researcher for this text: Emily Ezust [Administrator]
Total word count: 1375
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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